Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕
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Bleak House, completed by Dickens in 1853, tells several interlocking story-lines and features a host of colorful characters. Though very difficult to summarise, the novel centers around the decades-long legal case of Jarndyce and Jarndyce, involving the fair distribution of assets of a valuable estate. The case is mired in the legal quagmire of the Court of Chancery, whose byzantine and sluggish workings Dickens spares no effort to expose and condemn. Dickens also exposes the miserable condition of the poor, living in squalid, pestilential circumstances.
The novel’s heroine is Esther Summerson, whose parentage is unclear and who has been brought up by a cold and strict godmother, who tells her only: “Your mother, Esther, is your disgrace, and you were hers.” On the death of her godmother, she is given an education through the unexpected intervention of a Mr. Jarndyce of Bleak House, whom she has never met. When she comes of age, she is appointed as a companion to Ada, one of two young people who are “wards of Chancery,” whose fates depend on the outcome of the legal struggle and who are taken into guardianship by Mr. Jarndyce. The other ward Richard, despite Mr. Jarndyce’s frequent warnings, eventually goes astray by pinning all his hopes on a successful outcome of Jarndyce and Jarndyce.
We are also introduced to Sir Leicester and Lady Dedlock, and to their cunning and suspicious lawyer, Mr. Tulkinghorn. He uncovers evidence that Lady Dedlock is not all she seems and determines to remorselessly pursue every lead to expose her secrets.
The novel has a curious construction in that the first-person narrative of Esther, written in the past tense, is interleaved with many chapters written from the omniscient viewpoint and in the present tense.
Several prominent critics such as G. K. Chesterton consider Bleak House to be Dickens’ finest novel, and it is often ranked among the best English-language novels of all time.
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- Author: Charles Dickens
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Jo, whose immediate object seems to be to get away on any terms, gives a shuffling nod. Mr. Guppy then throws him a penny, and Mrs. Snagsby calls to Guster to see him safely out of the house. But before he goes downstairs, Mr. Snagsby loads him with some broken meats from the table, which he carries away, hugging in his arms.
So, Mr. Chadband—of whom the persecutors say that it is no wonder he should go on for any length of time uttering such abominable nonsense, but that the wonder rather is that he should ever leave off, having once the audacity to begin—retires into private life until he invests a little capital of supper in the oil-trade. Jo moves on, through the long vacation, down to Blackfriars Bridge, where he finds a baking stony corner wherein to settle to his repast.
And there he sits, munching and gnawing, and looking up at the great cross on the summit of St. Paul’s Cathedral, glittering above a red-and-violet-tinted cloud of smoke. From the boy’s face one might suppose that sacred emblem to be, in his eyes, the crowning confusion of the great, confused city—so golden, so high up, so far out of his reach. There he sits, the sun going down, the river running fast, the crowd flowing by him in two streams—everything moving on to some purpose and to one end—until he is stirred up and told to “move on” too.
XX A New LodgerThe long vacation saunters on towards term-time like an idle river very leisurely strolling down a flat country to the sea. Mr. Guppy saunters along with it congenially. He has blunted the blade of his penknife and broken the point off by sticking that instrument into his desk in every direction. Not that he bears the desk any ill will, but he must do something, and it must be something of an unexciting nature, which will lay neither his physical nor his intellectual energies under too heavy contribution. He finds that nothing agrees with him so well as to make little gyrations on one leg of his stool, and stab his desk, and gape.
Kenge and Carboy are out of town, and the articled clerk has taken out a shooting license and gone down to his father’s, and Mr. Guppy’s two fellow-stipendiaries are away on leave. Mr. Guppy and Mr. Richard Carstone divide the dignity of the office. But Mr. Carstone is for the time being established in Kenge’s room, whereat Mr. Guppy chafes. So exceedingly that he with biting sarcasm informs his mother, in the confidential moments when he sups with her off a lobster and lettuce in the Old Street Road, that he is afraid the office is hardly good enough for swells, and that if he had known there was a swell coming, he would have got it painted.
Mr. Guppy suspects everybody who enters on the occupation of a stool in Kenge and Carboy’s office of entertaining, as a matter of course, sinister designs upon him. He is clear that every such person wants to depose him. If he be ever asked how, why, when, or wherefore, he shuts up one eye and shakes his head. On the strength of these profound views, he in the most ingenious manner takes infinite pains to counterplot when there is no plot, and plays the deepest games of chess without any adversary.
It is a source of much gratification to Mr. Guppy, therefore, to find the newcomer constantly poring over the papers in Jarndyce and Jarndyce, for he well knows that nothing but confusion and failure can come of that. His satisfaction communicates itself to a third saunterer through the long vacation in Kenge and Carboy’s office, to wit, Young Smallweed.
Whether Young Smallweed (metaphorically called Small and eke Chick Weed, as it were jocularly to express a fledgling) was ever a boy is much doubted in Lincoln’s Inn. He is now something under fifteen and an old limb of the law. He is facetiously understood to entertain a passion for a lady at a cigar-shop in the neighbourhood of Chancery Lane and for her sake to have broken off a contract with another lady, to whom he had been engaged some years. He is a town-made article, of small stature and weazen features, but may be perceived from a considerable distance by means of his very tall hat. To become a Guppy is the object of his ambition. He dresses at that gentleman (by whom he is patronized), talks at him, walks at him, founds himself entirely on him. He is honoured with Mr. Guppy’s particular confidence and occasionally advises him, from the deep wells of his experience, on difficult points in private life.
Mr. Guppy has been lolling out of window all the morning after trying all the stools in succession and finding none of them easy, and after several times putting his head into the iron safe with a notion of cooling it. Mr. Smallweed has been twice dispatched for effervescent drinks, and has twice mixed them in the two official tumblers and stirred them up with the ruler. Mr. Guppy propounds for Mr. Smallweed’s consideration the paradox that the more you drink the thirstier you are and reclines his head upon the windowsill in a state of hopeless languor.
While thus looking out into the shade of Old Square, Lincoln’s Inn, surveying the intolerable bricks and mortar, Mr. Guppy becomes conscious of a manly whisker emerging from the cloistered walk below and turning itself up in the direction of his face. At the same time, a low whistle is wafted through the Inn and a
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