Howards End by E. M. Forster (best book recommendations .TXT) 📕
Description
Howards End, published in 1910, is considered by many to be Forster’s masterpiece. The plot revolves around three families in Edwardian England: the Schlegels, a trio of half-German, middle-class siblings who to poor people seem rich, but to rich people seem poor; the Wilcoxes, a large, wealthy family of businessmen; and the Basts, a lower class young couple struggling to keep up appearances.
The Schlegel siblings are sharp, intelligent, and idealistic, and they pursue culture and art with an enthusiasm reminiscent of the Bloomsbury group. They befriend the Wilcoxes while on a trip abroad, and the lonely Wilcox matriarch and Margaret Schlegel, the strong-willed elder sister, strike up a friendship. As their families begin butting heads in London, Helen, the younger Schlegel sister, runs in to Leonard Bast while at the opera. Bast is proud and ambitious, but clearly impoverished and lacking gentility. Helen, a rash and fiery idealist, takes him up as a pet project, oblivious to the deep cultural gulf between Bast and themselves as she tries her best to educate him in matters of art and literature and lift him out of his class.
The interplay between the three families becomes a complex reflection on social codes and class difference in England: how class can lock lives in place, and how even the well-to-do are not immune from becoming ossified in their station thanks to the seemingly-unbreakable social conventions of the age. Capitalism, a still-new philosophy of life, is juxtaposed against humanism and the arts as the families try to do what they each think is the right thing. Forster weaves these threads expertly against the backdrop of London city life and the cozy family cottage of Howards End, the ultimate centerpiece in these three families’ lives.
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- Author: E. M. Forster
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She turned over and slept.
The house was unlocked, their landlord being a salesman at Covent Garden. Leonard passed out and made his way down to the station. The train, though it did not start for an hour, was already drawn up at the end of the platform, and he lay down in it and slept. With the first jolt he was in daylight; they had left the gateways of King’s Cross, and were under blue sky. Tunnels followed, and after each the sky grew bluer, and from the embankment at Finsbury Park he had his first sight of the sun. It rolled along behind the eastern smokes—a wheel, whose fellow was the descending moon—and as yet it seemed the servant of the blue sky, not its lord. He dozed again. Over Tewin Water it was day. To the left fell the shadow of the embankment and its arches; to the right Leonard saw up into the Tewin Woods and towards the church, with its wild legend of immortality. Six forest trees—that is a fact—grow out of one of the graves in Tewin churchyard. The grave’s occupant—that is the legend—is an atheist, who declared that if God existed, six forest trees would grow out of her grave. These things in Hertfordshire; and farther afield lay the house of a hermit—Mrs. Wilcox had known him—who barred himself up, and wrote prophecies, and gave all he had to the poor. While, powdered in between, were the villas of business men, who saw life more steadily, though with the steadiness of the half-closed eye. Over all the sun was streaming, to all the birds were singing, to all the primroses were yellow, and the speedwell blue, and the country, however they interpreted her, was uttering her cry of “now.” She did not free Leonard yet, and the knife plunged deeper into his heart as the train drew up at Hilton. But remorse had become beautiful.
Hilton was asleep, or at the earliest, breakfasting. Leonard noticed the contrast when he stepped out of it into the country. Here men had been up since dawn. Their hours were ruled, not by a London office, but by the movements of the crops and the sun. That they were men of the finest type only the sentimentalists can declare. But they kept to the life of daylight. They are England’s hope. Clumsily they carry forward the torch of the sun, until such time as the nation sees fit to take it up. Half clodhopper, half board-school prig, they can still throw back to a nobler stock, and breed yeomen.
At the chalk pit a motor passed him. In it was another type, whom Nature favours—the Imperial. Healthy, ever in motion, it hopes to inherit the earth. It breeds as quickly as the yeoman, and as soundly; strong is the temptation to acclaim it as a super-yeoman, who carries his country’s virtue overseas. But the Imperialist is not what he thinks or seems. He is a destroyer. He prepares the way for cosmopolitanism, and though his ambitions may be fulfilled, the earth that he inherits will be grey.
To Leonard, intent on his private sin, there came the conviction of innate goodness elsewhere. It was not the optimism which he had been taught at school. Again and again must the drums tap, and the goblins stalk over the universe before joy can be purged of the superficial. It was rather paradoxical, and arose from his sorrow. Death destroys a man, but the idea of death saves him—that is the best account of it that has yet been given. Squalor and tragedy can beckon to all that is great in us, and strengthen the wings of love. They can beckon; it is not certain that they will, for they are not love’s servants. But they can beckon, and the knowledge of this incredible truth comforted him.
As he approached the house all thought stopped. Contradictory notions stood side by side in his mind. He was terrified but happy, ashamed, but had done no sin. He knew the confession: “Mrs. Wilcox, I have done wrong,” but sunrise had robbed its meaning, and he felt rather on a supreme adventure.
He entered a garden, steadied himself against a motorcar that he found in it, found a door open and entered a house. Yes, it would be very easy. From a room to the left he heard voices, Margaret’s amongst them. His own name was called aloud, and a man whom he had never seen said, “Oh, is he there? I am not surprised. I now thrash him within an inch of his life.”
“Mrs. Wilcox,” said Leonard, “I have done wrong.”
The man took him by the collar and cried, “Bring me a stick.” Women were screaming. A stick, very bright, descended. It hurt him, not where it descended, but in the heart. Books fell over him in a shower. Nothing had sense.
“Get some water,” commanded Charles, who had all through kept very calm. “He’s shamming. Of course I only used the blade. Here, carry him out into the air.”
Thinking that he understood these things, Margaret obeyed him. They laid Leonard, who was dead, on the gravel; Helen poured water over him.
“That’s enough,” said Charles.
“Yes, murder’s enough,” said Miss Avery, coming out of the house with the sword.
XLIIWhen Charles left Ducie Street he had caught the first train home, but had no inkling of the newest development until late at night. Then his father, who had dined alone, sent for him, and in very grave tones inquired for Margaret.
“I don’t know where she is, pater” said Charles. “Dolly kept back dinner nearly an hour for her.”
“Tell me when she comes in.”
Another hour passed. The servants went to bed, and Charles visited his father again, to receive further instructions. Mrs. Wilcox had still not returned.
“I’ll sit up for her as late as you like, but she can hardly be coming. Isn’t she stopping with her sister at the hotel?”
“Perhaps,” said Mr. Wilcox thoughtfully—“perhaps.”
“Can I do anything for you, sir?”
“Not
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