The Song of the Lark by Willa Cather (best reads .TXT) 📕
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The Song of the Lark, Willa Cather’s third novel, was written in 1915. It is said to have been inspired by the real-life soprano Olive Fremstad, a celebrated Swedish-American singer who, like the protagonist, was active in New York and Europe during the time period depicted in the novel.
The work explores how an artist’s early life influences their work. In the novel, Thea Kronborg discovers her talent as a singer, and goes on to achieve great fame and success once she leaves her tiny village of Moonstone. Cather eschewed depicting rural life as being idyllic, instead focusing on the conservative, restricted, patriarchal structures that its inhabitants live by. Her work is thus considered to be one of the earliest so-called “Revolt Novels.” She depicts a time at the end of the 19th century when the American West was expanding rapidly and Americans were gaining sophistication in their understanding of culture and artists, particularly compared to Europe. The title of the novel comes from the name of a 1884 painting by Jules Breton, which is described and considered in the book itself.
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- Author: Willa Cather
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That night she taught in Moonstone again: she beat her pupils in hideous rages, she kept on beating them. She sang at funerals, and struggled at the piano with Harsanyi. In one dream she was looking into a hand-glass and thinking that she was getting better-looking, when the glass began to grow smaller and smaller and her own reflection to shrink, until she realized that she was looking into Ray Kennedy’s eyes, seeing her face in that look of his which she could never forget. All at once the eyes were Fred Ottenburg’s, and not Ray’s. All night she heard the shrieking of trains, whistling in and out of Moonstone, as she used to hear them in her sleep when they blew shrill in the winter air. But tonight they were terrifying—the spectral, fated trains that “raced with death,” about which the old woman from the depot used to pray.
In the morning she wakened breathless after a struggle with Mrs. Livery Johnson’s daughter. She started up with a bound, threw the blankets back and sat on the edge of the bed, her nightdress open, her long braids hanging over her bosom, blinking at the daylight. After all, it was not too late. She was only twenty years old, and the boat sailed at noon. There was still time!
Part VI Kronborg Ten Years Later IIt is a glorious winter day. Denver, standing on her high plateau under a thrilling green-blue sky, is masked in snow and glittering with sunlight. The Capitol building is actually in armor, and throws off the shafts of the sun until the beholder is dazzled and the outlines of the building are lost in a blaze of reflected light. The stone terrace is a white field over which fiery reflections dance, and the trees and bushes are faithfully repeated in snow—on every black twig a soft, blurred line of white. From the terrace one looks directly over to where the mountains break in their sharp, familiar lines against the sky. Snow fills the gorges, hangs in scarfs on the great slopes, and on the peaks the fiery sunshine is gathered up as by a burning-glass.
Howard Archie is standing at the window of his private room in the offices of the San Felipe Mining Company, on the sixth floor of the Raton Building, looking off at the mountain glories of his State while he gives dictation to his secretary. He is ten years older than when we saw him last, and emphatically ten years more prosperous. A decade of coming into things has not so much aged him as it has fortified, smoothed, and assured him. His sandy hair and imperial conceal whatever gray they harbor. He has not grown heavier, but more flexible, and his massive shoulders carry fifty years and the control of his great mining interests more lightly than they carried forty years and a country practice. In short, he is one of the friends to whom we feel grateful for having got on in the world, for helping to keep up the general temperature and our own confidence in life. He is an acquaintance that one would hurry to overtake and greet among a hundred. In his warm handshake and generous smile there is the stimulating cordiality of good fellows come into good fortune and eager to pass it on; something that makes one think better of the lottery of life and resolve to try again.
When Archie had finished his morning mail, he turned away from the window and faced his secretary. “Did anything come up yesterday afternoon while I was away, T. B.?”
Thomas Burk turned over the leaf of his calendar. “Governor Alden sent down to say that he wanted to see you before he sends his letter to the Board of Pardons. Asked if you could go over to the State House this morning.”
Archie shrugged his shoulders. “I’ll think about it.”
The young man grinned.
“Anything else?” his chief continued.
T. B. swung round in his chair with a look of interest on his shrewd, clean-shaven face. “Old Jasper Flight was in, Dr. Archie. I never expected to see him alive again. Seems he’s tucked away for the winter with a sister who’s a housekeeper at the Oxford. He’s all crippled up with rheumatism, but as fierce after it as ever. Wants to know if you or the company won’t grubstake him again. Says he’s sure of it this time; had located something when the snow shut down on him in December. He wants to crawl out at the first break in the weather, with that same old burro with the split ear. He got somebody to winter the beast for him. He’s superstitious about that burro, too; thinks it’s divinely guided. You ought to hear the line of talk he put up here yesterday; said when he rode in his carriage, that burro was a-going to ride along with him.”
Archie laughed. “Did he leave you his address?”
“He didn’t
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