The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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Or perhaps in his philosophy he thought: Better to be out of it all! Better to have done with it, like this poor youth. …
Someone touched him on the arm.
A tear started up and wetted his eyelash. “Well,” he said, “I’m no good here. I’d better be going. You’ll come to me as soon as you can, Jo,” and with his head bowed he went away.
It was young Jolyon’s turn to take his stand beside the dead man, round whose fallen body he seemed to see all the Forsytes breathless, and prostrated. The stroke had fallen too swiftly.
The forces underlying every tragedy—forces that take no denial, working through cross currents to their ironical end, had met and fused with a thunderclap, flung out the victim, and flattened to the ground all those that stood around.
Or so at all events young Jolyon seemed to see them, lying around Bosinney’s body.
He asked the Inspector to tell him what had happened, and the latter, like a man who does not every day get such a chance, again detailed such facts as were known.
“There’s more here, sir, however,” he said, “than meets the eye. I don’t believe in suicide, nor in pure accident, myself. It’s more likely I think that he was suffering under great stress of mind, and took no notice of things about him. Perhaps you can throw some light on these.”
He took from his pocket a little packet and laid it on the table. Carefully undoing it, he revealed a lady’s handkerchief, pinned through the folds with a pin of discoloured Venetian gold, the stone of which had fallen from the socket. A scent of dried violets rose to young Jolyon’s nostrils.
“Found in his breast pocket,” said the Inspector; “the name has been cut away!”
Young Jolyon with difficulty answered: “I’m afraid I cannot help you!” But vividly there rose before him the face he had seen light up, so tremulous and glad, at Bosinney’s coming! Of her he thought more than of his own daughter, more than of them all—of her with the dark, soft glance, the delicate passive face, waiting for the dead man, waiting even at that moment, perhaps, still and patient in the sunlight.
He walked sorrowfully away from the hospital towards his father’s house, reflecting that this death would break up the Forsyte family. The stroke had indeed slipped past their defences into the very wood of their tree. They might flourish to all appearance as before, preserving a brave show before the eyes of London, but the trunk was dead, withered by the same flash that had stricken down Bosinney. And now the saplings would take its place, each one a new custodian of the sense of property.
Good forest of Forsytes! thought young Jolyon—soundest timber of our land!
Concerning the cause of this death—his family would doubtless reject with vigour the suspicion of suicide, which was so compromising! They would take it as an accident, a stroke of fate. In their hearts they would even feel it an intervention of Providence, a retribution—had not Bosinney endangered their two most priceless possessions, the pocket and the hearth? And they would talk of “that unfortunate accident of young Bosinney’s,” but perhaps they would not talk—silence might be better!
As for himself, he regarded the bus-driver’s account of the accident as of very little value. For no one so madly in love committed suicide for want of money; nor was Bosinney the sort of fellow to set much store by a financial crisis. And so he too, rejected this theory of suicide, the dead man’s face rose too clearly before him. Gone in the heyday of his summer—and to believe thus that an accident had cut Bosinney off in the full sweep of his passion was more than ever pitiful to young Jolyon.
Then came a vision of Soames’ home as it now was, and must be hereafter. The streak of lightning had flashed its clear uncanny gleam on bare bones with grinning spaces between, the disguising flesh was gone. …
In the dining-room at Stanhope Gate old Jolyon was sitting alone when his son came in. He looked very wan in his great armchair. And his eyes travelling round the walls with their pictures of still life, and the masterpiece Dutch Fishing-Boats at Sunset seemed as though passing their gaze over his life with its hopes, its gains, its achievements.
“Ah! Jo!” he said, “is that you? I’ve told poor little June. But that’s not all of it. Are you going to Soames’? She’s brought it on herself, I suppose; but somehow I can’t bear to think of her, shut up there—and all alone.” And holding up his thin, veined hand, he clenched it.
IX Irene’s ReturnAfter leaving James and old Jolyon in the mortuary of the hospital, Soames hurried aimlessly along the streets.
The tragic event of Bosinney’s death altered the complexion of everything. There was no longer the same feeling that to lose a minute would be fatal, nor would he now risk communicating the fact of his wife’s flight to anyone till the inquest was over.
That morning he had risen early, before the postman came, had taken the first-post letters from the box himself, and, though there had been none from Irene, he had made an opportunity of telling Bilson that her mistress was at the sea; he would probably, he said, be going down himself from Saturday to Monday. This had given him time to breathe, time to leave no stone unturned to find her.
But now, cut off from taking steps by Bosinney’s
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