The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving (7 ebook reader txt) ๐
Description
Initially published throughout 1819 and 1820, The Sketch-Book is a collection of 34 essays and short stories, collected and ordered according to the Authorโs Revised Edition published in 1848. The Sketch-Book is the first publication to use Irvingโs pseudonym Geoffrey Crayon, which he would carry into later works.
The stories vary in nature, from the comical โThe Mutability of Literatureโ to the eerie and seemingly supernatural โThe Legend of Sleepy Hollow,โ but the personality of their narrator, Geoffrey Crayon, connects the stories and attracts their readers. Some stories are written on American topics, forming the need for separate American and English editions, and others consist of English life and landscape, written from the perspective of living in England for a time.
Two of the stories, โThe Legend of Sleepy Hollowโ and โRip Van Winkle,โ are Irvingโs most well-known works, and are presented as posthumous writings of fictional Dutch historian Diedrich Knickerbocker. From these stories came the iconic characters Rip Van Winkle, Ichabod Crane, and the Headless Horseman.
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- Author: Washington Irving
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Brom Bones, however, was the hero of the scene, having come to the gathering on his favorite steed Daredevilโ โa creature, like himself full of metal and mischief, and which no one but himself could manage. He was, in fact, noted for preferring vicious animals, given to all kinds of tricks, which kept the rider in constant risk of his neck, for he held a tractable, well-broken horse as unworthy of a lad of spirit.
Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero as he entered the state parlor of Van Tasselโs mansion. Not those of the bevy of buxom lasses with their luxurious display of red and white, but the ample charms of a genuine Dutch country tea-table in the sumptuous time of autumn. Such heaped-up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives! There was the doughty doughnut, the tenderer oily koek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes. And then there were apple pies and peach pies and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums and peaches and pears and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and creamโ โall mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly teapot sending up its clouds of vapor from the midst. Heaven bless the mark! I want breath and time to discuss this banquet as it deserves, and am too eager to get on with my story. Happily, Ichabod Crane was not in so great a hurry as his historian, but did ample justice to every dainty.
He was a kind and thankful creature, whose heart dilated in proportion as his skin was filled with good cheer, and whose spirits rose with eating as some menโs do with drink. He could not help, too, rolling his large eyes round him as he ate, and chuckling with the possibility that he might one day be lord of all this scene of almost unimaginable luxury and splendor. Then, he thought, how soon heโd turn his back upon the old schoolhouse, snap his fingers in the face of Hans Van Ripper and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade!
Old Baltus Van Tassel moved about among his guests with a face dilated with content and good-humor, round and jolly as the harvest moon. His hospitable attentions were brief, but expressive, being confined to a shake of the hand, a slap on the shoulder, a loud laugh, and a pressing invitation to โfall to and help themselves.โ
And now the sound of the music from the common room, or hall, summoned to the dance. The musician was an old gray-headed negro who had been the itinerant orchestra of the neighborhood for more than half a century. His instrument was as old and battered as himself. The greater part of the time he scraped on two or three strings, accompanying every movement of the bow with a motion of the head, bowing almost to the ground and stamping with his foot whenever a fresh couple were to start.
Ichabod prided himself upon his dancing as much as upon his vocal powers. Not a limb, not a fibre about him was idle; and to have seen his loosely hung frame in full motion and clattering about the room you would have thought Saint Vitus himself, that blessed patron of the dance, was figuring before you in person. He was the admiration of all the negroes, who, having gathered, of all ages and sizes, from the farm and the neighborhood, stood forming a pyramid of shining black faces at every door and window, gazing with delight at the scene, rolling their white eyeballs, and showing grinning rows of ivory from ear to ear. How could the flogger of urchins be otherwise than animated and joyous? The lady of his heart was his partner in the dance, and smiling graciously in reply to all his amorous oglings, while Brom Bones, sorely smitten with love and jealousy, sat brooding by himself in one corner.
When the dance was at an end Ichabod was attracted to a knot of the sager folks, who, with old Van Tassel, sat smoking at one end of the piazza gossiping over former times and drawing out long stories about the war.
This neighborhood, at the time of which I am speaking, was one of those highly favored places which abound with chronicle and great men. The British and American line had run near it during the war; it had therefore been the scene of marauding and infested with refugees, cowboys, and all kinds of border chivalry. Just sufficient time had elapsed to enable each storyteller to dress up his tale with a little becoming fiction, and in the indistinctness of his recollection to make himself the hero of every exploit.
There was the story of Doffue Martling, a large blue-bearded Dutchman, who had nearly taken a British frigate with an old iron nine-pounder from a mud breastwork, only that his gun burst at the sixth discharge. And there was an old gentleman who shall be nameless, being too rich a mynheer to be lightly mentioned, who, in the battle of Whiteplains, being an excellent master of defence, parried a musket-ball with a small sword, insomuch that he absolutely felt it whiz round the blade and glance off at the hilt: in proof of which he was ready at any time to show the sword, with the hilt a little bent. There were several more that had been equally great in the field, not one of whom but was
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