The Club of Queer Trades by G. K. Chesterton (the rosie project TXT) 📕
Description
Charles Swinburne and his friend, the private detective Rupert Grant, are startled when Major Brown recounts the things that happened to him that morning. Along with Rupert’s brother, the ex-judge Basil Grant, they launch headlong into their investigation only to discover that the antagonist is a member of the Club of Queer Trades. Over the course of six short stories, the secrets of the Club come to light in surprising ways.
The Club of Queer Trades was one of G. K. Chesterton’s earlier works, and was originally serialized in Harper’s Weekly in 1904 before being collected into a novel in 1905. In recent years it was produced as a six-part radio drama by the BBC.
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- Author: G. K. Chesterton
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“Which man?” I cried again, and then my eye caught the figure at which Basil’s bull’s eyes were glaring.
He was a slim, smooth person, passing very quickly among the quickly passing crowd, but though there was nothing about him sufficient to attract a startled notice, there was quite enough to demand a curious consideration when once that notice was attracted. He wore a black top-hat, but there was enough in it of those strange curves whereby the decadent artist of the eighties tried to turn the top-hat into something as rhythmic as an Etruscan vase. His hair, which was largely grey, was curled with the instinct of one who appreciated the gradual beauty of grey and silver. The rest of his face was oval and, I thought, rather Oriental; he had two black tufts of moustache.
“What has he done?” I asked.
“I am not sure of the details,” said Grant, “but his besetting sin is a desire to intrigue to the disadvantage of others. Probably he has adopted some imposture or other to effect his plan.”
“What plan?” I asked. “If you know all about him, why don’t you tell me why he is the wickedest man in England? What is his name?”
Basil Grant stared at me for some moments.
“I think you’ve made a mistake in my meaning,” he said. “I don’t know his name. I never saw him before in my life.”
“Never saw him before!” I cried, with a kind of anger; “then what in heaven’s name do you mean by saying that he is the wickedest man in England?”
“I meant what I said,” said Basil Grant calmly. “The moment I saw that man, I saw all these people stricken with a sudden and splendid innocence. I saw that while all ordinary poor men in the streets were being themselves, he was not being himself. I saw that all the men in these slums, cadgers, pickpockets, hooligans, are all, in the deepest sense, trying to be good. And I saw that that man was trying to be evil.”
“But if you never saw him before—” I began.
“In God’s name, look at his face,” cried out Basil in a voice that startled the driver. “Look at the eyebrows. They mean that infernal pride which made Satan so proud that he sneered even at heaven when he was one of the first angels in it. Look at his moustaches, they are so grown as to insult humanity. In the name of the sacred heavens look at his hair. In the name of God and the stars, look at his hat.”
I stirred uncomfortably.
“But, after all,” I said, “this is very fanciful—perfectly absurd. Look at the mere facts. You have never seen the man before, you—”
“Oh, the mere facts,” he cried out in a kind of despair. “The mere facts! Do you really admit—are you still so sunk in superstitions, so clinging to dim and prehistoric altars, that you believe in facts? Do you not trust an immediate impression?”
“Well, an immediate impression may be,” I said, “a little less practical than facts.”
“Bosh,” he said. “On what else is the whole world run but immediate impressions? What is more practical? My friend, the philosophy of this world may be founded on facts, its business is run on spiritual impressions and atmospheres. Why do you refuse or accept a clerk? Do you measure his skull? Do you read up his physiological state in a handbook? Do you go upon facts at all? Not a scrap. You accept a clerk who may save your business—you refuse a clerk that may rob your till, entirely upon those immediate mystical impressions under the pressure of which I pronounce, with a perfect sense of certainty and sincerity, that that man walking in that street beside us is a humbug and a villain of some kind.”
“You always put things well,” I said, “but, of course, such things cannot immediately be put to the test.”
Basil sprang up straight and swayed with the swaying car.
“Let us get off and follow him,” he said. “I bet you five pounds it will turn out as I say.”
And with a scuttle, a jump, and a run, we were off the car.
The man with the curved silver hair and the curved Eastern face walked along for some time, his long splendid frock-coat flying behind him. Then he swung sharply out of the great glaring road and disappeared down an ill-lit alley. We swung silently after him.
“This is an odd turning for a man of that kind to take,” I said.
“A man of what kind?” asked my friend.
“Well,” I said, “a man with that kind of expression and those boots. I thought it rather odd, to tell the truth, that he should be in this part of the world at all.”
“Ah, yes,” said Basil, and said no more.
We tramped on, looking steadily in front of us. The elegant figure, like the figure of a black swan, was silhouetted suddenly against the glare of intermittent gaslight and then swallowed again in night. The intervals between the lights were long, and a fog was thickening the whole city. Our pace, therefore, had become swift and mechanical between the lampposts; but Basil came to a standstill suddenly like a reined horse; I stopped also. We had almost run into the man. A great part of the solid darkness in front of us was the darkness of his body.
At first I thought he had turned to face us. But though we were hardly a yard off he did not realize that we were there. He tapped four times on a very low and dirty door in the dark, crabbed street. A gleam of gas cut the darkness as it opened slowly. We listened intently, but the interview was short and simple and inexplicable as an interview could be. Our exquisite friend handed in what looked like a paper or a card and said:
“At once. Take a cab.”
A heavy, deep voice
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