Short Fiction by Nikolai Gogol (primary phonics .TXT) ๐
Description
Nikolai Gogol spent most of his literary career writing short stories, drawing inspiration from his childhood in Ukraine and his adult life in St. Petersburg. His stories are filled with larger than life yet relatable characters and perfectly described locations, and span many genres from historical epics to early horror and surrealism.
His influence on Russian literature cannot be understated: Fyodor Dostoevsky is quoted as saying โWe all come out from Gogolโs โOvercoat,โโโ (presented here as โThe Mantleโ) and mentioned him by name in Crime and Punishment; Mikhail Bulgakov stated that โno-one can compare with him,โ and Vladimir Nabokov wrote a full biography. Many of the stories in this collection have been adapted for stage and film, including โThe Noseโ as an opera by Dmitri Shostakovich.
Collected here are all of the public domain translations into English of Gogolโs short stories, in chronological order of the original Russian publication. They were translated by Claud Field, Isabel F. Hapgood, Vizetelly and Company, and George Tolstoy.
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- Author: Nikolai Gogol
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He was left alone. At first he yawned, then he stretched himself, blew on both hands, and finally looked round him. In the middle of the church stood the black bier; before the dark pictures of saints burned the candles, whose light only illuminated the icons, and cast a faint glimmer into the body of the church; all the corners were in complete darkness. The lofty icons seemed to be of considerable age; only a little of the original gilt remained on their broken traceries; the faces of the saints had become quite black and looked uncanny.
Once more the philosopher cast a glance around him. โBother it!โ said he to himself. โWhat is there to be afraid about? No living creature can get in, and as for the dead and those who come from the โother side,โ I can protect myself with such effectual prayers that they cannot touch me with the tips of their fingers. There is nothing to fear,โ he repeated, swinging his arms. โLet us begin the prayers!โ
As he approached one of the side-aisles, he noticed two packets of candles which had been placed there.
โThat is fine,โ he thought. โI must illuminate the whole church, till it is as bright as day. What a pity that one cannot smoke in it.โ
He began to light the candles on all the wall-brackets and all the candelabra, as well as those already burning before the holy pictures; soon the whole church was brilliantly lit up. Only the darkness in the roof above seemed still denser by contrast, and the faces of the saints peering out of the frames looked as unearthly as before. He approached the bier, looked nervously at the face of the dead girl, could not help shuddering slightly, and involuntarily closed his eyes. What terrible and extraordinary beauty!
He turned away and tried to go to one side, but the strange curiosity and peculiar fascination which men feel in moments of fear, compelled him to look again and again, though with a similar shudder. And in truth there was something terrible about the beauty of the dead girl. Perhaps she would not have inspired so much fear had she been less beautiful; but there was nothing ghastly or deathlike in the face, which wore rather an expression of life, and it seemed to the philosopher as though she were watching him from under her closed eyelids. He even thought he saw a tear roll from under the eyelash of her right eye, but when it was halfway down her cheek, he saw that it was a drop of blood.
He quickly went into one of the stalls, opened his book, and began to read the prayers in a very loud voice in order to keep up his courage. His deep voice sounded strange to himself in the grave-like silence; it aroused no echo in the silent and desolate wooden walls of the church.
โWhat is there to be afraid of?โ he thought to himself. โShe will not rise from her bier, since she fears Godโs word. She will remain quietly resting. Yes, and what sort of a Cossack should I be, if I were afraid? The fact is, I have drunk a little too muchโ โthat is why I feel so queer. Let me take a pinch of snuff. It is really excellentโ โfirst-rate!โ
At the same time he cast a furtive glance over the pages of the prayerbook towards the bier, and involuntarily he said to himself, โThere! See! She is getting up! Her head is already above the edge of the coffin!โ
But a deathlike silence prevailed; the coffin was motionless, and all the candles shone steadily. It was an awe-inspiring sight, this church lit up at midnight, with the corpse in the midst, and no living soul near but one. The philosopher began to sing in various keys in order to stifle his fears, but every moment he glanced across at the coffin, and involuntarily the question came to his lips, โSuppose she rose up after all?โ
But the coffin did not move. Nowhere was there the slightest sound nor stir. Not even did a cricket chirp in any corner. There was nothing audible but the slight sputtering of some distant candle, or the faint fall of a drop of wax.
โSuppose she rose up after all?โ
He raised his head. Then he looked round him wildly and rubbed his eyes. Yes, she was no longer lying in the coffin, but sitting upright. He turned away his eyes, but at once looked again, terrified, at the coffin. She stood up; then she walked with closed eyes through the church, stretching out her arms as though she wanted to seize someone.
She now came straight towards him. Full of alarm, he traced with his finger a circle round himself; then in a loud voice he began to recite the prayers and formulas of exorcism which he had learnt from a monk who had often seen witches and evil spirits.
She had almost reached the edge of the circle which he had traced; but it was evident that she had not the power to enter it. Her face wore a bluish tint like that of one who has been several days dead.
Thomas had not the courage to look at her, so terrible was her appearance; her teeth
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