His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕

possible opinion. There was the list of the studios of the School of Arts, the liberal list, the list of the uncompromising radical painters, the conciliatory list, the young painters’ list, even the ladies’ list, and so forth. The scene suggested all the turmoil at the door of an electoral polling booth on the morrow of a riot.

At four o’clock in the afternoon, when the voting was over, Claude could not resist a fit of curiosity to go and have a look. The staircase was now free, and whoever chose could enter. Upstairs, he came upon the huge gallery, overlooking the Champs Élysées, which was set aside for the hanging committee. A table, forty feet long, filled the centre of this gallery, and entire trees were burning in the monumental fireplace at one end of it. Some four or five hundred electors, who had remained to see the votes counted, stood there, mingled with friends and inquisitive strangers, talking, laughing, and setting quite a storm loose under the lofty ceiling. Around the table, parties of people who had volunteered to count the votes were already settled and at work; there were some fifteen of these parties in all, each comprising a chairman and two scrutineers. Three or four more remained to be organised, and nobody else offered assistance; in fact, everyone turned away in fear of the crushing labour which would rivet the more zealous people to the spot far into the night.

It precisely happened that Fagerolles, who had been in the thick of it since the morning, was gesticulating and shouting, trying to make himself heard above the hubbub.

“Come, gentlemen, we need one more man here! Come, some willing person, over here!”

And at that moment, perceiving Claude, he darted forward and forcibly dragged him off.

“Ah! as for you, you will just oblige me by sitting down there and helping us! It’s for the good cause, dash it all!”

Claude abruptly found himself chairman of one of the counting committees, and began to perform his functions with all the gravity of a timid man, secretly experiencing a good deal of emotion, as if the hanging of his canvas would depend upon the conscientiousness he showed in his work. He called out the names inscribed upon the voting-papers, which were passed to him in little packets, while the scrutineers, on sheets of paper prepared for the purpose, noted each successive vote that each candidate obtained. And all this went on amidst a most frightful uproar, twenty and thirty names being called out at the same time by different voices, above the continuous rumbling of the crowd. As Claude could never do anything without throwing passion into it, he waxed excited, became despondent whenever a voting-paper did not bear Fagerolles’ name, and grew happy as soon as he had to shout out that name once more. Moreover, he often tasted that delight, for his friend had made himself popular, showing himself everywhere, frequenting the cafés where influential groups of artists assembled, even venturing to expound his opinions there, and binding himself to young artists, without neglecting to bow very low to the members of the Institute. Thus there was a general current of sympathy in his favour. Fagerolles was, so to say, everybody’s spoilt child.

Night came on at about six o’clock that rainy March day. The assistants brought lamps; and some mistrustful artists, who, gloomy and silent, were watching the counting askance, drew nearer. Others began to play jokes, imitated the cries of animals, or attempted a tyrolienne. But it was only at eight o’clock, when a collation of cold meat and wine was served, that the gaiety reached its climax. The bottles were hastily emptied, the men stuffed themselves with whatever they were lucky enough to get hold of, and there was a free-and-easy kind of Kermesse in that huge hall which the logs in the fireplace lit up with a forge-like glow. Then they all smoked, and the smoke set a kind of mist around the yellow light from the lamps, whilst on the floor trailed all the spoilt voting-papers thrown away during the polling; indeed, quite a layer of dirty paper, together with corks, breadcrumbs, and a few broken plates. The heels of those seated at the table disappeared amidst this litter. Reserve was cast aside; a little sculptor with a pale face climbed upon a chair to harangue the assembly, and a painter, with stiff moustaches under a hook nose, bestrode a chair and galloped, bowing, round the table, in mimicry of the Emperor.

Little by little, however, a good many grew tired and went off. At eleven o’clock there were not more than a couple of hundred persons present. Past midnight, however, some more people arrived, loungers in dress-coats and white ties, who had come from some theatre or soiree and wished to learn the result of the voting before all Paris knew it. Reporters also appeared; and they could be seen darting one by one out of the room as soon as a partial result was communicated to them.

Claude, hoarse by now, still went on calling names. The smoke and the heat became intolerable, a smell like that of a cow-house rose from the muddy litter on the floor. One o’clock, two o’clock in the morning struck, and he was still unfolding voting-papers, the conscientiousness which he displayed delaying him to such a point that the other parties had long since finished their work, while his was still a maze of figures. At last all the additions were centralised and the definite result proclaimed. Fagerolles was elected, coming fifteenth among forty, or five places ahead of Bongrand, who had been a candidate on the same list, but whose name must have been frequently struck out. And daylight was breaking when Claude reached home in the Rue Tourlaque, feeling both worn out and delighted.

Then, for a couple of weeks he lived in a state of anxiety. A dozen times he had the idea of going to Fagerolles’