A Tale of Two Cities by Charles Dickens (best young adult book series .TXT) ๐
Description
A doctor is released from the Bastille after being falsely imprisoned for almost eighteen years. A young woman discovers the father sheโs never known is not dead but alive, if not entirely well. A young man is acquitted of being a traitor, due in part to the efforts of a rather selfish lout who is assisting the young manโs attorney. A man has a wine shop in Paris with a wife who knits at the bar. These disparate elements are tied together as only Dickens can, and in the process he tells the story of the French Revolution.
Charles Dickens was fascinated by Thomas Carlyleโs magnum opus The French Revolution; according to Dickensโ letters, he read it โ500 timesโ and carried it with him everywhere while he was working on this novel. When he wrote to Carlyle asking him for books to read on background, Carlyle sent him two cartloads full. Dickens mimicked Carlyleโs style, his chronology, and his overall characterization of the revolution; although A Tale of Two Cities is fiction, the historical events described are largely accurate, sometimes exactly so. Even so, Dickens made his name and reputation on telling stories full of characters one could be invested in, care about, and despise, and this novel has all of those and more. It also, in its first and last lines, has two of the most famous lines in literature. With the possible exception of A Christmas Carol, it is his most popular novel, and according to many, his best.
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- Author: Charles Dickens
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To her father himself, he wrote in the same strain; but, he told her father that he expressly confided his wife and child to his care. And he told him this, very strongly, with the hope of rousing him from any despondency or dangerous retrospect towards which he foresaw he might be tending.
To Mr. Lorry, he commended them all, and explained his worldly affairs. That done, with many added sentences of grateful friendship and warm attachment, all was done. He never thought of Carton. His mind was so full of the others, that he never once thought of him.
He had time to finish these letters before the lights were put out. When he lay down on his straw bed, he thought he had done with this world.
But, it beckoned him back in his sleep, and showed itself in shining forms. Free and happy, back in the old house in Soho (though it had nothing in it like the real house), unaccountably released and light of heart, he was with Lucie again, and she told him it was all a dream, and he had never gone away. A pause of forgetfulness, and then he had even suffered, and had come back to her, dead and at peace, and yet there was no difference in him. Another pause of oblivion, and he awoke in the sombre morning, unconscious where he was or what had happened, until it flashed upon his mind, โthis is the day of my death!โ
Thus, had he come through the hours, to the day when the fifty-two heads were to fall. And now, while he was composed, and hoped that he could meet the end with quiet heroism, a new action began in his waking thoughts, which was very difficult to master.
He had never seen the instrument that was to terminate his life. How high it was from the ground, how many steps it had, where he would be stood, how he would be touched, whether the touching hands would be dyed red, which way his face would be turned, whether he would be the first, or might be the last: these and many similar questions, in nowise directed by his will, obtruded themselves over and over again, countless times. Neither were they connected with fear: he was conscious of no fear. Rather, they originated in a strange besetting desire to know what to do when the time came; a desire gigantically disproportionate to the few swift moments to which it referred; a wondering that was more like the wondering of some other spirit within his, than his own.
The hours went on as he walked to and fro, and the clocks struck the numbers he would never hear again. Nine gone forever, ten gone forever, eleven gone forever, twelve coming on to pass away. After a hard contest with that eccentric action of thought which had last perplexed him, he had got the better of it. He walked up and down, softly repeating their names to himself. The worst of the strife was over. He could walk up and down, free from distracting fancies, praying for himself and for them.
Twelve gone forever.
He had been apprised that the final hour was Three, and he knew he would be summoned some time earlier, inasmuch as the tumbrils jolted heavily and slowly through the streets. Therefore, he resolved to keep Two before his mind, as the hour, and so to strengthen himself in the interval that he might be able, after that time, to strengthen others.
Walking regularly to and fro with his arms folded on his breast, a very different man from the prisoner, who had walked to and fro at La Force, he heard One struck away from him, without surprise. The hour had measured like most other hours. Devoutly thankful to Heaven for his recovered self-possession, he thought, โThere is but another now,โ and turned to walk again.
Footsteps in the stone passage outside the door. He stopped.
The key was put in the lock, and turned. Before the door was opened, or as it opened, a man said in a low voice, in English: โHe has never seen me here; I have kept out of his way. Go you in alone; I wait near. Lose no time!โ
The door was quickly opened and closed, and there stood before him face to face, quiet, intent upon him, with the light of a smile on his features, and a cautionary finger on his lip, Sydney Carton.
There was something so bright and remarkable in his look, that, for the first moment, the prisoner misdoubted him to be an apparition of his own imagining. But, he spoke, and it was his voice; he took the prisonerโs hand, and it was his real
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