Of Human Bondage by W. Somerset Maugham (classic english novels .TXT) ๐
Description
Considered by many to be Maughamโs masterpiece, Of Human Bondage is a semi-autobiographical coming-of-age tale. The novel follows Philip, a sensitive young man interested in literature and art, as he searches for happiness in London and Paris. Philip, the ostensible stand-in for Maugham, suffers from a club foot, a physical representation of the stutter that Maugham himself suffered. Philipโs love life, a central aspect to the book, also mirrors Maughamโs own stormy affairs.
Maugham originally titled the book โBeauty from Ashesโ before settling on the final title, taken from a section of Spinozaโs Ethics in which he discusses how oneโs inability to control oneโs emotions results in a form of bondage.
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- Author: W. Somerset Maugham
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She wrote out the slip, placed it on the table, and went back to the German. Soon she was talking to him with animation. He was a man of middle height, with the round head of his nation and a sallow face; his moustache was large and bristling; he had on a tailcoat and gray trousers, and he wore a massive gold watch-chain. Philip thought the other girls looked from him to the pair at the table and exchanged significant glances. He felt certain they were laughing at him, and his blood boiled. He detested Mildred now with all his heart. He knew that the best thing he could do was to cease coming to the teashop, but he could not bear to think that he had been worsted in the affair, and he devised a plan to show her that he despised her. Next day he sat down at another table and ordered his tea from another waitress. Mildredโs friend was there again and she was talking to him. She paid no attention to Philip, and so when he went out he chose a moment when she had to cross his path: as he passed he looked at her as though he had never seen her before. He repeated this for three or four days. He expected that presently she would take the opportunity to say something to him; he thought she would ask why he never came to one of her tables now, and he had prepared an answer charged with all the loathing he felt for her. He knew it was absurd to trouble, but he could not help himself. She had beaten him again. The German suddenly disappeared, but Philip still sat at other tables. She paid no attention to him. Suddenly he realised that what he did was a matter of complete indifference to her; he could go on in that way till doomsday, and it would have no effect.
โIโve not finished yet,โ he said to himself.
The day after he sat down in his old seat, and when she came up said good evening as though he had not ignored her for a week. His face was placid, but he could not prevent the mad beating of his heart. At that time the musical comedy had lately leaped into public favour, and he was sure that Mildred would be delighted to go to one.
โI say,โ he said suddenly, โI wonder if youโd dine with me one night and come to The Belle of New York. Iโll get a couple of stalls.โ
He added the last sentence in order to tempt her. He knew that when the girls went to the play it was either in the pit, or, if some man took them, seldom to more expensive seats than the upper circle. Mildredโs pale face showed no change of expression.
โI donโt mind,โ she said.
โWhen will you come?โ
โI get off early on Thursdays.โ
They made arrangements. Mildred lived with an aunt at Herne Hill. The play began at eight so they must dine at seven. She proposed that he should meet her in the second-class waiting-room at Victoria Station. She showed no pleasure, but accepted the invitation as though she conferred a favour. Philip was vaguely irritated.
LVIIPhilip arrived at Victoria Station nearly half an hour before the time which Mildred had appointed, and sat down in the second-class waiting-room. He waited and she did not come. He began to grow anxious, and walked into the station watching the incoming suburban trains; the hour which she had fixed passed, and still there was no sign of her. Philip was impatient. He went into the other waiting-rooms and looked at the people sitting in them. Suddenly his heart gave a great thud.
โThere you are. I thought you were never coming.โ
โI like that after keeping me waiting all this time. I had half a mind to go back home again.โ
โBut you said youโd come to the second-class waiting-room.โ
โI didnโt say any such thing. It isnโt exactly likely Iโd sit in the second-class room when I could sit in the first is it?โ
Though Philip was sure he had not made a mistake, he said nothing, and they got into a cab.
โWhere are we dining?โ she asked.
โI thought of the Adelphi Restaurant. Will that suit you?โ
โI donโt mind where we dine.โ
She spoke ungraciously. She was put out by being kept waiting and answered Philipโs attempt at conversation with monosyllables. She wore a long cloak of some rough, dark material and a crochet shawl over her head. They reached the restaurant and sat down at a table. She looked round with satisfaction. The red shades to the candles on the tables, the gold of the decorations, the looking-glasses, lent the room a sumptuous air.
โIโve never been here before.โ
She gave Philip a smile. She had taken off her cloak; and he saw that she wore a pale blue dress, cut square at the neck; and her hair was more elaborately arranged than ever. He had ordered champagne and when it came her eyes sparkled.
โYou are going it,โ she said.
โBecause Iโve ordered fiz?โ he asked carelessly, as though he never drank anything else.
โI was surprised when you asked me to do a theatre with you.โ Conversation did not go very easily, for she did not seem to have much to say; and Philip was nervously conscious that he was not amusing her. She listened carelessly to his remarks, with her eyes on other diners, and made no pretence that she was interested in him. He made one or two little jokes, but she took them quite seriously. The only sign of vivacity he got was when he spoke of the other girls in the shop; she could not bear the manageress and told him all her misdeeds at length.
โI canโt stick her at any price and all the air she gives herself. Sometimes Iโve got more than half a mind to tell her something she doesnโt
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