Gitanjali by Rabindranath Tagore (top ten books of all time .txt) 📕
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Widely regarded as one of the most important figures in Indian (and more specifically Bengali) literary history, Rabindranath Tagore was the first Indian—indeed, the first person outside Europe—to win the Nobel Prize in Literature, largely in recognition of his “spiritual offering of songs,” Gitanjali.
Tagore himself translated the poems from the original Bengali, taking many liberties in the process. His English translation is rightly recognized as a work distinct from the Bengali original, consisting of major revisions, many elisions, and many poems originally published in other collections.
Tagore’s lyrical simplicity, vivid imagery, and themes of nature, spirituality, death, and transcendence combine to produce a truly unique, powerfully moving work of thoughtful beauty. For many who read it, Tagore’s words in Song XCVI ring true: “What I have seen is unsurpassable. I have tasted of the hidden honey of this lotus that expands on the ocean of light, and thus I am blessed.”
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- Author: Rabindranath Tagore
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The sweet, soft freshness that blooms on baby’s limbs—does anybody know where it was hidden so long? Yes, when the mother was a young girl it lay pervading her heart in tender and silent mystery of love—the sweet, soft freshness that has bloomed on baby’s limbs.
LXIIWhen I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints—when I give coloured toys to you, my child.
When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth—when I sing to make you dance.
When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice—when I bring sweet things to your greedy hands.
When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is which the summer breeze brings to my body—when I kiss you to make you smile.
LXIIIThou hast made me known to friends whom I knew not. Thou hast given me seats in homes not my own. Thou hast brought the distant near and made a brother of the stranger.
I am uneasy at heart when I have to leave my accustomed shelter; I forget that there abides the old in the new, and that there also thou abidest.
Through birth and death, in this world or in others, wherever thou leadest me it is thou, the same, the one companion of my endless life who ever linkest my heart with bonds of joy to the unfamiliar.
When one knows thee, then alien there is none, then no door is shut. Oh, grant me my prayer that I may never lose the bliss of the touch of the one in the play of many.
LXIVOn the slope of the desolate river among tall grasses I asked her, “Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome—lend me your light!” She raised her dark eyes for a moment and looked at my face through the dusk. “I have come to the river,” she said, “to float my lamp on the stream when the daylight wanes in the west.” I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide.
In the silence of gathering night I asked her, “Maiden, your lights are all lit—then where do you go with your lamp? My house is all dark and lonesome—lend me your light.” She raised her dark eyes on my face and stood for a moment doubtful. “I have come,” she said at last, “to dedicate my lamp to the sky.” I stood and watched her light uselessly burning in the void.
In the moonless gloom of midnight I ask her, “Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome—lend me your light.” She stopped for a minute and thought and gazed at my face in the dark. “I have brought my light,” she said, “to join the carnival of lamps.” I stood and watched her little lamp uselessly lost among lights.
LXVWhat divine drink wouldst thou have, my God, from this overflowing cup of my life?
My poet, is it thy delight to see thy creation through my eyes and to stand at the portals of my ears silently to listen to thine own eternal harmony?
Thy world is weaving words in my mind and thy joy is adding music to them. Thou givest thyself to me in love and then feelest thine own entire sweetness in me.
LXVIShe who ever had remained in the depth of my being, in the twilight of gleams and of glimpses; she who never opened her veils in the morning light, will be my last gift to thee, my God, folded in my final song.
Words have wooed yet failed to win her; persuasion has stretched to her its eager arms in vain.
I have roamed from country to country keeping her in the core of my heart, and around her have risen and fallen the growth and decay of my life.
Over my thoughts and actions, my slumbers and dreams, she reigned yet dwelled alone and apart.
Many a man knocked at my door and asked for her and turned away in despair.
There was none in the world who ever saw her face to face, and she remained in her loneliness waiting for thy recognition.
LXVIIThou art the sky and thou art the nest as well.
O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.
There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.
And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.
But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word.
LXVIIIThy sunbeam comes upon this earth of mine with arms outstretched and stands at my door the livelong day to carry back to thy feet clouds made
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