Short Fiction by Nikolai Gogol (primary phonics .TXT) ๐
Description
Nikolai Gogol spent most of his literary career writing short stories, drawing inspiration from his childhood in Ukraine and his adult life in St. Petersburg. His stories are filled with larger than life yet relatable characters and perfectly described locations, and span many genres from historical epics to early horror and surrealism.
His influence on Russian literature cannot be understated: Fyodor Dostoevsky is quoted as saying โWe all come out from Gogolโs โOvercoat,โโโ (presented here as โThe Mantleโ) and mentioned him by name in Crime and Punishment; Mikhail Bulgakov stated that โno-one can compare with him,โ and Vladimir Nabokov wrote a full biography. Many of the stories in this collection have been adapted for stage and film, including โThe Noseโ as an opera by Dmitri Shostakovich.
Collected here are all of the public domain translations into English of Gogolโs short stories, in chronological order of the original Russian publication. They were translated by Claud Field, Isabel F. Hapgood, Vizetelly and Company, and George Tolstoy.
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- Author: Nikolai Gogol
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Five years ago, I passed through the town of Mirgorod. I came at a bad time. It was autumn, with its damp, melancholy weather, mud and mists. An unnatural verdure, the result of incessant rains, covered with a watery network the fields and meadows, to which it is as well suited as youthful pranks to an old man, or roses to an old woman. The weather made a deep impression on me at the time: when it was dull, I was dull; but in spite of this, when I came to pass through Mirgorod, my heart beat violently. God, what reminiscences! I had not seen Mirgorod for twenty years. Here had lived, in touching friendship, two inseparable friends. And how many prominent people had died! Judge Demyan Demyanovitch was already gone: Ivan Ivanovitch, with the one eye, had long ceased to live.
I entered the main street. All about stood poles with bundles of straw on top: some alterations were in progress. Several dwellings had been removed. The remnants of board and wattled fences projected sadly here and there. It was a festival day. I ordered my basket chaise to stop in front of the church, and entered softly that no one might turn round. To tell the truth, there was no need of this: the church was almost empty; there were very few people; it was evident that even the most pious feared the mud. The candles seemed strangely unpleasant in that gloomy, or rather sickly, light. The dim vestibule was melancholy; the long windows, with their circular panes, were bedewed with tears of rain. I retired into the vestibule, and addressing a respectable old man, with greyish hair, said, โMay I inquire if Ivan Nikiforovitch is still living?โ
At that moment the lamp before the holy picture burned up more brightly and the light fell directly upon the face of my companion. What was my surprise, on looking more closely, to behold features with which I was acquainted! It was Ivan Nikiforovitch himself! But how he had changed!
โAre you well, Ivan Nikiforovitch? How old you have grown!โ
โYes, I have grown old. I have just come from Poltava today,โ answered Ivan Nikiforovitch.
โYou donโt say so! you have been to Poltava in such bad weather?โ
โWhat was to be done? that lawsuitโ โโ
At this I sighed involuntarily.
Ivan Nikiforovitch observed my sigh, and said, โDo not be troubled: I have reliable information that the case will be decided next week, and in my favour.โ
I shrugged my shoulders, and went to seek news of Ivan Ivanovitch.
โIvan Ivanovitch is here,โ someone said to me, โin the choir.โ
I saw a gaunt form. Was that Ivan Ivanovitch? His face was covered with wrinkles, his hair was perfectly white; but the pelisse was the same as ever. After the first greetings were over, Ivan Ivanovitch, turning to me with a joyful smile which always became his funnel-shaped face, said, โHave you been told the good news?โ
โWhat news?โ I inquired.
โMy case is to be decided tomorrow without fail: the court has announced it decisively.โ
I sighed more deeply than before, made haste to take my leave, for I was bound on very important business, and seated myself in my kibitka.
The lean nags known in Mirgorod as post-horses started, producing with their hoofs, which were buried in a grey mass of mud, a sound very displeasing to the ear. The rain poured in torrents upon the Jew seated on the box, covered with a rug. The dampness penetrated through and through me. The gloomy barrier with a sentry-box, in which an old soldier was repairing his weapons, was passed slowly. Again the same fields, in some places black where they had been dug up, in others of a greenish hue; wet daws and crows; monotonous rain; a tearful sky, without one gleam of light!โ โโ โฆ It is gloomy in this world, gentlemen!
The Mysterious Portrait INowhere did so many people pause as before the little picture-shop in the Shtchukinui Dvor. This little shop contained, indeed, the most varied collection of curiosities. The pictures were chiefly oil-paintings covered with dark varnish, in frames of dingy yellow. Winter scenes with white trees; very red sunsets, like raging conflagrations, a Flemish boor, more like a turkey-cock in cuffs than a human being, were the prevailing subjects. To these must be added a few engravings, such as a portrait of Khozreff-Mirza in a sheepskin cap, and some generals with three-cornered hats and hooked noses. Moreover, the doors of such shops are usually festooned with bundles of those publications, printed on large sheets of bark, and then coloured by hand, which bear witness to the native talent of the Russian.
On one was the Tzarevna Miliktrisa Kirbitievna; on another the city of Jerusalem. There are usually but few purchasers of these productions, but gazers are many. Some truant lackey probably yawns in front of them, holding in his hand the dishes containing dinner from the cook-shop for his master, who will not get his soup very hot. Before them, too, will most likely be standing a soldier wrapped in his cloak, a dealer from the old-clothes mart, with a couple of penknives for sale, and a huckstress, with a basketful of shoes. Each expresses admiration in his own way. The muzhiks generally touch them with their fingers; the dealers gaze seriously at them; serving boys and apprentices laugh, and tease each other with the coloured caricatures; old lackeys in frieze cloaks look at them merely for the sake of yawning away their time somewhere; and the hucksters, young Russian women, halt by instinct to hear what people are gossiping about, and to see what they are looking at.
At the time our story opens, the young painter, Tchartkoff, paused involuntarily as he passed the shop. His old cloak and plain attire
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