A Tale of Two Cities by Charles Dickens (best young adult book series .TXT) 📕
Description
A doctor is released from the Bastille after being falsely imprisoned for almost eighteen years. A young woman discovers the father she’s never known is not dead but alive, if not entirely well. A young man is acquitted of being a traitor, due in part to the efforts of a rather selfish lout who is assisting the young man’s attorney. A man has a wine shop in Paris with a wife who knits at the bar. These disparate elements are tied together as only Dickens can, and in the process he tells the story of the French Revolution.
Charles Dickens was fascinated by Thomas Carlyle’s magnum opus The French Revolution; according to Dickens’ letters, he read it “500 times” and carried it with him everywhere while he was working on this novel. When he wrote to Carlyle asking him for books to read on background, Carlyle sent him two cartloads full. Dickens mimicked Carlyle’s style, his chronology, and his overall characterization of the revolution; although A Tale of Two Cities is fiction, the historical events described are largely accurate, sometimes exactly so. Even so, Dickens made his name and reputation on telling stories full of characters one could be invested in, care about, and despise, and this novel has all of those and more. It also, in its first and last lines, has two of the most famous lines in literature. With the possible exception of A Christmas Carol, it is his most popular novel, and according to many, his best.
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- Author: Charles Dickens
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“Let us be reasonable,” said the spy, “and let us be fair. To show you how mistaken you are, and what an unfounded assumption yours is, I will lay before you a certificate of Cly’s burial, which I happened to have carried in my pocketbook,” with a hurried hand he produced and opened it, “ever since. There it is. Oh, look at it, look at it! You may take it in your hand; it’s no forgery.”
Here, Mr. Lorry perceived the reflection on the wall to elongate, and Mr. Cruncher rose and stepped forward. His hair could not have been more violently on end, if it had been that moment dressed by the Cow with the crumpled horn in the house that Jack built.
Unseen by the spy, Mr. Cruncher stood at his side, and touched him on the shoulder like a ghostly bailiff.
“That there Roger Cly, master,” said Mr. Cruncher, with a taciturn and iron-bound visage. “So you put him in his coffin?”
“I did.”
“Who took him out of it?”
Barsad leaned back in his chair, and stammered, “What do you mean?”
“I mean,” said Mr. Cruncher, “that he warn’t never in it. No! Not he! I’ll have my head took off, if he was ever in it.”
The spy looked round at the two gentlemen; they both looked in unspeakable astonishment at Jerry.
“I tell you,” said Jerry, “that you buried paving-stones and earth in that there coffin. Don’t go and tell me that you buried Cly. It was a take in. Me and two more knows it.”
“How do you know it?”
“What’s that to you? Ecod!” growled Mr. Cruncher, “it’s you I have got a old grudge again, is it, with your shameful impositions upon tradesmen! I’d catch hold of your throat and choke you for half a guinea.”
Sydney Carton, who, with Mr. Lorry, had been lost in amazement at this turn of the business, here requested Mr. Cruncher to moderate and explain himself.
“At another time, sir,” he returned, evasively, “the present time is ill-conwenient for explainin’. What I stand to, is, that he knows well wot that there Cly was never in that there coffin. Let him say he was, in so much as a word of one syllable, and I’ll either catch hold of his throat and choke him for half a guinea;” Mr. Cruncher dwelt upon this as quite a liberal offer; “or I’ll out and announce him.”
“Humph! I see one thing,” said Carton. “I hold another card, Mr. Barsad. Impossible, here in raging Paris, with Suspicion filling the air, for you to outlive denunciation, when you are in communication with another aristocratic spy of the same antecedents as yourself, who, moreover, has the mystery about him of having feigned death and come to life again! A plot in the prisons, of the foreigner against the Republic. A strong card—a certain Guillotine card! Do you play?”
“No!” returned the spy. “I throw up. I confess that we were so unpopular with the outrageous mob, that I only got away from England at the risk of being ducked to death, and that Cly was so ferreted up and down, that he never would have got away at all but for that sham. Though how this man knows it was a sham, is a wonder of wonders to me.”
“Never you trouble your head about this man,” retorted the contentious Mr. Cruncher; “you’ll have trouble enough with giving your attention to that gentleman. And look here! Once more!”—Mr. Cruncher could not be restrained from making rather an ostentatious parade of his liberality—“I’d catch hold of your throat and choke you for half a guinea.”
The Sheep of the prisons turned from him to Sydney Carton, and said, with more decision, “It has come to a point. I go on duty soon, and can’t overstay my time. You told me you had a proposal; what is it? Now, it is of no use asking too much of me. Ask me to do anything in my office, putting my head in great extra danger, and I had better trust my life to the chances of a refusal than the chances of consent. In short, I should make that choice. You talk of desperation. We are all desperate here. Remember! I may denounce you if I think proper, and I can swear my way through stone walls, and so can others. Now, what do you want with me?”
“Not very much. You are a turnkey at the Conciergerie?”
“I tell you once for all, there is no such thing as an escape possible,” said the spy, firmly.
“Why need you tell me what I have not asked? You are a turnkey at the Conciergerie?”
“I am sometimes.”
“You can be when you choose?”
“I can pass in and out when I choose.”
Sydney Carton filled another glass with brandy, poured it slowly out upon the hearth, and watched it as it dropped. It being all spent, he said, rising:
“So far, we have spoken before these two, because it was as well that the merits of the cards should not rest solely between you and me. Come into the dark room here, and let us have one final word alone.”
IX The Game MadeWhile Sydney Carton and the Sheep of the prisons were in the adjoining dark room, speaking so low that not a sound was heard, Mr. Lorry looked at Jerry in considerable doubt and mistrust. That honest tradesman’s manner of receiving the look, did not inspire confidence; he changed the leg on which he rested, as often as if he had fifty of those limbs, and were trying them all; he examined his fingernails with a very questionable closeness of attention; and whenever Mr. Lorry’s eye caught his, he was taken with that peculiar kind of short cough requiring the hollow of a hand before it, which is seldom, if ever, known to be an infirmity attendant on perfect openness of character.
“Jerry,” said Mr. Lorry. “Come here.”
Mr. Cruncher came forward sideways, with one of his shoulders in advance of
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