Hard Times by Charles Dickens (ebooks that read to you txt) 📕
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Hard Times (originally Hard Times—For These Times) was published in 1854, and is the shortest novel Charles Dickens ever published. It’s set in Coketown, a fictional mill-town set in the north of England. One of the major themes of the book is the miserable treatment of workers in the mills, and the resistance to their unionization by the mill owners, typified by the character Josiah Bounderby, who absurdly asserts that the workers live a near-idyllic life but they all “expect to be set up in a coach and six, and to be fed on turtle soup and venison, with a gold spoon.” The truth, of course, is far different.
The other major topic which Dickens tackles in this novel is the rationalist movement in schooling and the denigration of imagination and fantasy. It begins with the words “Now, what I want is, Facts,” spoken by the wealthy magnate Thomas Gradgrind, who is supervising a class at a model school he has opened. This indeed is Gradgrind’s entire philosophy. “Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else.” He is supported and encouraged in this approach by his friend Bounderby. Grandgrind raises his own children on these principles, and, as we discover, in doing so blights their lives.
The novel also follows the story of a particular mill-worker, Stephen Blackpool, who leads a tragic life. He is burdened with an alcoholic, slatternly wife, who is mostly absent from his life, but who returns at irregular intervals to trouble him. This existing marriage, and the near-impossibility of divorce for someone of his class, prevents him marrying Rachael, who is the light of his life. Dickens depicts Stephen as representing the nobility of honest work, and contrasts his character with that of the self-satisfied humbug Josiah Bounderby who represents the worst aspects of capitalism.
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- Author: Charles Dickens
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Into how much of futurity? He saw Mrs. Sparsit fighting out a daily fight at the points of all the weapons in the female armoury, with the grudging, smarting, peevish, tormenting Lady Scadgers, still laid up in bed with her mysterious leg, and gobbling her insufficient income down by about the middle of every quarter, in a mean little airless lodging, a mere closet for one, a mere crib for two; but did he see more? Did he catch any glimpse of himself making a show of Bitzer to strangers, as the rising young man, so devoted to his master’s great merits, who had won young Tom’s place, and had almost captured young Tom himself, in the times when by various rascals he was spirited away? Did he see any faint reflection of his own image making a vainglorious will, whereby five-and-twenty Humbugs, past five-and-fifty years of age, each taking upon himself the name, Josiah Bounderby of Coketown, should forever dine in Bounderby Hall, forever lodge in Bounderby buildings, forever attend a Bounderby chapel, forever go to sleep under a Bounderby chaplain, forever be supported out of a Bounderby estate, and forever nauseate all healthy stomachs, with a vast amount of Bounderby balderdash and bluster? Had he any prescience of the day, five years to come, when Josiah Bounderby of Coketown was to die of a fit in the Coketown street, and this same precious will was to begin its long career of quibble, plunder, false pretences, vile example, little service and much law? Probably not. Yet the portrait was to see it all out.
Here was Mr. Gradgrind on the same day, and in the same hour, sitting thoughtful in his own room. How much of futurity did he see? Did he see himself, a white-haired decrepit man, bending his hitherto inflexible theories to appointed circumstances; making his facts and figures subservient to Faith, Hope, and Charity; and no longer trying to grind that Heavenly trio in his dusty little mills? Did he catch sight of himself, therefore much despised by his late political associates? Did he see them, in the era of its being quite settled that the national dustmen have only to do with one another, and owe no duty to an abstraction called a People, “taunting the honourable gentleman” with this and with that and with what not, five nights a-week, until the small hours of the morning? Probably he had that much foreknowledge, knowing his men.
Here was Louisa on the night of the same day, watching the fire as in days of yore, though with a gentler and a humbler face. How much of the future might arise before her vision? Broadsides in the streets, signed with her father’s name, exonerating the late Stephen Blackpool, weaver, from misplaced suspicion, and publishing the guilt of his own son, with such extenuation as his years and temptation (he could not bring himself to add, his education) might beseech; were of the present. So, Stephen Blackpool’s tombstone, with her father’s record of his death, was almost of the present, for she knew it was to be. These things she could plainly see. But, how much of the future?
A working woman, christened Rachael, after a long illness once again appearing at the ringing of the factory bell, and passing to and fro at the set hours, among the Coketown hands; a woman of pensive beauty, always dressed in black, but sweet-tempered and serene, and even cheerful; who, of all the people in the place, alone appeared to have compassion on a degraded, drunken wretch of her own sex, who was sometimes seen in the town secretly begging of her, and crying to her; a woman working, ever working, but content to do it, and preferring to do it as her natural lot, until she should be too old to labour any more? Did Louisa see this? Such a thing was to be.
A lonely brother, many thousands of miles away, writing, on paper blotted with tears, that her words had too soon come true, and that all the treasures in the world would be cheaply bartered for a sight of her dear face? At length this brother coming nearer home, with hope of seeing her, and being delayed by illness; and then a letter, in a strange hand, saying “he died in hospital, of fever, such a day, and died in penitence and love of you: his last word being your name”? Did Louisa see these things? Such things were to be.
Herself again a wife—a mother—lovingly watchful of her children, ever careful that they should have a childhood of the mind no less than a childhood of the body, as knowing it to be even a more beautiful thing, and a possession, any hoarded scrap of which, is a blessing and happiness to the wisest? Did Louisa see this? Such a thing was never to be.
But, happy Sissy’s happy children loving her; all children loving her; she, grown learned in childish lore; thinking no innocent and pretty fancy ever to be despised; trying hard to know her humbler fellow-creatures, and to beautify their lives of machinery and reality with those imaginative graces and delights, without which the heart of infancy will wither up, the sturdiest physical manhood will be morally stark death, and the plainest national prosperity figures can show, will be the Writing on the Wall—she holding this course as part of no fantastic vow, or bond, or brotherhood, or sisterhood, or pledge, or covenant, or fancy dress, or fancy fair; but simply as a duty to be done—did Louisa see these things of herself? These things were to be.
Dear reader! It rests with you and me, whether, in our two fields of action, similar things shall be or not. Let them be! We shall sit with lighter bosoms
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