The House of Mirth by Edith Wharton (if you liked this book .TXT) 📕

“Ah, wait a little longer⁠—give me a little more time before you decide!” And as he wavered before her, still watching for a break in the impenetrable front she presented: “Don’t give me up; I may still do credit to my training!” she affirmed.

“Look at those spangles, Miss Bart⁠—every one of ’em sewed on crooked.”

The tall forewoman, a pinched perpendicular figure, dropped the condemned structure of wire and net on the table at Lily’s side, and passed on to the next figure in the line.

There were twenty of them in the workroom, their fagged profiles, under exaggerated hair, bowed in the harsh north light above the utensils of their art; for it was something more than an industry, surely, this creation of ever-varied settings for the face of fortunate womanhood. Their own faces were sallow with the unwholesomeness of hot air and sedentary toil, rather than with any actual signs of want: they were employed in a fashionable millinery establishment, and were fairly well clothed and well paid; but the youngest among them was as dull and colourless as the middle-aged. In the whole workroom there was only one skin beneath which the blood still visibly played; and that now burned with vexation as Miss Bart, under the lash of the forewoman’s comment, began to strip the hat-frame of its overlapping spangles.

To Gerty Farish’s hopeful spirit a solution appeared to have been reached when she remembered how beautifully Lily could trim hats. Instances of young lady-milliners establishing themselves under fashionable patronage, and imparting to their “creations” that indefinable touch which the professional hand can never give, had flattered Gerty’s visions of the future, and convinced even Lily that her separation from Mrs. Norma Hatch need not reduce her to dependence on her friends.

The parting had occurred a few weeks after Selden’s visit, and would have taken place sooner had it not been for the resistance set up in Lily by his ill-starred offer of advice. The sense of being involved in a transaction she would not have cared to examine too closely had soon afterward defined itself in the light of a hint from Mr. Stancy that, if she “saw them through,” she would have no reason to be sorry. The implication that such loyalty would meet with a direct reward had hastened her flight, and flung her back, ashamed and penitent, on the broad bosom of Gerty’s sympathy. She did not, however, propose to lie there prone, and Gerty’s inspiration about the hats at once revived her hopes of profitable activity. Here was, after all, something that her charming listless hands could really do; she had no doubt of their capacity for knotting a ribbon or placing a flower to advantage. And of course only these finishing touches would be expected of her: subordinate fingers, blunt, grey, needle-pricked fingers, would prepare the shapes and stitch the linings, while she presided over the charming little front shop⁠—a shop all white panels, mirrors, and moss-green hangings⁠—where her finished creations, hats, wreaths, aigrettes and the rest, perched on their stands like birds just poising for flight.

But at the very outset of Gerty’s campaign this vision of the green-and-white shop had been dispelled. Other young ladies of fashion had been thus “set-up,” selling their hats by the mere attraction of a name and the reputed knack of tying a bow; but these privileged beings could command a faith in their powers materially expressed by the readiness to pay their shop-rent and advance a handsome sum for current expenses. Where was Lily to find such support? And even could it have been found, how were the ladies on whose approval she depended to be induced to give her their patronage? Gerty learned that whatever sympathy her friend’s case might have excited a few months since had been imperilled, if not lost, by her association with Mrs. Hatch. Once again, Lily had withdrawn from an ambiguous situation in time to save her self-respect, but too late for public vindication. Freddy Van Osburgh was not to marry Mrs. Hatch; he had been rescued at the eleventh hour⁠—some said by the efforts of Gus Trenor and Rosedale⁠—and despatched to Europe with old Ned Van Alstyne; but the risk he had run would always be ascribed to Miss Bart’s connivance, and would somehow serve as a summing-up and corroboration of the vague general distrust of her. It was a relief to those who had hung back from her to find themselves thus justified, and they were inclined to insist a little on her connection with the Hatch case in order to show that they had been right.

Gerty’s quest, at any rate, brought up against a solid wall of resistance; and even when Carry Fisher, momentarily penitent for her share in the Hatch affair, joined her efforts to Miss Farish’s, they met with no better success. Gerty had tried to veil her failure in tender ambiguities; but Carry, always the soul of candour, put the case squarely to her friend.

“I went straight to Judy Trenor; she has fewer prejudices than the others, and besides she’s always hated Bertha Dorset. But what have you done to her, Lily? At the very first word about giving you a start she flamed out about some money you’d got from Gus; I never knew her so hot before. You know she’ll let him do anything but spend money on his friends: the only reason she’s decent to me now is that she knows I’m not hard up.⁠—He speculated for you, you say? Well, what’s the harm? He had no business to lose. He didn’t lose? Then what on earth⁠—but I never could understand you, Lily!”

The end of it was that, after anxious enquiry and much deliberation, Mrs. Fisher and Gerty, for once oddly united in their effort to help their friend, decided on placing her in the workroom of Mme. Regina’s renowned millinery establishment. Even this arrangement was not effected without