The Dead Secret by Wilkie Collins (manga ereader TXT) 📕
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The Dead Secret is Wilkie Collins’ fourth novel. It first appeared in serial form in Charles Dickens’ Household Words magazine during 1856. Like many of Collins’ books, it features incidents and themes which were considered to be sensational at the time; in this case, sex before marriage, illegitimacy, and fraud.
The novel opens with a scene at Porthgenna Tower, a mansion in Cornwall, where the lady of the house, Mrs. Treverton, is dying. On her deathbed, she tries to force her maidservant, Sarah Leeson, to swear that she will give a letter Mrs. Treverton has written to her husband, Captain Treverton, once she is dead. The letter reveals an important family secret in which Sarah is deeply involved and which she consequently is desperately unwilling to pass on. Mrs. Treverton succeeds in making Sarah swear not to destroy the letter or remove it from the house, but dies before making the young woman swear to give the letter to the Captain. Sarah therefore finds a place to conceal it within the house.
The rest of the novel deals with Rosamond, the Treverton’s daughter, who grows to adulthood and marries Leonard Franklin, a young man of a well-to-do family, who is afflicted with blindness. Franklin purchases Porthgenna Tower after the Captain’s death, and the couple plan to move into the property and renovate it. Doing so, however, means that they are likely to uncover the hidden letter concealing the family secret.
While critics don’t consider The Dead Secret to be one of Collins’ best novels, it contains some of the same elements of mystery and suspense as The Woman in White and The Moonstone, and much of his characteristic wry humor.
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- Author: Wilkie Collins
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“I pity her with my whole heart,” said Rosamond, warmly.
“And with my whole heart, for that pity I thank you!” rejoined Uncle Joseph. “Ah, Madam, your kindness gives me the courage to go on, and to tell you that we parted from each other on the day of our getting back to Truro! When she came to see me this time, it was years and years, long and lonely and very many, since we two had met. I was afraid that many more would pass again, and I tried to make her stop with me to the very last. But she had still the same fear to drive her away—the fear of being found and put to the question by you. So, with the tears in her eyes (and in mine), and the grief at her heart (and at mine), she went away to hide herself in the empty bigness of the great city, London, which swallows up all people and all things that pour into it, and which has now swallowed up Sarah, my niece, with the rest. ‘My child, you will write sometimes to Uncle Joseph,’ I said, and she answered me, ‘I will write often.’ It is three weeks now since that time, and here, on my knee, are four letters she has written to me. I shall ask your leave to put them down open before you, because they will help me to get on further yet with what I must say, and because I see in your face, Madam, that you are indeed sorry for Sarah, my niece, from your heart.”
He untied the packet of letters, opened them, kissed them one by one, and put them down in a row on the table, smoothing them out carefully with his hand, and taking great pains to arrange them all in a perfectly straight line. A glance at the first of the little series showed Rosamond that the handwriting in it was the same as the handwriting in the body of the letter which had been found in the Myrtle Room.
“There is not much to read,” said Uncle Joseph. “But if you will look through them first, Madam, I can tell you after all the reason for showing them that I have.”
The old man was right. There was very little to read in the letters, and they grew progressively shorter as they became more recent in date. All four were written in the formal, conventionally correct style of a person taking up the pen with a fear of making mistakes in spelling and grammar, and were equally destitute of any personal particulars relative to the writer; all four anxiously entreated that Uncle Joseph would not be uneasy, inquired after his health, and expressed gratitude and love for him as warmly as their timid restraints of style would permit; all four contained these two questions relating to Rosamond—First, had Mrs. Frankland arrived yet at Porthgenna Tower? Second, if she had arrived, what had Uncle Joseph heard about her? And, finally, all four gave the same instructions for addressing an answer—“Please direct to me, ‘S. J., Post-office, Smith Street, London’ ”—followed by the same apology, “Excuse my not giving my address, in case of accidents; for even in London I am still afraid of being followed and found out. I send every morning for letters; so I am sure to get your answer.”
“I told you, Madam,” said the old man, when Rosamond raised her head from the letters, “that I was frightened and sorry for Sarah when she left me. Now see, if you please, why I got more frightened and more sorry yet, when I have all the four letters that she writes to me. They begin here, with the first, at my left hand; and they grow shorter, and shorter, and shorter, as they get nearer to my right, till the last is but eight little lines. Again, see, if you please. The writing of the first letter, here, at my left hand, is very fine—I mean it is very fine to me, because I love Sarah, and because I write very badly myself; but it is not so good in the second letter—it shakes a little, it blots a little, it crooks itself a little in the last lines. In the third it is worse—more shake, more blot, more crook. In the fourth, where there is least to do, there is still more shake, still more blot, still more crook, than in all the other three put together. I see this; I remember that she was weak and worn and weary when she left me, and I say to myself, ‘She is ill, though she will not tell it, for the
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