The Autobiography of Mark Twain by Mark Twain (good book recommendations .TXT) 📕
Description
The Autobiography of Mark Twain is a collection of reminiscences and reflections. Twain began dictating them in 1870, and in 1906 he published Chapters from My Autobiography in twenty-five installments in the North American Review. He continued to write stories for his autobiography, most of which weren’t published in his lifetime due to a lack of access to his papers, or their private subject matters. After Twain’s death, numerous editors have tried to organize this collection of published and unpublished autobiographical works, producing various differing editions. The most recent attempt is by the Mark Twain Project at the University of California, Berkeley, which published a three-volume edition; but, through what many consider legal trickery, the University of California, Berkeley has claimed copyright on that edition until 2047—137 years after Twain’s death.
This Standard Ebooks production is based on Harper and Brothers’ 1924 collection, compiled by Albert Bigelow Paine.
Read free book «The Autobiography of Mark Twain by Mark Twain (good book recommendations .TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Mark Twain
Read book online «The Autobiography of Mark Twain by Mark Twain (good book recommendations .TXT) 📕». Author - Mark Twain
As I have said before, I never had any large respect for good spelling. That is my feeling yet. Before the spelling-book came with its arbitrary forms, men unconsciously revealed shades of their characters, and also added enlightening shades of expression to what they wrote by their spelling, and so it is possible that the spelling-book has been a doubtful benevolence to us.
Susy began the biography in 1885, when I was in the fiftieth year of my age, and she in the fourteenth of hers. She begins in this way:
We are a very happy family. We consist of Papa, Mamma, Jean, Clara and me. It is papa I am writing about, and I shall have no trouble in not knowing what to say about him, as he is a very striking character.
But wait a minute—I will return to Susy presently. In the matter of slavish imitation, man is the monkey’s superior all the time. The average man is destitute of independence of opinion. He is not interested in contriving an opinion of his own, by study and reflection, but is only anxious to find out what his neighbor’s opinion is and slavishly adopt it. A generation ago, I found out that the latest review of a book was pretty sure to be just a reflection of the earliest review of it. That whatever the first reviewer found to praise or censure in the book would be repeated in the latest reviewer’s report, with nothing fresh added.27 Therefore more than once I took the precaution of sending my book, in manuscript, to Mr. Howells, when he was editor of the Atlantic Monthly, so that he could prepare a review of it at leisure. I knew he would say the truth about the book—I also knew that he would find more merit than demerit in it, because I already knew that that was the condition of the book. I allowed no copy of that book to go out to the press until after Mr. Howells’s notice of it had appeared. That book was always safe. There wasn’t a man behind a pen in all America that had the courage to find anything in the book which Mr. Howells had not found—there wasn’t a man behind a pen in America that had spirit enough to say a brave and original thing about the book on his own responsibility.
I believe that the trade of critic, in literature, music, and the drama, is the most degraded of all trades, and that it has no real value—certainly no large value. When Charles Dudley Warner and I were about to bring out The Gilded Age, the editor of the Daily Graphic persuaded me to let him have an advance copy, he giving me his word of honor that no notice of it should appear in his paper until after the Atlantic Monthly notice should have appeared. This reptile published a review of the book within three days afterward, I could not really complain, because he had only given me his word of honor as security. I ought to have required of him something substantial. I believe his notice did not deal mainly with the merit of the book, or the lack of it, but with my moral attitude toward the public. It was charged that I had used my reputation to play a swindle upon the public—that Mr. Warner had written as much as half of the book, and that I had used my name to float it and give it currency—a currency which it could not have acquired without my name—and that this conduct of mine was a grave fraud upon the people. The Graphic was not an authority upon any subject whatever. It had a sort of distinction in that it was the first and only illustrated daily newspaper that the world had seen; but it was without character, it was poorly and cheaply edited, its opinion of a book or of any other work of art was of no consequence. Everybody knew this, yet all the critics in America, one after the other, copied the Graphic’s criticism, merely changing the phraseology, and left me under that charge of dishonest conduct. Even the great Chicago
Comments (0)