The Laughing Cavalier by Baroness Orczy (best 7 inch ereader .TXT) 📕
Description
A young woman in 17th century Holland inadvertently overhears the details of a plot to kill a political figure. The principal figures in the plot, one of whom is her brother and another her former lover, hire an insolent English mercenary to kidnap her to get her out of the way until their deeds are done. From there very little goes according to plan.
For her fifth novel in the series, Baroness Orczy uses Franz Hals’ famous painting titled The Laughing Cavalier to build an elaborate backstory for the ancestor of the Scarlet Pimpernel.
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- Author: Baroness Orczy
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At first Stoutenburg thought that his fevered fancy was playing his eyes a weird and elusive trick, then as the reality of what he saw fully burst upon his senses he uttered a loud and hoarse cry like a savage beast that has been wounded.
“Plepshurk! smeerlap!” he cried fiercely.
“Rogue! Villain! Menial! Varlet! and all that you care to name me, my lord!” quoth the philosopher lightly, “and entirely at your service.”
“Jan!” cried Stoutenburg, “Jan! In the name of hell where are you?”
“Not very far, my lord,” rejoined the other. “Jan is a brave soldier but he was no match for three philosophers, even though one of them at first was trussed like a fowl. Jan stuck to his post, my lord, remember that,” he added more seriously, “even when all your other followers and friends were scattered to the winds like a crowd of mice at the approach of a cat. We did not hurt Jan because he is a brave soldier, but we tied him down lest he ran to get assistance whilst assistance was still available.”
“You insolent knave …”
“You speak rightly, my lord: I am an insolent knave, and do so rejoice in mine insolence that I stayed behind here—while my brother philosophers accomplish the task which I have put upon them—on purpose to exercise some of that insolence upon you, and to see what power a man hath to curb his temper and to look pleasant, whilst an insolent knave doth tell him to his face that he is an abject and degraded cur.”
“Then by Heaven, you abominable plepshurk,” cried Stoutenburg white with passion, “since you stayed here to parley with me, I can still give you so complete a retort that your final insolence will have to be spoken in hell. But let me pass now. I have business inside the hut.”
“I know you have, my lord,” rejoined Diogenes coolly, “but I am afraid that your business will have to wait until two philosophers named respectively Pythagoras and Socrates have had time to finish theirs.”
“What do you mean? Let me pass, I tell you, or …”
“Or the wrath of your Magnificence will once more be upon mine unworthy head. Dondersteen! what have I not suffered already from that all-powerful wrath!”
“You should have been hanged ere this …”
“It is an omission, my lord, which I fear me we must now leave to the future to rectify.”
“Stand aside, man,” cried Stoutenburg, who was hoarse with passion.
“No! not just yet!” was the other’s calm reply.
“Stand aside!” reiterated Stoutenburg wildly.
He drew his sword and made a quick thrust at his enemy; he remembered the man’s wounded shoulder and saw that his right hand was temporarily disabled.
“Ah, my lord!” quoth Diogenes lightly, as with his left he drew Bucephalus out of its scabbard, “you had forgotten or perhaps you never knew that during your followers’ scramble for safety my sword remained unheeded in an easily accessible spot, and also that it is as much at home in my left hand as in my right.”
Like a bull goaded to fury Stoutenburg made a second and more vigorous thrust at his opponent. But Diogenes was already on guard: calm, very quiet in his movements in the manner of the perfect swordsman. Stoutenburg, hot with rage, impetuous and clumsy, was at once at a disadvantage whilst this foreign adventurer, entirely self-possessed and good-humoured, had the art of the sword at his fingertips—the art of perfect self-control, the art of not rushing to the attack, the supreme art of waiting for an opportunity.
No feint or thrust at first, only on guard, quietly on guard, and Bucephalus seemed to be infinitely multiplied at times so quickly did the bright steel flash out in the grey light and then subside again.
Stoutenburg was at once conscious of his own disadvantage. He was no match for this brilliant sword play; his opponent did indeed appear to be only playing with him, but Stoutenburg felt all the time that the abominable knave might disarm him at any moment if he were so minded.
Nor could he see very clearly: the passionate blood in him had rushed to his head and was beating furiously in his temples, whilst the other man with the additional advantage of a good position against the wall, kept up a perfect fusillade of good-humoured comments.
“Well attacked, my lord!” he cried gaily, “Dondersteen! were I as fat as your Magnificence supposes, your sword would ere now have made a hole in my side. Pity I am not broader, is it not? or more in the way of your sword. There,” he added as with a quick and sudden turn of the wrist he knocked his opponent’s weapon out of his hand, “allow me to return you this most useful sword.”
He had already stooped and picked up Stoutenburg’s sword, and now was holding it with slender finger tips by the point of its blade, and smiling, urbane and mocking, he held it out at arm’s length, bowing the while with courtly, ironical grace.
“Shall we call Jan, my lord,” he said airily, “or one of your friends to aid you? Some of them I noticed just now seemed somewhat in a hurry to quit this hospitable molens, but mayhap one or two are still lingering behind.”
Stoutenburg, blind with rage, had snatched his sword back out of the scoffer’s hand. He knew that the man was only playing with him, only keeping him busy here to prevent his going to Gilda. This thought threw him into a frenzy of excitement and not heeding the other’s jeers he cried out at the top of his voice:
“Jan! Jan! Nicolaes! What-ho!”
And the other man putting his hand up to his mouth also shouted lustily:
“Jan! Nicolaes! What ho!”
Had Stoutenburg been less blind and deaf to aught save to his own hatred and his own fury, he
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