A Voyage to Arcturus by David Lindsay (the false prince series .TXT) 📕
Description
On hearing the title A Voyage to Arcturus, one might picture an astronaut strapping themselves into a rocket and flying into space for a swashbuckling adventure. Nothing could be further from what this book actually is.
Voyage is in fact a fascinating, bizarre, bewildering, and thought-provoking sort of acid-fueled Pilgrim’s Progress: a philosophical allegory told through the frame of a psychedelic gender-bending journey to an alien planet.
After a terrifying séance, the protagonist, Maskull, is offered the chance of an adventure on a different world. He agrees, and the reader follows him on his blood-soaked path through lands representing different philosophies and ways of life as he searches for the world’s godhead, Surtur. Or is it Crystalman?
Voyage features fiction wildly ahead of its time, and is hardly classifiable as either science fiction or fantasy; one might even say that the book is better approached as a philosophical work than a straightforward narrative. It’s not a book for a reader seeking simple fiction, but rather for a reader seeking a thoughtful, imaginative, and totally unexpected exploration of philosophy and of life.
Decades ahead of its time, Voyage was praised by contemporaries like C. S. Lewis and J. R. R. Tolkien, and by modern authors like Clive Barker and Alan Moore. Many modern reviewers consider it a masterpiece of 20th century fiction and the work of an underappreciated genius. A century later it boasts a significant cult following, having inspired movies, plays, albums, and even operas, as well as a modern sequel by famous literary critic Harold Bloom—the only work of fiction he ever wrote.
Read free book «A Voyage to Arcturus by David Lindsay (the false prince series .TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: David Lindsay
Read book online «A Voyage to Arcturus by David Lindsay (the false prince series .TXT) 📕». Author - David Lindsay
By David Lindsay.
Table of Contents Titlepage Imprint I: The Séance II: In the Street III: Starkness IV: The Voice V: The Night of Departure VI: Joiwind VII: Panawe Panawe’s Story VIII: The Lusion Plain IX: Oceaxe X: Tydomin XI: On Disscourn XII: Spadevil XIII: The Wombflash Forest XIV: Polecrab XV: Swalone’s Island XVI: Leehallfae XVII: Corpang XVIII: Haunte XIX: Sullenbode XX: Barey XXI: Muspel Colophon Uncopyright ImprintThis ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
This particular ebook is based on a transcription produced for Project Gutenberg and on digital scans available at the Internet Archive.
The writing and artwork within are believed to be in the U.S. public domain, and Standard Ebooks releases this ebook edition under the terms in the CC0 1.0 Universal Public Domain Dedication. For full license information, see the Uncopyright at the end of this ebook.
Standard Ebooks is a volunteer-driven project that produces ebook editions of public domain literature using modern typography, technology, and editorial standards, and distributes them free of cost. You can download this and other ebooks carefully produced for true book lovers at standardebooks.org.
I The SéanceOn a march evening, at eight o’clock, Backhouse, the medium—a fast-rising star in the psychic world—was ushered into the study at Prolands, the Hampstead residence of Montague Faull. The room was illuminated only by the light of a blazing fire. The host, eying him with indolent curiosity, got up, and the usual conventional greetings were exchanged. Having indicated an easy chair before the fire to his guest, the South American merchant sank back again into his own. The electric light was switched on. Faull’s prominent, clear-cut features, metallic-looking skin, and general air of bored impassiveness, did not seem greatly to impress the medium, who was accustomed to regard men from a special angle. Backhouse, on the contrary, was a novelty to the merchant. As he tranquilly studied him through half closed lids and the smoke of a cigar, he wondered how this little, thickset person with the pointed beard contrived to remain so fresh and sane in appearance, in view of the morbid nature of his occupation.
“Do you smoke?” drawled Faull, by way of starting the Conversation. “No? Then will you take a drink?”
“Not at present, I thank you.”
A pause.
“Everything is satisfactory? The materialisation will take place?”
“I see no reason to doubt it.”
“That’s good, for I would not like my guests to be disappointed. I have your check written out in my pocket.”
“Afterward will do quite well.”
“Nine o’clock was the time specified, I believe?”
“I fancy so.”
The conversation continued to flag. Faull sprawled in his chair, and remained apathetic.
“Would you care to hear what arrangements I have made?”
“I am unaware that any are necessary, beyond chairs for your guests.”
“I mean the decoration of the séance room, the music, and so forth.”
Backhouse stared at his host. “But this is not a theatrical performance.”
“That’s correct. Perhaps I ought to explain. … There will be ladies present, and ladies, you know, are aesthetically inclined.”
“In that case I have no objection. I only hope they will enjoy the performance to the end.”
He spoke rather dryly.
“Well, that’s all right, then,” said Faull. Flicking his cigar into the fire, he got up and helped himself to whisky.
“Will you come and see the room?”
“Thank you, no. I prefer to have nothing to do with it till the time arrives.”
“Then let’s go to see my sister, Mrs. Jameson, who is in the drawing room. She sometimes does me the kindness to act as my hostess, as I am unmarried.”
“I will be delighted,” said Backhouse coldly.
They found the lady alone, sitting by the open pianoforte in a pensive attitude. She had been playing Scriabin and was overcome. The medium took in her small, tight, patrician features and porcelain-like hands, and wondered how Faull came by such a sister. She received him bravely, with just a shade of quiet emotion. He was used to such receptions at the hands of the sex, and knew well how to respond to them.
“What amazes me,” she half whispered, after ten minutes of graceful, hollow conversation, “is, if you must know it, not so much the manifestation itself—though that will surely be wonderful—as your assurance that it will take place. Tell me the grounds of your confidence.”
“I dream with open eyes,” he answered, looking around at the door, “and others see my dreams. That is all.”
“But that’s beautiful,” responded Mrs. Jameson. She smiled rather absently, for the first guest had just entered.
It was Kent-Smith, the ex-magistrate, celebrated for his shrewd judicial humour, which, however, he had the good sense not to attempt to carry into private life. Although well on the wrong side of seventy, his eyes were still disconcertingly bright. With the selective skill of an old man, he immediately settled himself in the most comfortable of many comfortable chairs.
“So we are to see wonders tonight?”
“Fresh material for your autobiography,” remarked Faull.
“Ah, you should not have mentioned my unfortunate book. An old public servant is merely amusing himself in his retirement, Mr. Backhouse. You have no cause for alarm—I have studied in the school of discretion.”
“I am not alarmed. There can be no possible objection to your publishing whatever you please.”
“You are most kind,” said the old man, with a cunning smile.
“Trent is not coming tonight,” remarked Mrs. Jameson, throwing a curious little glance at her brother.
“I never thought he would. It’s not in his line.”
“Mrs. Trent, you must understand,” she went on, addressing the ex-magistrate, “has placed us all under a debt of gratitude. She has decorated the old lounge hall upstairs most beautifully, and has secured the
Comments (0)