The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) ๐
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdropโa world called โMiddle Earthโ by Eddison, thirty-two years before Tolkienโsโand in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchlandโbut the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddisonโs expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgsonโs The Night Land. But where critics often find The Night Landโs prose obtuse and difficult, they have nothing but praise for Eddisonโs beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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Still she was silent. He said, โLet me not be too hateful to you, most gracious Lady, for this rude tale of disaster. The suddenness of the times bar any pleasant glozing. And indeed I thought I should satisfy you more with plainness, than should opinion of I know not what false courtliness bind me to show you comfort where comfort is not.โ
The Lady Mevrian stood up and took him by both hands. Surely the light of that ladyโs eyes was like the new light of morning glancing through mists on the gray still surface of a mountain tarn, and the accent of her voice sweet as the voices of the morning as she said, โO Astar, think me not so unhandsome, nor yet so foolish. Thanks, gentle Astar. But thou hast not supped, and sure in a great soldier battle and swift far riding should breed hunger, how ill soever the news he beareth. Thy welcome shall not be the colder because we looked for more than thee, alas, and for far other tidings. A chamber is prepared for thee. Eat and drink; and when night is done is time enough to speak more of these things.โ
โMadam,โ he said, โyou must come now or โtis too late.โ
But she answered him, โNo, noble Astar. This is my brotherโs house. So long as I may keep it for him against his coming home I will not creep out of Krothering like a rat, but stand to my watch. And this is certain, I shall not open Krothering gates to Witches whiles I and my folk yet live to bar them against them.โ
So she made him go to supper; but herself sat late that night alone in the Chamber of the Moon, that was in the donjon keep above the inner court in Krothering. This was Lord Brandoch Dahaโs banquet chamber, devised and furnished by him in years gone by; and here he and she commonly sat at meat, using not the banquet hall across the court save when great company was present. Round was that chamber, following the round walls of the tower that held it. All the pillars and the walls and the vaulted roof were of a strange stone, white and smooth, and yielding such a glistering show of pallid gold in it as was like the golden sheen of the full moon of a warm night in midsummer. Lamps that were milky opals self-effulgent filled all the chamber with a soft radiance, in which the bas-reliefs of the high dado, delicately carved, portraying those immortal blooms of amaranth and nepenthe and moly and Elysian asphodel, were seen in all their delicate beauty, and the fair painted pictures of the Lord of Krothering and his lady sister, and of Lord Juss above the great open fireplace with Goldry and Spitfire on his left and right. A few other pictures there were, smaller than these: the Princess Armelline of Goblinland, Zigg and his lady wife, and others; wondrous beautiful.
Here a long while sat the Lady Mevrian. She had a little lute wrought of sweet sandalwood and ivory inlaid with gems. While she sat a-thinking, her fingers strayed idly on the strings, and she sang in a low sweet voice:
โThere were three ravens sat on a tree,
They were as black as they might be.
With a downe, derrie down.
The one of them said to his make,
Where shall we our breakefast take?
Downe in yonder greene field,
There lies a knight slain under his shield.
His hounds they lie downe at his feete,
So well they can their master keepe.
His haukes they flie so eagerly,
Thereโs no fowle dare him come nie.
Downe there comes a fallow doe
As great with yong as she might goe.
She lift up his bloudy hed,
And kist his wounds that were so red.
She gat him up upon her backe,
And carried him to earthen lake.
She buried him before the prime;
She was dead herselfe ere evensong time.
God send every gentleman
Such haukes, such hounds, and such a leman.
With a downe, derrie down.โ
With the last sighing sweetness trembling from the strings, she laid aside the lute, saying, โThe discord of my thoughts, my lute, doth ill agree with the harmonies of thy strings. Put it by.โ
She fell to gazing on her brotherโs picture, the Lord Brandoch Daha, standing in his jewelled hauberk laced about with gold, his hand upon his sword. And that lazy laughter-loving yet imperious look of the eyes which in life he had was there, wondrous lively caught by the painterโs art, and the lovely lines of his brow and lip and jaw, where power and masterful determination slumbered, as brazen Ares might slumber in the arms of the Queen of Love.
A long while Mevrian looked on that picture, musing. Then, burying her face in the cushions of the long low seat she sat on, she burst into a great passion of tears.
XXIII The Weird Begun of Ishnain NemartraOf the counsel taken by the witches touching the conduct of the war: whereafter in
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