Nostromo by Joseph Conrad (book recommendations .txt) 📕
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Originally published as a serial, Nostromo is set in a fictional South American country where the outbreak of civil war puts the mining town of Sulaco in turmoil. Giovanni Battista Fidanza, known as Nostromo, is given the task of smuggling out a large amount of silver to keep it from the revolutionaries.
Conrad was inspired to write the book when he read, in a sailor’s memoir, the tale of a man who singlehandedly stole a boatload of silver. He had first heard the same story a quarter of a century earlier as a young sailor.
Nostromo has met with critical acclaim: it is often regarded as Conrad’s greatest novel and Francis Scott Fitzgerald said he would rather have written Nostromo than any other novel.
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- Author: Joseph Conrad
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“Listen, Padre. The very fact that those thieving macaques in Sulaco are trying to find out the price of my honour proves that señor Don Carlos and all in the Casa Gould are safe. As to my honour, that also is safe, as every man, woman, and child knows. But the negro Liberals who have snatched the town by surprise do not know that. Bueno. Let them sit and wait. While they wait they can do no harm.”
And he regained his composure. He regained it easily, because whatever happened his honour of an old officer of Paez was safe. He had promised Charles Gould that at the approach of an armed force he would defend the gorge just long enough to give himself time to destroy scientifically the whole plant, buildings, and workshops of the mine with heavy charges of dynamite; block with ruins the main tunnel, break down the pathways, blow up the dam of the waterpower, shatter the famous Gould Concession into fragments, flying sky high out of a horrified world. The mine had got hold of Charles Gould with a grip as deadly as ever it had laid upon his father. But this extreme resolution had seemed to Don Pepe the most natural thing in the world. His measures had been taken with judgment. Everything was prepared with a careful completeness. And Don Pepe folded his hands pacifically on his sword hilt, and nodded at the priest. In his excitement, Father Roman had flung snuff in handfuls at his face, and, all besmeared with tobacco, round-eyed, and beside himself, had got out of the hammock to walk about, uttering exclamations.
Don Pepe stroked his grey and pendant moustache, whose fine ends hung far below the clean-cut line of his jaw, and spoke with a conscious pride in his reputation.
“So, Padre, I don’t know what will happen. But I know that as long as I am here Don Carlos can speak to that macaque, Pedrito Montero, and threaten the destruction of the mine with perfect assurance that he will be taken seriously. For people know me.”
He began to turn the cigar in his lips a little nervously, and went on—
“But that is talk—good for the politicos. I am a military man. I do not know what may happen. But I know what ought to be done—the mine should march upon the town with guns, axes, knives tied up to sticks—por Dios. That is what should be done. Only—”
His folded hands twitched on the hilt. The cigar turned faster in the corner of his lips.
“And who should lead but I? Unfortunately—observe—I have given my word of honour to Don Carlos not to let the mine fall into the hands of these thieves. In war—you know this, Padre—the fate of battles is uncertain, and whom could I leave here to act for me in case of defeat? The explosives are ready. But it would require a man of high honour, of intelligence, of judgment, of courage, to carry out the prepared destruction. Somebody I can trust with my honour as I can trust myself. Another old officer of Paez, for instance. Or—or—perhaps one of Paez’s old chaplains would do.”
He got up, long, lank, upright, hard, with his martial moustache and the bony structure of his face, from which the glance of the sunken eyes seemed to transfix the priest, who stood still, an empty wooden snuffbox held upside down in his hand, and glared back, speechless, at the governor of the mine.
VIIAt about that time, in the Intendencia of Sulaco, Charles Gould was assuring Pedrito Montero, who had sent a request for his presence there, that he would never let the mine pass out of his hands for the profit of a government who had robbed him of it. The Gould Concession could not be resumed. His father had not desired it. The son would never surrender it. He would never surrender it alive. And once dead, where was the power capable of resuscitating such an enterprise in all its vigour and wealth out of the ashes and ruin of destruction? There was no such power in the country. And where was the skill and capital abroad that would condescend to touch such an ill-omened corpse? Charles Gould talked in the impassive tone which had for many years served to conceal his anger and contempt. He suffered. He was disgusted with what he had to say. It was too much like heroics. In him the strictly practical instinct was in profound discord with the almost mystic view he took of his right. The Gould Concession was symbolic of abstract justice. Let the heavens fall. But since the San Tome mine had developed into worldwide fame his threat had enough force and effectiveness to reach the rudimentary intelligence of Pedro Montero, wrapped up as it was in the futilities of historical anecdotes. The Gould Concession was a serious asset in the country’s finance, and, what was more, in the private budgets of many officials as well. It was traditional. It
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