Germinal by Émile Zola (reading books for 5 year olds .TXT) 📕
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Germinal, named after the spring month in the French Republican Calendar, is often considered to be Zola’s masterpiece. The book follows Étienne Lantier, a young man whose career as a railway worker is abruptly cut short after he attacks a superior. He arrives in Montsou, a coal mining town in the north of France, to begin a new life in a different industry. And the only industry around is mining coal.
Étienne quickly befriends the locals as he embraces his new life in the mines, but the abject poverty of the miners shocks him, and he soon begins reading about socialism. When the owners of the mine conspire to lower the miners’ wages, Étienne seizes the opportunity and convinces the town to strike.
Zola’s depiction of the mining town is shockingly bleak in its detail. He spent months researching the conditions of real-life miners, even going so far as pose as a government official so that he could descend into a mine personally. His encounter with a mining horse—brought underground as a foal to haul coal, never to see the light of day again—affected him so much that he wrote the animal into the plot. Montsou itself is a fully-realized town, with families and characters leading interconnected and nuanced lives across generations: lives so destitute, grueling, and filthy that Zola had to repeatedly defend his work against claims of hyperbole.
Ultimately, the novel was a rallying cry for the workers of the world in an era when communist and socialist ideas were beginning to spread amongst the impoverished working class. The shabby but good-hearted inhabitants of Montsou, so blatantly oppressed by the bourgeois mine owners, are a blank slate for workers of any industry to identify with, and identify they did: Germinal inspired socialist causes for decades after its publication, with crowds chanting “Germinal!” at Zola’s funeral.
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- Author: Émile Zola
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It was a fairly large room, occupying all the ground floor, painted an apple green, and of Flemish cleanliness, with its flags well washed and covered with white sand. Besides the sideboard of varnished deal the furniture consisted of a table and chairs of the same wood. Stuck on to the walls were some violently-coloured prints, portraits of the Emperor and the Empress, given by the Company, of soldiers and of saints speckled with gold, contrasting crudely with the simple nudity of the room; and there was no other ornament except a box of rose-coloured pasteboard on the sideboard, and the clock with its daubed face and loud tick-tack, which seemed to fill the emptiness of the place. Near the staircase door another door led to the cellar. In spite of the cleanliness, an odour of cooked onion, shut up since the night before, poisoned the hot, heavy air, always laden with an acrid flavour of coal.
Catherine, in front of the sideboard, was reflecting. There only remained the end of a loaf, cheese in fair abundance, but hardly a morsel of butter; and she had to provide bread and butter for four. At last she decided, cut the slices, took one and covered it with cheese, spread another with butter, and stuck them together; that was the “brick,” the bread-and-butter sandwich taken to the pit every morning. The four bricks were soon on the table, in a row, cut with severe justice, from the big one for the father down to the little one for Jeanlin.
Catherine, who appeared absorbed in her household duties, must, however, have been thinking of the stories told by Zacharie about the head captain and the Pierron woman, for she half opened the front door and glanced outside. The wind was still whistling. There were numerous spots of light on the low fronts of the settlement, from which arose a vague tremor of awakening. Already doors were being closed, and black files of workers passed into the night. It was stupid of her to get cold, since the porter at the pit-eye was certainly asleep, waiting to take his duties at six. Yet she remained and looked at the house on the other side of the gardens. The door opened, and her curiosity was aroused. But it could only be one of the little Pierrons, Lydie, setting out for the pit.
The hissing sound of steam made her turn. She shut the door, and hastened back; the water was boiling over, and putting out the fire. There was no more coffee. She had to be content to add the water to last night’s dregs; then she sugared the coffeepot with brown sugar. At that moment her father and two brothers came downstairs.
“Faith!” exclaimed Zacharie, when he had put his nose into his bowl, “here’s something that won’t get into our heads.”
Maheu shrugged his shoulders with an air of resignation.
“Bah! It’s hot! It’s good all the same.”
Jeanlin had gathered up the fragments of bread and made a sop of them. After having drunk, Catherine finished by emptying the coffeepot into the tin-jacks. All four, standing up in the smoky light of the candle, swallowed their meals hastily.
“Are we at the end?” said the father; “one would say we were people of property.”
But a voice came from the staircase, of which they had left the door open. It was Maheude, who called out:
“Take all the bread: I have some vermicelli for the children.”
“Yes, yes,” replied Catherine.
She had piled up the fire, wedging the pot that held the remains of the soup into a corner of the grate, so that the grandfather might find it warm when he came in at six. Each took his sabots from under the sideboard, passed the strings of his tin over his shoulder and placed his brick at his back, between shirt and jacket. And they went out, the men first, the girl, who came last, blowing out the candle and turning the key. The house became dark again.
“Ah! we’re off together,” said a man who was closing the door of the next house.
It was Levaque, with his son Bébert, an urchin of twelve, a great friend of Jeanlin’s. Catherine, in surprise, stifled a laugh in Zacharie’s ear:
“Why! Bouteloup didn’t even wait until the husband had gone!”
Now the lights in the settlement were extinguished, and the last door banged. All again fell asleep; the women and the little ones resuming their slumber in the midst of wider beds. And from the extinguished village to the roaring Voreux a slow filing of shadows took place beneath the squalls, the departure of the colliers to their work, bending their shoulders and incommoded by their arms, crossed on their breasts, while the brick behind formed a hump on each back. Clothed in their thin jackets they shivered with cold, but without hastening, straggling along the road with the tramp of a flock.
IIIÉtienne had at last descended from the platform and entered the Voreux; he spoke to men whom he met, asking if there was work to be had, but all shook their heads, telling him to wait for the captain. They left him free to roam through the ill-lighted buildings, full of black holes, confusing with their complicated stories and rooms. After having mounted a dark and half-destroyed staircase, he found himself on a shaky footbridge; then he crossed the screening-shed, which was plunged in such profound darkness that he walked with his hands before him for protection. Suddenly two enormous yellow eyes pierced the darkness in front of him. He was beneath the pit-frame in the receiving-room, at the very mouth of the shaft.
A captain, Father Richomme, a big man with the face of a good-natured gendarme,
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