The Woman in White by Wilkie Collins (portable ebook reader txt) 📕
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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“Mind you are at the station in good time tomorrow morning,” I continued. “And when you see the housekeeper at Limmeridge give her my compliments, and say that you are in my service until Lady Glyde is able to take you back. We may meet again sooner than you think. So keep a good heart, and don’t miss the seven o’clock train.”
“Thank you, miss—thank you kindly. It gives one courage to hear your voice again. Please to offer my duty to my lady, and say I left all the things as tidy as I could in the time. Oh, dear! dear! who will dress her for dinner today? It really breaks my heart, miss, to think of it.”
When I got back to the house I had only a quarter of an hour to spare to put myself in order for dinner, and to say two words to Laura before I went downstairs.
“The letters are in Fanny’s hands,” I whispered to her at the door. “Do you mean to join us at dinner?”
“Oh, no, no—not for the world.”
“Has anything happened? Has anyone disturbed you?”
“Yes—just now—Sir Percival—”
“Did he come in?”
“No, he frightened me by a thump on the door outside. I said, ‘Who’s there?’ ‘You know,’ he answered. ‘Will you alter your mind, and tell me the rest? You shall! Sooner or later I’ll wring it out of you. You know where Anne Catherick is at this moment.’ ‘Indeed, indeed,’ I said, ‘I don’t.’ ‘You do!’ he called back. ‘I’ll crush your obstinacy—mind that!—I’ll wring it out of you!’ He went away with those words—went away, Marian, hardly five minutes ago.”
He had not found Anne! We were safe for that night—he had not found her yet.
“You are going downstairs, Marian? Come up again in the evening.”
“Yes, yes. Don’t be uneasy if I am a little late—I must be careful not to give offence by leaving them too soon.”
The dinner-bell rang and I hastened away.
Sir Percival took Madame Fosco into the dining-room, and the Count gave me his arm. He was hot and flushed, and was not dressed with his customary care and completeness. Had he, too, been out before dinner, and been late in getting back? or was he only suffering from the heat a little more severely than usual?
However this might be, he was unquestionably troubled by some secret annoyance or anxiety, which, with all his powers of deception, he was not able entirely to conceal. Through the whole of dinner he was almost as silent as Sir Percival himself, and he, every now and then, looked at his wife with an expression of furtive uneasiness which was quite new in my experience of him. The one social obligation which he seemed to be self-possessed enough to perform as carefully as ever was the obligation of being persistently civil and attentive to me. What vile object he has in view I cannot still discover, but be the design what it may, invariable politeness towards myself, invariable humility towards Laura, and invariable suppression (at any cost) of Sir Percival’s clumsy violence, have been the means he has resolutely and impenetrably used to get to his end ever since he set foot in this house. I suspected it when he first interfered in our favour, on the day when the deed was produced in the library, and I feel certain of it now.
When Madame Fosco and I rose to leave the table, the Count rose also to accompany us back to the drawing-room.
“What are you going away for?” asked Sir Percival—“I mean you, Fosco.”
“I am going away because I have had dinner enough, and wine enough,” answered the Count. “Be so kind, Percival, as to make allowances for my foreign habit of going out with the ladies, as well as coming in with them.”
“Nonsense! Another glass of claret won’t hurt you. Sit down again like an Englishman. I want half an hour’s quiet talk with you over our wine.”
“A quiet talk, Percival, with all my heart, but not now, and not over the wine. Later in the evening, if you please—later in the evening.”
“Civil!” said Sir Percival savagely. “Civil behaviour, upon my soul, to a man in his own house!”
I had more than once seen him look at the Count uneasily during dinnertime, and had observed that the Count carefully abstained from looking at him in return. This circumstance, coupled with the host’s anxiety for a little quiet talk over the wine, and the guest’s obstinate resolution not to sit down again at the table, revived in my memory the request which Sir Percival had vainly addressed to his friend earlier in the day to come out of the library and speak to him. The Count had deferred granting that private interview, when it was first asked for in the afternoon, and had again deferred granting it, when it was a second time asked for at the dinner-table. Whatever the coming subject of discussion between them might be, it was clearly an important subject in Sir Percival’s estimation—and perhaps (judging from his evident reluctance to approach it) a dangerous subject as well, in the estimation of the Count.
These considerations occurred to me while we were passing from the dining-room to the drawing-room. Sir Percival’s angry commentary on his friend’s desertion of him had not produced the slightest effect. The Count obstinately accompanied us to the tea-table—waited a minute or two in the room—went out into the hall—and returned with the postbag in his hands. It was then eight o’clock—the hour at which the letters were always despatched from Blackwater Park.
“Have you any letter for the post, Miss Halcombe?” he asked, approaching me with the bag.
I saw Madame Fosco, who was making the tea, pause, with the sugar-tongs in her hand, to listen for my answer.
“No, Count, thank you. No letters today.”
He gave the bag to the servant, who was then in the room; sat down at the piano, and played the
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