His Family by Ernest Poole (popular ebook readers txt) 📕

That afternoon, to distract him, Deborah took her father to a concert in Carnegie Hall. She had often urged him to go of late, but despite his liking for music Roger had refused before, simply because it was a change. But why balk at going anywhere now, when Laura was up to such antics at home?

“Do you mind climbing up to the gallery?” Deborah asked as they entered the hall.

“Not at all,” he curtly answered. He did mind it very much!

“Then we’ll go to the very top,” she said. “It’s a long climb but I want you to see it. It’s so different up there.”

“I don’t doubt it,” he replied. And as they made the slow ascent, pettishly he wondered why Deborah must always be so eager for queer places. Galleries, zoo schools, tenement slums⁠—why not take a two dollar seat in life?

Deborah seated him far down in the front of the great gallery, over at the extreme right, and from here they could look back and up at a huge dim arena of faces.

“Now watch them close,” she whispered. “See what the music does to them.”

As the symphony began below the faces all grew motionless. And as the music cast its spell, the anxious ruffled feelings which had been with Roger all that day little by little were dispelled, and soon his imagination began to work upon this scene. He saw many familiar American types. He felt he knew what they had been doing on Sundays only a few years before. After church they had eaten large Sunday dinners. Then some had napped and some had walked and some had gone to Sunday school. At night they had had cold suppers, and afterwards some had gone back to church; while others, as in Roger’s house in the days when Judith was alive, had gathered around the piano for hymns. Young men callers, friends of their daughters, had joined in the family singing. Yes, some of these people had been like that. To them, a few short years ago, a concert on the Sabbath would have seemed a sacrilege. He could almost hear from somewhere the echo of “Abide With Me.”

But over this memory of a song rose now the surging music of Tschaikovsky’s “Pathetique.” And the yearnings and fierce hungers in this tumultuous music swept all the hymns from Roger’s mind. Once more he watched the gallery, and this time he became aware that more than half were foreigners. Out of the mass from every side individual faces emerged, swarthy, weird, and staring hungrily into space. And to Roger the whole shadowy place, the very air, grew pregnant, charged with all these inner lives bound together in this mood, this mystery that had swept over them all, immense and formless, baffling, this furious demanding and this blind wistful groping which he himself had known so well, ever since his wife had died and he had lost his faith in God. What was the meaning of it all if life were nothing but a start, and there were nothing but the grave?

“You will live on in our children’s lives.”

He glanced around at Deborah. Was she so certain, so serene? “What do I know of her?” he asked. “Little or nothing,” he sadly replied. And he tried to piece together from things she had told him her life as it had passed him by. Had there been no questionings, no sharp disillusionments? There must have been. He recalled irritabilities, small acts and exclamations of impatience, boredom, “blues.” And as he watched her he grew sure that his daughter’s existence had been like his own. Despite its different setting, its other aims and visions, it had been a mere beginning, a feeling for a foothold, a search for light and happiness. And Deborah seemed to him still a child. “How far will you go?” he wondered.

Although he was still watching her even after the music had ceased, she did not notice him for a time. Then she turned to him slowly with a smile.

“Well? What did you see?” she asked.

“I wasn’t looking,” he replied.

“Why, dearie,” she retorted. “Where’s that imagination of yours?”

“It was with you,” he answered. “Tell me what you were thinking.”

And still under the spell of the music, Deborah said to her father,

“I was thinking of hungry people⁠—millions of them, now, this minute⁠—not only here but in so many places⁠—concerts, movies, libraries. Hungry, oh, for everything⁠—life, its beauty, all it means. And I was thinking this is youth⁠—no matter how old they happen to be⁠—and that to feed it we have schools. I was thinking how little we’ve done as yet, and of all that we’re so sure to do in the many, many years ahead. Do you see what I mean?” she squeezed his hand.

“Welcome back to school,” she said, “back into the hungry army of youth!⁠ ⁠… Sh-h-h!”

Again the music had begun. And sitting by her side he wondered whether it was because she knew that Laura’s affair had made him feel old that Deborah had brought him here.

They went to Edith’s for supper.

The Cunninghams’ apartment was on the west side, well uptown. It was not the neighborhood which Edith would have chosen, for nearly all the nice people she knew lived east of the park. But rents were somewhat lower here and there was at least an abundance of fresh air for her family. Edith had found that her days were full of these perplexing decisions. It was all very simple to resolve that her children be old-fashioned, normal, wholesome, nice. But then she looked into the city⁠—into schools and kindergartens, clothes and friends and children’s parties, books and plays. And through them all to her dismay she felt conflicting currents, clashes between old and new. She felt New York. And anxiously she asked herself, “What is old-fashioned? What is normal? What is wholesome? What is nice?” Cautiously she made her way, testing and comparing, trying small experiments. Often sharply she would