National Avenue by Booth Tarkington (book recommendations website .txt) 📕
Description
National Avenue, originally titled The Midlander, is Booth Tarkington’s final entry in his Growth Trilogy. Like the previous entries in the series, National Avenue addresses the rapid industrialization of small-town America at the turn of the century, and the socioeconomic changes that such change brings with it.
Dan Oliphant and his brother Harlan are the children of a wealthy small-town businessman. Harlan is a traditional upper-class man—affecting an accent, dressing for dinner, and contemplating beauty and culture—while Dan is boisterous and lively, eager to do big things. Dan sees the rise of industry in America’s east as a harbinger for his own Midwestern town, and sets his mind on building an industrial suburb, Ornaby Addition, next to his city’s downtown.
Dan’s idea is met with scorn and mockery from not only his family, but also his fellow townspeople. Dan persists nonetheless, and soon the town must contend with his dream becoming a reality: noisy cars, smoky factories, huge, unappealing buildings, and the destruction of nature and the environment become the new normal as Dan’s industrial dream is realized.
Where The Turmoil focuses on industrialization’s effect on art and culture, and The Magnificent Ambersons focuses on industry’s destruction of family and of small-town life, National Avenue focuses on the men and women who actually bring that change about. Dan is portrayed sympathetically, but Tarkington makes it clear that his dreams and choices lead to a deeply unhappy family life and the ruination of the land around him. But can Dan really be faulted for his dream, or is industry inevitable, and inevitably destructive?
Read free book «National Avenue by Booth Tarkington (book recommendations website .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Booth Tarkington
Read book online «National Avenue by Booth Tarkington (book recommendations website .txt) 📕». Author - Booth Tarkington
Mrs. Savage’s gray picket fence joined the white picket fence of the overshadowed white cottage and her house was a good sample of foursquare severity, built of brick and painted gray, with two noble old walnut trees in front, one on each side of the brick walk that led from the gate to the small veranda. Here she had lived during little less than half a century;—that is to say, ever since her house had been called “the finest residence in the city,” when her husband built it in the decade before the Civil War. Here, too, she “preferred to die,” as she said brusquely when her daughter wished her to come and live at the Oliphants’, after Mr. Savage’s death. She was still “fully able to keep house” for herself, she added, and expected to do so until Smith and Lieven came for her; Smith and Lieven being the undertakers who had conducted all the funerals in her family.
But at ninety-two it is impossible to withhold all concessions; even a lady whose pioneer father whipped her when she was fifteen must bend a little; and although Mrs. Savage still declined to sit in a comfortable chair, she took a daily nap in the afternoon. She had just risen and descended to her parlour, and settled herself by the large front window, when the two young people, coming along the sidewalk, reached the north end of her picket fence.
She did not recognize them at first; for, although her eyes “held out,” as she said, they held out not quite well enough for her to see faces except as ivory or pinkish blurs, unless they were close to her. However, the two figures interested her; and because of their slow approach and something intimate in the way they seemed to be communing, she guessed that they might be lovers. To her surprise, they halted at her gate, but, instead of coming in, continued their conversation there for several moments. Then, though they appeared loath to separate, each took both of the other’s hands for a moment, in an impulsive gesture distinctly expressive of emotion, and the woman’s figure went down the street, walking hurriedly, while the man’s came in at the gate and approached the front door. Mrs. Savage recognized her grandson, but no slightest change in her expression or attitude marked the moment of recognition.
Upon the sound of the bell, the old coloured man who had been her servant for thirty years came softly through the hall, but instead of opening the door to the visitor he presented himself before his mistress in the parlour. He was a thin old man of the darkest brown, neat and erect, with a patient expression, a beautifully considerate manner, and a tremulous tenor voice. In addition, his given name was both romantic and religious: Nimbus.
“You like to receive callers, Miz Savage?” he inquired. “Doorbell ring.”
“I heard it,” the old lady informed him somewhat crisply. “Have you any reason to suppose I can’t hear my own doorbell?”
“No’m.”
“Then why did you see fit to mention that it rang?”
“I don’ know, ’m. You hear good as what I do, Miz Savage,” he returned apologetically. “I dess happen say she ring. Mean nothin’ ’t all. You like me bring ’em in or say ain’t home, please?”
“It’s my grandson, Dan.”
“Yes’m,” said Nimbus, turning to the door; “I go git him.”
He went out into the broad hall and opened the door to the thoughtful young man waiting there, who shook hands with him and greeted him warmly; whereupon Nimbus glowed visibly, expressing great pleasure and cordiality. “My goo’nuss me!” he said. “Hope I be close on hand when you git ready shed them clo’es, Mist’ Dan. You’ grammaw cert’n’y be overjoice’ to see you ag’in. She settin’ in polluh waitin’ fer you, if you kinely leave me rest you’ silk hat an’ gole-head cane. My, look at all the gole on nat cane!”
Receiving this emblem of state with murmurous reverence, he solicitously bore it to the marble-topped table as the young man entered the room where his grandmother awaited him. She sat by the broad window, which had been the first plate-glass window in the town, and in her cap with lace lappets and her full, dark gown, she was not unsuggestive, in spite of her great age, of Whistler’s portrait of his mother. Certainly, until her grandson took her hand and sat down beside her, she was as motionless as a portrait.
“Grandma,” he said remorsefully, “I’m afraid you feel mighty hurt with me. I know it looked pretty selfish of me not to come home sooner, so we could go ahead and get grandpa’s estate settled up. I expect you think I haven’t been very thoughtful of you, and you certainly have got a right to feel kind of cross with me, but the truth is—”
“No,” she interrupted quietly. “Your father was too busy to attend to the estate himself, and I didn’t want Harlan because I know he’d spend all his time criticizing; and besides he didn’t offer to do it in the first place, and you did. But your father hired a lawyer for me, and the work’s about finished.”
“I know what you think of me—” he began but again she interrupted.
“No; you behaved
Comments (0)