Madame Bovary by Gustave Flaubert (great reads txt) 📕
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Madame Bovary, often ranked among the greatest novels of all time, is Flaubert’s first novel, and considered to be both his masterpiece and one of the most influential works in literary history, with authors from Henry James to Proust to Nabokov heaping it with praise.
The novel tells the story of Emma Bovary, a commoner wife of a country doctor, and her attempts to escape the drudgery of day-to-day mediocrity by engaging in adulterous affairs and overspending on luxuries. She remains unsatisfied even though her husband adores her and they want for little, and her shallowness eventually leads to their ruin.
The story was first serialized in Revue de Paris, where prosecutors tried to have it censored for obscenity, arguing that not only is the story immoral, but that realism as a literary style is an offence against art and decency. The trial only served to increase the story’s fame, and when it was published as a single novel it quickly became a bestseller.
The novel is groundbreaking in its emphasis on the psychological and emotional lives of its characters. Literature up to then had mostly focusing on the external events that make characters react, instead of focusing on the internal thought processes of those characters. Madame Bovary changed that forever. It was also revolutionary in its criticism of the middle class, which at the time was a still-new social class vying for elbow room between the working poor and hereditary aristocracy. Flaubert critiqued the middle class as being ambitious, shallow, greedy, materialistic, and totally without culture; Emma’s burning desire to reach even higher social strata, contrasted against that satisfaction being fundamentally denied to her by her middle-class nature, is an early echo of Marx’s theory of alienation in industrial societies.
Today Madame Bovary, with its careful but charming description of the banality of everyday life, is considered the first great example of literary realism in fiction novels. Eleanor Marx-Aveling’s translation, though over a hundred years old, is remarkably fresh and smooth, and is a pleasure even for modern readers.
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- Author: Gustave Flaubert
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“Ah!” thought Rodolphe, turning very pale, “that was what she came for.” At last he said with a calm air—
“Dear madame, I have not got them.”
He did not lie. If he had had them, he would, no doubt, have given them, although it is generally disagreeable to do such fine things: a demand for money being, of all the winds that blow upon love, the coldest and most destructive.
First she looked at him for some moments.
“You have not got them!” she repeated several times. “You have not got them! I ought to have spared myself this last shame. You never loved me. You are no better than the others.”
She was betraying, ruining herself.
Rodolphe interrupted her, declaring he was “hard up” himself.
“Ah! I pity you,” said Emma. “Yes—very much.”
And fixing her eyes upon an embossed carabine, that shone against its panoply, “But when one is so poor one doesn’t have silver on the butt of one’s gun. One doesn’t buy a clock inlaid with tortoise shell,” she went on, pointing to a buhl timepiece, “nor silver-gilt whistles for one’s whips,” and she touched them, “nor charms for one’s watch. Oh, he wants for nothing! even to a liqueur-stand in his room! For you love yourself; you live well. You have a château, farms, woods; you go hunting; you travel to Paris. Why, if it were but that,” she cried, taking up two studs from the mantelpiece, “but the least of these trifles, one can get money for them. Oh, I do not want them, keep them!”
And she threw the two links away from her, their gold chain breaking as it struck against the wall.
“But I! I would have given you everything. I would have sold all, worked for you with my hands, I would have begged on the highroads for a smile, for a look, to hear you say ‘Thanks!’ And you sit there quietly in your armchair, as if you had not made me suffer enough already! But for you, and you know it, I might have lived happily. What made you do it? Was it a bet? Yet you loved me—you said so. And but a moment since—Ah! it would have been better to have driven me away. My hands are hot with your kisses, and there is the spot on the carpet where at my knees you swore an eternity of love! You made me believe you; for two years you held me in the most magnificent, the sweetest dream! Eh! Our plans for the journey, do you remember? Oh, your letter! your letter! it tore my heart! And then when I come back to him—to him, rich, happy, free—to implore the help the first stranger would give, a suppliant, and bringing back to him all my tenderness, he repulses me because it would cost him three thousand francs!”
“I haven’t got them,” replied Rodolphe, with that perfect calm with which resigned rage covers itself as with a shield.
She went out. The walls trembled, the ceiling was crushing her, and she passed back through the long alley, stumbling against the heaps of dead leaves scattered by the wind. At last she reached the ha-ha hedge in front of the gate; she broke her nails against the lock in her haste to open it. Then a hundred steps farther on, breathless, almost falling, she stopped. And now turning round, she once more saw the impassive château, with the park, the gardens, the three courts, and all the windows of the façade.
She remained lost in stupor, and having no more consciousness of herself than through the beating of her arteries, that she seemed to hear bursting forth like a deafening music filling all the fields. The earth beneath her feet was more yielding than the sea, and the furrows seemed to her immense brown waves breaking into foam. Everything in her head, of memories, ideas, went off at once like a thousand pieces of fireworks. She saw her father, Lheureux’s closet, their room at home, another landscape. Madness was coming upon her; she grew afraid, and managed to recover herself, in a confused way, it is true, for she did not in the least remember the cause of the terrible condition she was in, that is to say, the question of money. She suffered only in her love, and felt her soul passing from her in this memory; as wounded men, dying, feel their life ebb from their bleeding wounds.
Night was falling, crows were flying about.
Suddenly it seemed to her that fiery spheres were exploding in the air like fulminating balls when they strike, and were whirling, whirling, to melt at last upon the snow between the branches of the trees. In the midst of each of them appeared the face of Rodolphe. They multiplied and drew near her, penetrating, her. It all disappeared; she recognised the lights of the houses that shone through the fog.
Now her situation, like an abyss, rose up before her. She was panting as if her heart would burst. Then in an ecstasy of heroism, that made her almost joyous, she ran down the hill, crossed the cow-plank, the footpath, the alley, the market, and reached the chemist’s shop. She was about to enter, but at the sound of the bell someone might come, and slipping in by the gate, holding her breath, feeling her way along the walls, she went as far as the door of the kitchen, where a candle stuck on the stove was burning. Justin in his shirtsleeves was carrying out a dish.
“Ah! they are dining; I will wait.”
He returned; she tapped at the window. He went out.
“The key! the one for upstairs where he keeps the—”
“What?”
And he looked at her, astonished at the pallor of her face, that stood
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