Short Fiction by Nikolai Gogol (primary phonics .TXT) ๐
Description
Nikolai Gogol spent most of his literary career writing short stories, drawing inspiration from his childhood in Ukraine and his adult life in St. Petersburg. His stories are filled with larger than life yet relatable characters and perfectly described locations, and span many genres from historical epics to early horror and surrealism.
His influence on Russian literature cannot be understated: Fyodor Dostoevsky is quoted as saying โWe all come out from Gogolโs โOvercoat,โโโ (presented here as โThe Mantleโ) and mentioned him by name in Crime and Punishment; Mikhail Bulgakov stated that โno-one can compare with him,โ and Vladimir Nabokov wrote a full biography. Many of the stories in this collection have been adapted for stage and film, including โThe Noseโ as an opera by Dmitri Shostakovich.
Collected here are all of the public domain translations into English of Gogolโs short stories, in chronological order of the original Russian publication. They were translated by Claud Field, Isabel F. Hapgood, Vizetelly and Company, and George Tolstoy.
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- Author: Nikolai Gogol
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Tchartkoff tried to scream, and felt that his voice was gone; he tried to move; his limbs refused their office. With open mouth, and failing breath, he gazed at the tall phantom, draped in some kind of a flowing Asiatic robe, and waited for what it would do. The old man sat down almost on his very feet, and then pulled out something from among the folds of his wide garment. It was a purse. The old man untied it, took it by the end, and shook it. Heavy rolls of coin fell out with a dull thud upon the floor. Each was wrapped in blue paper, and on each was marked, โ1000 ducats.โ The old man protruded his long, bony hand from his wide sleeves, and began to undo the rolls. The gold glittered. Great as was the artistโs unreasoning fear, he concentrated all his attention upon the gold, gazing motionless, as it made its appearance in the bony hands, gleamed, rang lightly or dully, and was wrapped up again. Then he perceived one packet which had rolled farther than the rest, to the very leg of his bedstead, near his pillow. He grasped it almost convulsively, and glanced in fear at the old man to see whether he noticed it.
But the old man appeared very much occupied: he collected all his rolls, replaced them in the purse, and went outside the screen without looking at him. Tchartkoffโs heart beat wildly as he heard the rustle of the retreating footsteps sounding through the room. He clasped the roll of coin more closely in his hand, quivering in every limb. Suddenly he heard the footsteps approaching the screen again. Apparently the old man had recollected that one roll was missing. Lo! again he looked round the screen at him. The artist in despair grasped the roll with all his strength, tried with all his power to make a movement, shriekedโ โand awoke.
He was bathed in a cold perspiration; his heart beat as hard as it was possible for it to beat; his chest was oppressed, as though his last breath was about to issue from it. โWas it a dream?โ he said, seizing his head with both hands. But the terrible reality of the apparition did not resemble a dream. As he woke, he saw the old man step into the frame: the skirts of the flowing garment even fluttered, and his hand felt plainly that a moment before it had held something heavy. The moonlight lit up the room, bringing out from the dark corners here a canvas, there the model of a hand: a drapery thrown over a chair; trousers and dirty boots. Then he perceived that he was not lying in his bed, but standing upright in front of the portrait. How he had come there, he could not in the least comprehend. Still more surprised was he to find the portrait uncovered, and with actually no sheet over it. Motionless with terror, he gazed at it, and perceived that the living, human eyes were fastened upon him. A cold perspiration broke out upon his forehead. He wanted to move away, but felt that his feet had in some way become rooted to the earth. And he felt that this was not a dream. The old manโs features moved, and his lips began to project towards him, as though he wanted to suck him in. With a yell of despair he jumped backโ โand awoke.
โWas it a dream?โ With his heart throbbing to bursting, he felt about him with both hands. Yes, he was lying in bed, and in precisely the position in which he had fallen asleep. Before him stood the screen. The moonlight flooded the room. Through the crack of the screen, the portrait was visible, covered with the sheet, as it should be, just as he had covered it. And so that, too, was a dream? But his clenched fist still felt as though something had been held in it. The throbbing of his heart was violent, almost terrible; the weight upon his breast intolerable. He fixed his eyes upon the crack, and stared steadfastly at the sheet. And lo! he saw plainly the sheet begin to open, as though hands were pushing from underneath, and trying to throw it off. โLord God, what is it!โ he shrieked, crossing himself in despairโ โand awoke.
And was this, too, a dream? He sprang from his bed, half-mad, and could not comprehend what had happened to him. Was it the oppression of a nightmare, the raving of fever, or an actual apparition? Striving to calm, as far as possible, his mental tumult, and stay the wildly rushing blood, which beat with straining pulses in every vein, he went to the window and opened it. The cool breeze revived him. The moonlight lay on the roofs and the white walls of the houses, though small clouds passed frequently across the sky. All was still: from time to time there struck the ear the distant rumble of a carriage. He put his head out of the window, and gazed for some time. Already the signs of approaching dawn were spreading over the sky. At last he felt drowsy, shut to the window, stepped back, lay down in bed, and quickly fell, like one exhausted, into a deep sleep.
He awoke late, and with the disagreeable feeling of a man who has been half-suffocated with coal-gas: his head ached painfully. The room was dim: an unpleasant moisture pervaded the air, and penetrated the cracks of his windows. Dissatisfied and depressed as a wet cock, he seated himself on his dilapidated divan, not knowing what to do, what to set about, and at length remembered the whole of his dream. As he recalled it, the dream presented itself to his mind as so oppressively real that he even began to wonder whether it were a dream, whether there were not something more here, whether it were not
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