The Charing Cross Mystery by J. S. Fletcher (book series for 10 year olds TXT) 📕
Description
The Charing Cross Mystery follows a young lawyer, Hetherwick, who happens to be on a train alongside a former police inspector who dies suddenly in front of him. The other man in the carriage runs off at the next stop and vanishes. Hetherwick takes it upon himself to investigate what turns out to be a murder.
J. S. Fletcher originally wrote the story in 1922 for a weekly magazine, who called it Black Money. It was published in a single volume in 1923 as The Charing Cross Mystery and immediately had to be reprinted because of its popularity.
The novel is a classic Edwardian detective novel where the plot twists and turns as more and more people become involved in the investigation, both as investigators and as suspects.
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- Author: J. S. Fletcher
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“Made a lightning exit, eh?” remarked Hetherwick.
“She must have gone instantly,” asserted Hollis. “A door opened from the bedroom into a corridor—she must have picked up hat and coat and walked straight away, leaving everything she had there. Anyway, when Hannaford, tired of waiting, knocked at the door and looked in, his bird was flown. Then, of course, there was a hue-and-cry, and a fine revelation. But she’d got clear away, probably by some side door or other exit, and although Hannaford, according to his own account, raked London with a comb for her, she was never found. Vanished!”
“And the necklace?” inquired Hetherwick.
“That had vanished too,” replied Hollis. “They searched her trunks and things, but they found nothing but clothing. Whatever she had in the way of money and valuables she’d carried off. And so Hannaford came home, considerably down in the mouth, and he had to stand a good deal of chaff. And if he found this woman’s picture in a recent paper—well, small wonder that he did cut it out! I should say he was probably going to set Scotland Yard on her track!—for, of course, there’s no time-limit to criminal proceedings.”
“This is the picture he cut out,” observed Hetherwick, producing it from his pocketbook. “But you say you never saw the woman?”
“No, I never saw her,” assented Hollis, examining the print with interested curiosity. “So, of course, I can’t recognise this. Handsome woman! But you meet me at my office—close by—tomorrow morning, at ten, and I’ll take you to our police-station. Gandham will know!”
Gandham, an elderly man with a sphinx-like manner and watchful eyes, laughed sardonically when Hollis explained Hetherwick’s business. He laughed again when Hetherwick showed him the print.
“Oh, aye, that’s the lady!” he exclaimed. “Not changed much, neither! Egad, she was a smart ’un, that, Mr. Hollis!—I often laugh when I think how she did Hannaford! But you know, Hannaford was a softhearted man. At these little affairs, he was always for sparing people’s feelings. All very well—but he had to pay for trying to spare hers! Aye, that’s her! We have a portrait of her here, you know.”
“You have, eh?” exclaimed Hetherwick. “I should like to see it.”
“You can see it with pleasure, sir,” replied the detective. “And look at it as long as you like.” He turned to a desk close by and produced a big album, full of portraits with written particulars beneath them. “This is not, strictly speaking, a police photo,” he continued. “It’s not one that we took ourselves, ye understand—we never had the chance! No!—but when my lady was staying at the White Bear, she had her portrait taken by Wintring, the photographer, in Silver Street, and Wintring was that suited with it that he put it in his window. So, of course, when her ladyship popped off with Malladale’s necklace, we got one of those portraits, and added it to our little collection. Here it is!—and you’ll not notice so much difference between it and that you’ve got in your hand, sir.”
There was very little difference between the two photographs, and Hetherwick said so. And presently he went away from the police-office wondering more than ever about the woman with whose past adventures he was concerning himself.
“May as well do the thing thoroughly while you’re about it,” remarked Hollis, as they walked off. “Come and see Malladale—his shop is only round the corner. Not that he can tell you much more than I’ve told you already.”
But Malladale proved himself able to tell a great deal more. A grave, elderly man, presiding over an establishment which Hetherwick, unaccustomed to the opulence of provincial manufacturing towns, was astonished to find outside London, he ushered his visitor into a private room, and listened to the reasons they gave for calling on him. After a close and careful inspection of the print which Hetherwick put before him, he handed it back with a confident nod.
“There is no doubt whatever—in my mind—that that is a print from a photograph of the woman I knew as the Honourable Mrs. Whittingham,” he said. “And if it has been taken recently, she has altered very little during the ten years that have elapsed since she was here in this town.”
“You’d be glad to see her again, Mr. Malladale—in the flesh?” laughed Hollis.
The jeweller shook his head.
“I think not,” he answered. “No, I think not,
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