Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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Thus Stone Court continually saw one or other blood-relation alighting or departing, and Mary Garth had the unpleasant task of carrying their messages to Mr. Featherstone, who would see none of them, and sent her down with the still more unpleasant task of telling them so. As manager of the household she felt bound to ask them in good provincial fashion to stay and eat; but she chose to consult Mrs. Vincy on the point of extra downstairs consumption now that Mr. Featherstone was laid up.
“Oh, my dear, you must do things handsomely where there’s last illness and a property. God knows, I don’t grudge them every ham in the house—only, save the best for the funeral. Have some stuffed veal always, and a fine cheese in cut. You must expect to keep open house in these last illnesses,” said liberal Mrs. Vincy, once more of cheerful note and bright plumage.
But some of the visitors alighted and did not depart after the handsome treating to veal and ham. Brother Jonah, for example (there are such unpleasant people in most families; perhaps even in the highest aristocracy there are Brobdingnag specimens, gigantically in debt and bloated at greater expense)—Brother Jonah, I say, having come down in the world, was mainly supported by a calling which he was modest enough not to boast of, though it was much better than swindling either on exchange or turf, but which did not require his presence at Brassing so long as he had a good corner to sit in and a supply of food. He chose the kitchen-corner, partly because he liked it best, and partly because he did not want to sit with Solomon, concerning whom he had a strong brotherly opinion. Seated in a famous armchair and in his best suit, constantly within sight of good cheer, he had a comfortable consciousness of being on the premises, mingled with fleeting suggestions of Sunday and the bar at the Green Man; and he informed Mary Garth that he should not go out of reach of his brother Peter while that poor fellow was above ground. The troublesome ones in a family are usually either the wits or the idiots. Jonah was the wit among the Featherstones, and joked with the maidservants when they came about the hearth, but seemed to consider Miss Garth a suspicious character, and followed her with cold eyes.
Mary would have borne this one pair of eyes with comparative ease, but unfortunately there was young Cranch, who, having come all the way from the Chalky Flats to represent his mother and watch his uncle Jonah, also felt it his duty to stay and to sit chiefly in the kitchen to give his uncle company. Young Cranch was not exactly the balancing point between the wit and the idiot—verging slightly towards the latter type, and squinting so as to leave everything in doubt about his sentiments except that they were not of a forcible character. When Mary Garth entered the kitchen and Mr. Jonah Featherstone began to follow her with his cold detective eyes, young Cranch turning his head in the same direction seemed to insist on it that she should remark how he was squinting, as if he did it with design, like the gypsies when Borrow read the New Testament to them. This was rather too much for poor Mary; sometimes it made her bilious, sometimes it upset her gravity. One day that she had an opportunity she could not resist describing the kitchen scene to Fred, who would not be hindered from immediately going to see it, affecting simply to pass through. But no sooner did he face the four eyes than he had to rush through the nearest door which happened to lead to the dairy, and there under the high roof and among the pans he gave way to laughter which made a hollow resonance perfectly audible in the kitchen. He fled by another doorway, but Mr. Jonah, who had not before seen Fred’s white complexion, long legs, and pinched delicacy of face, prepared many sarcasms in which these points of appearance were wittily combined with the lowest moral attributes.
“Why, Tom, you don’t wear such gentlemanly trousers—you haven’t got half such fine long legs,” said Jonah to his nephew, winking at the same time, to imply that there was something
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