Sinister Street by Compton Mackenzie (great books to read TXT) π

Description
Michael Fane arrives in the thin red house in Carlington Road to his new family of Nurse, Cook, Annie the housemaid, his younger sister Stella, and the occasional presence of Mother. From here, the novel follows the next twenty years of his life as he tries to find his place in the upper echelons of Edwardian society, through prep school, studies at Oxford, and his emergence into the wide world. The setting is rich in period detail, and the characters portrayed are vivid and more nuanced in their actions and stories than first impressions imply.
Sinister Street was an immediate critical success on publication, although not without some worry for its openness to discuss less salubrious scenes, and it was a favourite of George Orwell and John Betjeman. Compton Mackenzie had attended both St. Jamesβ school and St. Maryβs College at Oxford and the novel is at least partly autobiographical, but for the same measure was praised as an accurate portrayal of that experience; Max Beerbohm said βThere is no book on Oxford like it. It gives you the actual Oxford experience.β Although originally published in two volumes (in 1913 and 1914) for commercial reasons, the two form a single novel and have been brought back together again for this edition.
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- Author: Compton Mackenzie
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βI say, whatβs your name?β
The pink-faced boy gulped βEdward Ernest Arnott.β
βWhat is it then?β asked the long-bodied boy.
βArnott is my surname. Edward and Ernest,β he gulped again, βare my Christian names.β
βMineβs Vernon Brown. I say, whatβs your father?β
βA solicitor,β said Edward. βWhatβs yours?β
βA cricketβ βI mean a critic,β said Vernon.
βWhatβs that?β
This seemed to upset the long-bodied boy, who replied:
βCoo! Donβt you know what a cricket is? I mean critic. You must be a kid.β
Michael thought this was the most extraordinary conversation he had ever heard. Not even Mrs. Frith and Annie could be so incomprehensible.
βI donβt believe you know yourself,β said the pink-faced boy, deepening to crimson.
βDonβt I? I bet I do.β
βI bet you donβt.β
βI know better than you anyway.β
βSo do I than you.β
Michael would have found a conversation between two fox-terriers more intelligible. It ended abruptly, however, with the entrance of Miss Marrow, who waved them all to follow her to the severity of her own room. Edward Arnott and Vernon Brown were despatched upstairs to take their places in the class above the Kindergarten for which Michael was destined and whither he followed Miss Marrow, wondering at the size and ugliness of her. Miss Marrowβs base was a black bell, on which was set a black cushion, above which was Miss Marrowβs round beetroot-coloured face. Miss Caroline was like a green curtain through the folds of which seemed to have burst a red face like her sisterβs but thinner. Miss Caroline was pleasanter than Miss Marrow and never shouted, perhaps because she was never without a cold in the head.
Michael was handed over to the care of Miss Hewitt, the Kindergarten mistress, who was very kind and very jolly. Michael enjoyed the Kindergarten. There he learned to write pothooks and hangers and very soon to write proper letters. He learned to sew alternate red and blue lines of wool upon a piece of cardboard. He learned to weave bookmarkers with shining slips of chocolate and yellow paper, and to pleat chequered mats of the same material: these, when term was over, appeared at the prize-giving, beautifully enhanced with paper frills cut by the clever Miss Hewitt. He learned to paint texts and to keep his pencil-box tidy and to play the treble of a very unmelodious duet with Miss Hunt, in whose bony fingers his own fingers would from time to time get entangled. He tried the treble without the bass accompaniment at home on Stella, but she cried and seemed as Annie, who was in charge, said βto regular shudder.β Altogether Kindergarten was a pleasure to Michael, and he found the days went by more quickly, though still far too slowly.
About a week before Christmas his mother came back, and Michael was happy. All the rooms that were only used when she was at home changed from bare beeswaxed deserts to places of perfect comfort, so rosy were the lampshades, so sweet was the smell of flowers and so soft and lovely were his motherβs scattered belongings. Christmas Day brought presentsβ βa box of stone bricks, a rocking-horse, a dollβs house for Stella, boxes of soldiers, a wooden battleship, and booksβ βHans Andersen and Grimm and the Old French Fairytales. As for the stockings that year, it was amazing how much managed to get into one stocking and how deliciously heavy it felt, as it was unhooked from the end of the cot and plumped down upon the bed in the gaslight of Christmas morning. There was only one sadness that hung over the festivitiesβ βthe thought that his mother would be going away in two days. Boxing Day arrived and there were ominous open trunks and the scattered contents of drawers. Tomorrow she was going. It was dreadful to think of. Michael was allowed the bitter joy of helping his mother to pack, and as he stood seriously holding various articles preparatory to their entombment, he talked of the summer and heard promises that mother would spend a long long time with Michael.
βMother,β he said suddenly, βwhat is my father?β
βWhat makes you ask that?β
βThe boys at Miss Marrowβs all ask me that. Have I got a father? Must boys have fathers? Oh, mother, do tell me,β pleaded Michael.
Mrs. Fane seemed worried by this question.
βYour father was a gentleman,β she said at last.
βWhat is a gentleman?β
βA good man, always thoughtful and considerate to others.β
βWas that man in the photograph my father?β
βWhat photograph?β Mrs. Fane parried.
βBy your bed at the seaside?β
βI donβt remember,β she said, βAnyway, your fatherβs dead.β
βIs he? Poor man!β said sympathetic Michael.
βAnd now run to Nanny and ask her if she remembers where mother put her large muff.β
βNanny,β said Michael, when he had received Nurseβs information, βwhy did my father die?β
βDie? Die? What questions. Tut-tut! Whatever next?β And Nurse blew very violently to show how deeply she disapproved of Michaelβs inquisitiveness.
That evening, just when Michael was going to bed, there came a knock at the door, and a tall fair man was shown into the drawing-room.
βHow dβye do, Mrs. Fane? Iβve come to ask you if youβll go to the theatre tonight. Saxby is coming on later.β
βOh, thank you very much, Mr. Prescott, but I really think I must stay in. You see,β she said smilingly, βitβs Michaelβs last night of me for a long time.β
Michael stood gazing at Mr. Prescott, hating him with all his might and sighing relief at his motherβs refusal to go out.
βOh, Michael wonβt mind; will you, Michael?β
Nurse came in saying βBedtime! Tut-tut-tut! Bedtime!β and Michaelβs heart sank.
βThere you are,β said Mr. Prescott. βHereβs Nurse to say itβs bedtime. Now do come, Mrs. Fane.β
βOh, I really think I ought to stay.β
βNow what nonsense. Saxby will be furiously disappointed. You must. Come along, Michael, be a brave chap and tell your mother sheβs got to go out; and hereβs something to square our account.β
He pressed a little gold coin into Michaelβs unwilling hand.
βWould you mind very much, if I went?β his mother asked.
βNo,β said Michael tonelessly. The room was swimming round him in
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