Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕

she returned to the dining-room, and made no signs of moving. “Ar’n’t you coming with me, dearest?” she asked him. No; the “dearest” had “business” that night. His man should get her a coach and go with her. And the coach being at the door of the hotel, Amelia made George a little disappointed curtsey after looking vainly into his face once or twice, and went sadly down the great staircase, Captain Dobbin after, who handed her into the vehicle, and saw it drive away to its destination. The very valet was ashamed of mentioning the address to the hackney-coachman before the hotel waiters, and promised to instruct him when they got further on.

Dobbin walked home to his old quarters and the Slaughters’, thinking very likely that it would be delightful to be in that hackney-coach, along with Mrs. Osborne. George was evidently of quite a different taste; for when he had taken wine enough, he went off to half-price at the play, to see Mr. Kean perform in Shylock. Captain Osborne was a great lover of the drama, and had himself performed high-comedy characters with great distinction in several garrison theatrical entertainments. Jos slept on until long after dark, when he woke up with a start at the motions of his servant, who was removing and emptying the decanters on the table; and the hackney-coach stand was again put into requisition for a carriage to convey this stout hero to his lodgings and bed.

Mrs. Sedley, you may be sure, clasped her daughter to her heart with all maternal eagerness and affection, running out of the door as the carriage drew up before the little garden-gate, to welcome the weeping, trembling, young bride. Old Mr. Clapp, who was in his shirtsleeves, trimming the garden-plot, shrank back alarmed. The Irish servant-lass rushed up from the kitchen and smiled a “God bless you.” Amelia could hardly walk along the flags and up the steps into the parlour.

How the floodgates were opened, and mother and daughter wept, when they were together embracing each other in this sanctuary, may readily be imagined by every reader who possesses the least sentimental turn. When don’t ladies weep? At what occasion of joy, sorrow, or other business of life, and, after such an event as a marriage, mother and daughter were surely at liberty to give way to a sensibility which is as tender as it is refreshing. About a question of marriage I have seen women who hate each other kiss and cry together quite fondly. How much more do they feel when they love! Good mothers are married over again at their daughters’ weddings: and as for subsequent events, who does not know how ultra-maternal grandmothers are?⁠—in fact a woman, until she is a grandmother, does not often really know what to be a mother is. Let us respect Amelia and her mamma whispering and whimpering and laughing and crying in the parlour and the twilight. Old Mr. Sedley did. He had not divined who was in the carriage when it drove up. He had not flown out to meet his daughter, though he kissed her very warmly when she entered the room (where he was occupied, as usual, with his papers and tapes and statements of accounts), and after sitting with the mother and daughter for a short time, he very wisely left the little apartment in their possession.

George’s valet was looking on in a very supercilious manner at Mr. Clapp in his shirtsleeves, watering his rosebushes. He took off his hat, however, with much condescension to Mr. Sedley, who asked news about his son-in-law, and about Jos’s carriage, and whether his horses had been down to Brighton, and about that infernal traitor Bonaparty, and the war; until the Irish maidservant came with a plate and a bottle of wine, from which the old gentleman insisted upon helping the valet. He gave him a half-guinea too, which the servant pocketed with a mixture of wonder and contempt. “To the health of your master and mistress, Trotter,” Mr. Sedley said, “and here’s something to drink your health when you get home, Trotter.”

There were but nine days past since Amelia had left that little cottage and home⁠—and yet how far off the time seemed since she had bidden it farewell. What a gulf lay between her and that past life. She could look back to it from her present standing-place, and contemplate, almost as another being, the young unmarried girl absorbed in her love, having no eyes but for one special object, receiving parental affection if not ungratefully, at least indifferently, and as if it were her due⁠—her whole heart and thoughts bent on the accomplishment of one desire. The review of those days, so lately gone yet so far away, touched her with shame; and the aspect of the kind parents filled her with tender remorse. Was the prize gained⁠—the heaven of life⁠—and the winner still doubtful and unsatisfied? As his hero and heroine pass the matrimonial barrier, the novelist generally drops the curtain, as if the drama were over then: the doubts and struggles of life ended: as if, once landed in the marriage country, all were green and pleasant there: and wife and husband had nothing to do but to link each other’s arms together, and wander gently downwards towards old age in happy and perfect fruition. But our little Amelia was just on the bank of her new country, and was already looking anxiously back towards the sad friendly figures waving farewell to her across the stream, from the other distant shore.

In honour of the young bride’s arrival, her mother thought it necessary to prepare I don’t know what festive entertainment, and after the first ebullition of talk, took leave of Mrs. George Osborne for a while, and dived down to the lower regions of the house to a sort of kitchen-parlour (occupied by Mr. and Mrs. Clapp, and in the evening, when her dishes were washed and her curl-papers removed, by Miss Flannigan, the Irish servant), there to take measures for