Collected Poems by Anthony Burgess (best e ink reader for manga txt) 📕

brown.’ James and John’s song to the fish. Man of Nazareth, pp. 150–1.

286. The Prodigal Son. Sung by Philip in Man of Nazareth, pp. 158-9.

287. The Good Samaritan. Sung by Philip in Man of Nazareth, pp. 196-7.

288. Passover Hymn. This is the song that the disciplines sing on their way to their lodgings, following the Last Supper with Jesus. Judas, we are told, ‘did not join in’. Man of Nazareth, p. 284.

SOURCES AND FURTHER READING

Books and Articles about Burgess

Aggeler, Geoffrey, Anthony Burgess: The Artist as Novelist (University of Alabama Press, 1979)

Biswell, Andrew, ‘Introduction’ in Anthony Burgess, A Clockwork Orange. The Restored Edition, ed. by Andrew Biswell (London: Heinemann, 2012), pp.xv–xxxi

Biswell, Andrew, The Real Life of Anthony Burgess (London: Picador, 2005)

Bloom, Harold, ed., Anthony Burgess Modern Critical (New York and Philadelphia: Chelsea House Publishers, 1987), pp. 13–28

Boyntinck, Paul, Anthony Burgess: An Annotated Bibliography and Reference Guide (New York: Garland, 1985)

Bradbury, Malcolm, ‘Anthony Burgess: A Passion for Words’, Independent on Sunday, 28 November 1993, p. 3

Brewer, Jeutonne, Anthony Burgess A Bibliography, Scarecrow Bibliographies, no. 47 (Metuchen NJ, and London: Scarecrow Press, 1980)

Cabau, Jacques, ‘Anthony Burgess par lui-même, un entretien inédit avec l’auteur’ in TREMA, no. 5 (1980), 93–110

Clarke, Jim, The Aesthetics of Anthony Burgess: Fire of Words. (Basingstoke: Palgrave Macmillan, 2017)

Coale, Samuel, Anthony Burgess (New York: Frederick Ungar, 1981)

Daiches, David, ‘Ambulant Prophet’, Times Literary Supplement, 21 January 1977, p. 50

Dix, Carol M, Anthony Burgess, Writers and Their Work, no. 222 (Harlow: Longman for the British Council, 1971)

Farkas, A.Í, Will’s Son and Jake’s Peer (Budapest: Akadêmiai Kiadó, 2002)

Jeannin, Marc, ed., Anthony Burgess: Music in Literature, Literature in Music (Newcastle: Cambridge Scholars, 2009)

Monod, Sylvère, ‘Enderby le minable magnifique’ in TREMA, no. 5 (1980), 19-29

Monod, Sylvère, ‘Poets and Poetry in the Enderby Cycle’, Anthony Burgess Newsletter, no. 6 (December 2003)

Morrison, Blake, ‘Introduction’ in Anthony Burgess, A Clockwork Orange (London: Penguin, 1996)

Phillips, Paul, A Clockwork Counterpoint: The Music and Literature of Anthony Burgess (Manchester: Manchester University Press, 2010)

Roughley, Alan, ed., Anthony Burgess and Modernity (Manchester: Manchester University Press, 2008)

Sophocles, Oedipus the King, trans. by Anthony Burgess (Minneapolis: University of Minnesota Press, 1972)

Vêza, Laurette, ‘Anthony Burgess: de la poésie à la parodie’ in TREMA, no.5 (1980), 31–8

Woodroffe, Graham, ed., Marlowe, Shakespeare, Burgess: Anthony Burgess and his Elizabethan Affiliations (Presses l’Université d’Angers, 2012)

Works Containing Poetry by Burgess, or Burgess’s Commentaries on Poetry

‘A Babble of Voices’ in Index on Censorship, 9.2 (1980), 38-41

‘A mingled chime’, Times Literary Supplement, 16 January 1975, p. 50

‘Authors on Translators’ in Translation, 11.74 (Winter 1974), 5–8

‘Bless Thee Burgess, Thou Art Translated’, Independent, 27 November 1993, p. 2

‘Burgess… on Film, Television and Radio’, http://www.anthonyburgess.org/about-anthony-burgess/burgess-on-filmtelevision-and-radio

‘Chatsky, or The Importance of Being Stupid’ in Chatsky, Almeida Theatre programme (London: Almeida Theatre, 1993), pp. 6–7

‘European Lecture’, Guardian, 27 November 1993, G2 section, p. 2. Originally given at Cheltenham Festival of Literature, 9 October 1992

‘Five Revolutionary Sonnets’, Transatlantic Review, 21 (1966), 30-32

‘Five sonnets by G.G. Belli translated by Anthony Burgess’, Times Literary Supplement, 23 January 1976, p. 76

‘Introduction’ in Edmond Rostand, Cyrano de Bergerac, trans. by Anthony Burgess (London: Nick Hern Books, 1985: 1991), pp. i-xii

‘Is Translation Possible?’ in Translation: The Journal of Literary Translation, 12 (1974), 3–7

‘Making Them Sing’ (review of W.H. Auden and Chester Kallmann, Libretti and other Dramatic Writings) in Observer, 29 October 1993, p. 18

‘Poèmes Inédits’, ed. by Sylvère Monod, in TREMA, no. 5 (1980), pp. 5-17

‘The Bond of Words’, Times Literary Supplement, 5 April 1984, p. 487

‘The Ecstasy of Gerard Manley Hopkins’, New York Times, 27 August 1989, p. 15

‘The Magus of Mallorca’, Times Literary Supplement, 21 May 1982, p. 547

‘The Princely Progress’, Times Literary Supplement, 12 June 1981, p. 656

‘Viewpoint’, Times Literary Supplement, 11 March 1973, p. 2

ABBA ABBA (London, Faber, 1977)

Beds in the East (London: Heinemann, 1959)

Blooms of Dublin: A Musical Play Based on James Joyce’s Ulysses (London: Hutchinson, 1986)

Carmen: An Opera in Four Acts. By H. Meilhac and L. Halevy, trans. by Anthony Burgess (London: Hutchinson, 1986)

A Christmas Recipe (Verona: Plain Wrapper Press, 1977)

A Clockwork Orange: A Play With Music (London: Hutchinson, 1987)

The Clockwork Testament, or Enderby’s End (London: Hart-Davis, MacGibbon,1974)

Cyrano de Bergerac. By Edmond Rostand, trans. by Anthony Burgess (London: Nick Hern Books, 1991)

Earthy Powers (London: Hutchinson, 1980)

End of the World News: An Entertainment (London: Hutchinson, 1982)

Enderby Outside (London: Heinemann, 1968)

The Enemy in the Blanket (London: Heinemann, 1958)

The Eve of Saint Venus (London: Sidgwick & Jackson, 1964)

Inside Mr Enderby (as Joseph Kell) (London: Heinemann, 1963)

Little Wilson and Big God: Being the First Part of the Confessions of Anthony Burgess (London: Heinemann, 1987)

A Long Trip to Teatime (London: Dempsey & Squires, 1976)

Man of Nazareth (London: Magnum/Methuen, 1980)

MF (London: Cape, 1971)

A Mouthful of Air (London: Hutchinson, 1992)

Napoleon Symphony (New York: Alfred A. Knopf, 1974)

Oberon Old and New (London: Hutchinson, 1985)

One Hand Clapping (as Joseph Kell) (London: Peter Davies, 1961)

One Man’s Chorus, ed. by Ben Forkner (New York: Carroll and Graf, 1998)

Revolutionary Sonnets, ed. by Kevin Jackson (Manchester: Carcanet, 2002)

The Right to an Answer (London, Heinemann, 1960)

They Wrote in English: A Survey of British and American Literature, 2 vols (Milan: Tramontana, 1979)

Time for a Tiger (London: Heinemann, 1956)

A Vision of Battlements (London: Sidgwick & Jackson, 1965)

The Wanting Seed (London: Heinemann, 1962)

The Worm and the Ring (London: Heinemann, 1961)

You’ve Had Your Time (London: Heinemann, 1990)

ALPHABETICAL LIST OF TITLES OR FIRST LINES

Poems with titles are given in italics. Those not given titles by Burgess appear without italics.

A Ballade for Christmas

p. 350

A Ballade for the Birthday Of My Dearest Wife

p. 348

A bird sat high on a banyan tree

p. 441

Abraham’s Sacrifice (1)

p. 63

Abraham’s Sacrifice (2)

p. 64

Abraham’s Sacrifice (3)

p. 64

A Christmas Recipe

p. 398

Adam’s Sin

p. 56

A drink. What is a drink?

p. 433

A glance or gander of this gandy dancer

p. 400

A History

p. 361

All About Eve

p. 54

A prism is a useful thing

p. 402

A Reply

p. 55

A Rondel For Spring

p. 357

A Sonnet for the Emery Collegiate Institute

p. 341

A Time for Music

p. 431

Advice to would-be writers? Simple. Don’t

p. 341

All the ore

p. 361

An Elegy For X

p. 408

An Essay On