Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕
Description
Bleak House, completed by Dickens in 1853, tells several interlocking story-lines and features a host of colorful characters. Though very difficult to summarise, the novel centers around the decades-long legal case of Jarndyce and Jarndyce, involving the fair distribution of assets of a valuable estate. The case is mired in the legal quagmire of the Court of Chancery, whose byzantine and sluggish workings Dickens spares no effort to expose and condemn. Dickens also exposes the miserable condition of the poor, living in squalid, pestilential circumstances.
The novel’s heroine is Esther Summerson, whose parentage is unclear and who has been brought up by a cold and strict godmother, who tells her only: “Your mother, Esther, is your disgrace, and you were hers.” On the death of her godmother, she is given an education through the unexpected intervention of a Mr. Jarndyce of Bleak House, whom she has never met. When she comes of age, she is appointed as a companion to Ada, one of two young people who are “wards of Chancery,” whose fates depend on the outcome of the legal struggle and who are taken into guardianship by Mr. Jarndyce. The other ward Richard, despite Mr. Jarndyce’s frequent warnings, eventually goes astray by pinning all his hopes on a successful outcome of Jarndyce and Jarndyce.
We are also introduced to Sir Leicester and Lady Dedlock, and to their cunning and suspicious lawyer, Mr. Tulkinghorn. He uncovers evidence that Lady Dedlock is not all she seems and determines to remorselessly pursue every lead to expose her secrets.
The novel has a curious construction in that the first-person narrative of Esther, written in the past tense, is interleaved with many chapters written from the omniscient viewpoint and in the present tense.
Several prominent critics such as G. K. Chesterton consider Bleak House to be Dickens’ finest novel, and it is often ranked among the best English-language novels of all time.
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- Author: Charles Dickens
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“Then I’ll pay,” says Mr. Guppy, “and we’ll go and see him. Small, what will it be?”
Mr. Smallweed, compelling the attendance of the waitress with one hitch of his eyelash, instantly replies as follows: “Four veals and hams is three, and four potatoes is three and four, and one summer cabbage is three and six, and three marrows is four and six, and six breads is five, and three Cheshires is five and three, and four half-pints of half-and-half is six and three, and four small rums is eight and three, and three Pollys is eight and six. Eight and six in half a sovereign, Polly, and eighteenpence out!”
Not at all excited by these stupendous calculations, Smallweed dismisses his friends with a cool nod and remains behind to take a little admiring notice of Polly, as opportunity may serve, and to read the daily papers, which are so very large in proportion to himself, shorn of his hat, that when he holds up the Times to run his eye over the columns, he seems to have retired for the night and to have disappeared under the bedclothes.
Mr. Guppy and Mr. Jobling repair to the rag and bottle shop, where they find Krook still sleeping like one o’clock, that is to say, breathing stertorously with his chin upon his breast and quite insensible to any external sounds or even to gentle shaking. On the table beside him, among the usual lumber, stand an empty gin-bottle and a glass. The unwholesome air is so stained with this liquor that even the green eyes of the cat upon her shelf, as they open and shut and glimmer on the visitors, look drunk.
“Hold up here!” says Mr. Guppy, giving the relaxed figure of the old man another shake. “Mr. Krook! Halloa, sir!”
But it would seem as easy to wake a bundle of old clothes with a spirituous heat smouldering in it. “Did you ever see such a stupor as he falls into, between drink and sleep?” says Mr. Guppy.
“If this is his regular sleep,” returns Jobling, rather alarmed, “it’ll last a long time one of these days, I am thinking.”
“It’s always more like a fit than a nap,” says Mr. Guppy, shaking him again. “Halloa, your lordship! Why, he might be robbed fifty times over! Open your eyes!”
After much ado, he opens them, but without appearing to see his visitors or any other objects. Though he crosses one leg on another, and folds his hands, and several times closes and opens his parched lips, he seems to all intents and purposes as insensible as before.
“He is alive, at any rate,” says Mr. Guppy. “How are you, my Lord Chancellor. I have brought a friend of mine, sir, on a little matter of business.”
The old man still sits, often smacking his dry lips without the least consciousness. After some minutes he makes an attempt to rise. They help him up, and he staggers against the wall and stares at them.
“How do you do, Mr. Krook?” says Mr. Guppy in some discomfiture. “How do you do, sir? You are looking charming, Mr. Krook. I hope you are pretty well?”
The old man, in aiming a purposeless blow at Mr. Guppy, or at nothing, feebly swings himself round and comes with his face against the wall. So he remains for a minute or two, heaped up against it, and then staggers down the shop to the front door. The air, the movement in the court, the lapse of time, or the combination of these things recovers him. He comes back pretty steadily, adjusting his fur cap on his head and looking keenly at them.
“Your servant, gentlemen; I’ve been dozing. Hi! I am hard to wake, odd times.”
“Rather so, indeed, sir,” responds Mr. Guppy.
“What? You’ve been a-trying to do it, have you?” says the suspicious Krook.
“Only a little,” Mr. Guppy explains.
The old man’s eye resting on the empty bottle, he takes it up, examines it, and slowly tilts it upside down.
“I say!” he cries like the hobgoblin in the story. “Somebody’s been making free here!”
“I assure you we found it so,” says Mr. Guppy. “Would you allow me to get it filled for you?”
“Yes, certainly I would!” cries Krook in high glee. “Certainly I would! Don’t mention it! Get it filled next door—Sol’s Arms—the Lord Chancellor’s fourteenpenny. Bless you, they know me!”
He so presses the empty bottle upon Mr. Guppy that that gentleman, with a nod to his friend, accepts the trust and hurries out and hurries in again with the bottle filled. The old man receives it in his arms like a beloved grandchild and pats it tenderly.
“But, I say,” he whispers, with his eyes screwed up, after tasting it, “this ain’t the Lord Chancellor’s fourteenpenny. This is eighteenpenny!”
“I thought you might like that better,” says Mr. Guppy.
“You’re a nobleman, sir,” returns Krook with another taste, and his hot breath seems to come towards them like a flame. “You’re a baron of the land.”
Taking advantage of this auspicious moment, Mr. Guppy presents his friend under the impromptu name of Mr. Weevle and states the object of their visit. Krook, with his bottle under his arm (he never gets beyond a certain point of either drunkenness or sobriety), takes time to survey his proposed lodger and seems to approve of him. “You’d like to see the room, young man?” he says. “Ah! It’s a good room! Been whitewashed. Been cleaned down with soft soap and soda. Hi! It’s worth twice the rent, letting alone my company when you want it and such a cat to keep the mice away.”
Commending the room after this manner, the old man takes them upstairs, where indeed they do find it cleaner than it used to be and also containing some old articles of furniture which he has dug up from his inexhaustible stores. The terms are easily concluded—for the Lord Chancellor cannot be hard on Mr. Guppy, associated as he
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