The Napoleon of Notting Hill by G. K. Chesterton (pdf e book reader TXT) 📕
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The Napoleon of Notting Hill, like so many Chesterton novels, deftly straddles the fence between humor and philosophy. The place is London, in the far-future year of 1984. Inexplicably, not too much has changed since the turn of the century—except that the king is chosen at random. Things quickly take a turn for the worse when the people randomly select an imbecile who only cares about a good joke.
With the new prankster king in place, the novel continues on with surprisingly action-packed breeziness, exploring themes of identity, patriotism, politics, and government.
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- Author: G. K. Chesterton
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“Where are you going?” he asked.
“To stop all this foolery, of course,” replied Barker; and he disappeared into the room.
He entered it headlong, slamming the door, and slapping his incomparable silk hat on the table. His mouth opened, but before he could speak, the King said—
“Your hat, if you please.”
Fidgetting with his fingers, and scarcely knowing what he was doing, the young politician held it out.
The King placed it on his own chair, and sat on it.
“A quaint old custom,” he explained, smiling above the ruins. “When the King receives the representatives of the House of Barker, the hat of the latter is immediately destroyed in this manner. It represents the absolute finality of the act of homage expressed in the removal of it. It declares that never until that hat shall once more appear upon your head (a contingency which I firmly believe to be remote) shall the House of Barker rebel against the Crown of England.”
Barker stood with clenched fist, and shaking lip.
“Your jokes,” he began, “and my property—” and then exploded with an oath, and stopped again.
“Continue, continue,” said the King, waving his hands.
“What does it all mean?” cried the other, with a gesture of passionate rationality. “Are you mad?”
“Not in the least,” replied the King, pleasantly. “Madmen are always serious; they go mad from lack of humour. You are looking serious yourself, James.”
“Why can’t you keep it to your own private life?” expostulated the other. “You’ve got plenty of money, and plenty of houses now to play the fool in, but in the interests of the public—”
“Epigrammatic,” said the King, shaking his finger sadly at him. “None of your daring scintillations here. As to why I don’t do it in private, I rather fail to understand your question. The answer is of comparative limpidity. I don’t do it in private, because it is funnier to do it in public. You appear to think that it would be amusing to be dignified in the banquet hall and in the street, and at my own fireside (I could procure a fireside) to keep the company in a roar. But that is what everyone does. Everyone is grave in public, and funny in private. My sense of humour suggests the reversal of this; it suggests that one should be funny in public, and solemn in private. I desire to make the State functions, parliaments, coronations, and so on, one roaring old-fashioned pantomime. But, on the other hand, I shut myself up alone in a small storeroom for two hours a day, where I am so dignified that I come out quite ill.”
By this time Barker was walking up and down the room, his frock coat flapping like the black wings of a bird.
“Well, you will ruin the country, that’s all,” he said shortly.
“It seems to me,” said Auberon, “that the tradition of ten centuries is being broken, and the House of Barker is rebelling against the Crown of England. It would be with regret (for I admire your appearance) that I should be obliged forcibly to decorate your head with the remains of this hat, but—”
“What I can’t understand,” said Barker flinging up his fingers with a feverish American movement, “is why you don’t care about anything else but your games.”
The King stopped sharply in the act of lifting the silken remnants, dropped them, and walked up to Barker, looking at him steadily.
“I made a kind of vow,” he said, “that I would not talk seriously, which always means answering silly questions. But the strong man will always be gentle with politicians.
‘The shape my scornful looks deride
Required a God to form;’
if I may so theologically express myself. And for some reason I cannot in the least understand, I feel impelled to answer that question of yours, and to answer it as if there were really such a thing in the world as a serious subject. You ask me why I don’t care for anything else. Can you tell me, in the name of all the gods you don’t believe in, why I should care for anything else?”
“Don’t you realise common public necessities?” cried Barker. “Is it possible that a man of your intelligence does not know that it is everyone’s interest—”
“Don’t you believe in Zoroaster? Is it possible that you neglect Mumbo-Jumbo?” returned the King, with startling animation. “Does a man of your intelligence come to me with these damned early Victorian ethics? If, on studying my features and manner, you detect any particular resemblance to the Prince Consort, I assure you you are mistaken. Did Herbert Spencer ever convince you—did he ever convince anybody—did he ever for one mad moment convince himself—that it must be to the interest of the individual to feel a public spirit? Do you believe that, if you rule your department badly, you stand any more chance, or one half of the chance, of being guillotined, that an angler stands of being pulled into the river by a strong pike? Herbert Spencer refrained from theft for the same reason that he refrained from wearing feathers in his hair, because he was an English gentleman with different tastes. I am an English gentleman with different tastes. He liked philosophy. I like art. He liked writing ten books on the nature of human society. I like to see the Lord Chamberlain walking in front of me with a piece of paper pinned to his coattails. It is my humour. Are you answered? At any rate, I have said my last serious word today, and my last serious word I trust for the remainder of my life in this Paradise of Fools. The remainder of my conversation with you today, which I trust will be long and stimulating, I propose to conduct in a new language of my own by means of rapid and symbolic movements of the left leg.” And he began to pirouette slowly round the room with a preoccupied expression.
Barker ran round
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