Germinal by Émile Zola (reading books for 5 year olds .TXT) 📕

fact, now asking himself the meaning of this noise of falling rain. A few large drops had at first sounded on the roof of the cage, like the beginning of a shower, and now the rain increased, streaming down, becoming at last a deluge. The roof must be full of holes, for a thread of water was flowing on to his shoulder and wetting him to the skin. The cold became icy and they were buried in black humidity, when they passed through a sudden flash of light, the vision of a cavern in which men were moving. But already they had fallen back into darkness.

Maheu said:

“That is the first main level. We are at three hundred and twenty metres. See the speed.”

Raising his lamp he lighted up a joist of the guides which fled by like a rail beneath a train going at full speed; and beyond, as before, nothing could be seen. They passed three other levels in flashes of light. The deafening rain continued to strike through the darkness.

“How deep it is!” murmured Étienne.

This fall seemed to last for hours. He was suffering for the cramped position he had taken, not daring to move, and especially tortured by Catherine’s elbow. She did not speak a word; he only felt her against him and it warmed him. When the cage at last stopped at the bottom, at five hundred and fifty-four metres, he was astonished to learn that the descent had lasted exactly one minute. But the noise of the bolts fixing themselves, the sensation of solidity beneath, suddenly cheered him; and he was joking when he said to Catherine:

“What have you got under your skin to be so warm? I’ve got your elbow in my belly, sure enough.”

Then she also burst out laughing. Stupid of him, still to take her for a boy! Were his eyes out?

“It’s in your eye that you’ve got my elbow!” she replied, in the midst of a storm of laughter which the astonished young man could not account for.

The cage voided its burden of workers, who crossed the pit-eye hall, a chamber cut in the rock, vaulted with masonry, and lighted up by three large lamps. Over the iron flooring the porters were violently rolling laden trams. A cavernous odour exhaled from the walls, a freshness of saltpetre in which mingled hot breaths from the neighbouring stable. The openings of four galleries yawned here.

“This way,” said Maheu to Étienne. “You’re not there yet. It is still two kilometres.”

The workmen separated, and were lost in groups in the depths of these black holes. Some fifteen went off into that on the left, and Étienne walked last, behind Maheu, who was preceded by Catherine, Zacharie, and Levaque. It was a large gallery for wagons, through a bed of solid rock, which had only needed walling here and there. In single file they still went on without a word, by the tiny flame of the lamps. The young man stumbled at every step, and entangled his feet in the rails. For a moment a hollow sound disturbed him, the sound of a distant storm, the violence of which seemed to increase and to come from the bowels of the earth. Was it the thunder of a landslip bringing on to their heads the enormous mass which separated them from the light? A gleam pierced the night, he felt the rock tremble, and when he had placed himself close to the wall, like his comrades, he saw a large white horse close to his face, harnessed to a train of wagons. On the first, and holding the reins, was seated Bébert, while Jeanlin, with his hands leaning on the edge of the last, was running barefooted behind.

They again began their walk. Farther on they reached crossways, where two new galleries opened, and the band divided again, the workers gradually entering all the stalls of the mine.

Now the wagon-gallery was constructed of wood; props of timber supported the roof, and made for the crumbly rock a screen of scaffolding, behind which one could see the plates of schist glimmering with mica, and the coarse masses of dull, rough sandstone. Trains of tubs, full or empty, continually passed, crossing each other with their thunder, borne into the shadow by vague beasts trotting by like phantoms. On the double way of a shunting line a long, black serpent slept, a train at standstill, with a snorting horse, whose crupper looked like a block fallen from the roof. Doors for ventilation were slowly opening and shutting. And as they advanced the gallery became more narrow and lower, and the roof irregular, forcing them to bend their backs constantly.

Étienne struck his head hard; without his leather cap he would have broken his skull. However, he attentively followed the slightest gestures of Maheu, whose sombre profile was seen against the glimmer of the lamps. None of the workmen knocked themselves; they evidently knew each boss, each knot of wood or swelling in the rock. The young man also suffered from the slippery soil, which became damper and damper. At times he went through actual puddles, only revealed by the muddy splash of his feet. But what especially astonished him were the sudden changes of temperature. At the bottom of the shaft it was very chilly, and in the wagon-gallery, through which all the air of the mine passed, an icy breeze was blowing, with the violence of a tempest, between the narrow walls. Afterwards, as they penetrated more deeply along other passages which only received a meagre share of air, the wind fell and the heat increased, a suffocating heat as heavy as lead.

Maheu had not again opened his mouth. He turned down another gallery to the right, simply saying to Étienne, without looking round:

“The Guillaume seam.”

It was the seam which contained their cutting. At the first step, Étienne hurt his head and elbows. The sloping roof descended so low that, for twenty or thirty metres at a time, he had to