One of Ours by Willa Cather (best romance ebooks .TXT) 📕
Description
Claude Wheeler is the son of a successful Nebraskan farmer and a very devout mother. He’s sent to a private religious college because his mother feels it’s safer, but he yearns for State college where he might be able expand his knowledge of the real world. Claude doesn’t feel comfortable in any situation, and almost every step he takes is a wrong one. While he’s struggling to find his way in a questionable marriage, the U.S. decides to enter World War I, and Claude enlists. He’s commissioned as a lieutenant, and he and his outfit are deployed to France in the waning months of the war. There Claude finds the purpose he’s been missing his whole life.
One of Ours is Cather’s first novel following the completion of her Prairie Trilogy, which she finished before the U.S. had entered the war. Cather’s cousin Grosvenor had grown up on the farm next to hers, had many of the traits she gave to Claude, and, like her protagonist, went with the Army to France towards the end of the war. After the war was over, she felt compelled to write something different than the novels she had become known for, saying that this one “stood between me and anything else.” Although today it’s not considered her best work, the novel won the Pulitzer Prize for Fiction in 1923.
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- Author: Willa Cather
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What Hicks had wanted most in this world was to run a garage and repair shop with his old chum, Dell Able. Beaufort ended all that. He means to conduct a sort of memorial shop, anyhow, with “Hicks and Able” over the door. He wants to roll up his sleeves and look at the logical and beautiful inwards of automobiles for the rest of his life.
As the transport enters the North River, sirens and steam whistles all along the water front begin to blow their shrill salute to the returning soldiers. The men square their shoulders and smile knowingly at one another; some of them look a little bored. Hicks slowly lights a cigarette and regards the end of it with an expression which will puzzle his friends when he gets home.
By the banks of Lovely Creek, where it began, Claude Wheeler’s story still goes on. To the two old women who work together in the farmhouse, the thought of him is always there, beyond everything else, at the farthest edge of consciousness, like the evening sun on the horizon.
Mrs. Wheeler got the word of his death one afternoon in the sitting-room, the room in which he had bade her goodbye. She was reading when the telephone rang.
“Is this the Wheeler farm? This is the telegraph office at Frankfort. We have a message from the War Department—” the voice hesitated. “Isn’t Mr. Wheeler there?”
“No, but you can read the message to me.”
Mrs. Wheeler said, “Thank you,” and hung up the receiver. She felt her way softly to her chair. She had an hour alone, when there was nothing but him in the room—but him and the map there, which was the end of his road. Somewhere among those perplexing names, he had found his place.
Claude’s letters kept coming for weeks afterward; then came the letters from his comrades and his Colonel to tell her all.
In the dark months that followed, when human nature looked to her uglier than it had ever done before, those letters were Mrs. Wheeler’s comfort. As she read the newspapers, she used to think about the passage of the Red Sea, in the Bible; it seemed as if the flood of meanness and greed had been held back just long enough for the boys to go over, and then swept down and engulfed everything that was left at home. When she can see nothing that has come of it all but evil, she reads Claude’s letters over again and reassures herself; for him the call was clear, the cause was glorious. Never a doubt stained his bright faith. She divines so much that he did not write. She knows what to read into those short flashes of enthusiasm; how fully he must have found his life before he could let himself go so far—he, who was so afraid of being fooled! He died believing his own country better than it is, and France better than any country can ever be. And those were beautiful beliefs to die with. Perhaps it was as well to see that vision, and then to see no more. She would have dreaded the awakening—she sometimes even doubts whether he could have borne at all that last, desolating disappointment. One by one the heroes of that war, the men of dazzling soldiership, leave prematurely the world they have come back to. Airmen whose deeds were tales of wonder, officers whose names made the blood of youth beat faster, survivors of incredible dangers—one by one they quietly die by their own hand. Some do it in obscure lodging houses, some in their office, where they seemed to be carrying on their business like other men. Some slip over a vessel’s side and disappear into the sea. When Claude’s mother hears of these things, she shudders and presses her hands tight over her breast, as if she had him there. She feels as if God had saved him from some horrible suffering, some horrible end. For as she reads, she thinks those slayers of themselves were all so like him; they were the ones who had hoped extravagantly—who in order to do what they did had to hope extravagantly, and to believe passionately. And they found they had hoped and believed too much. But one she knew, who could ill bear disillusion … safe, safe.
Mahailey, when they are alone, sometimes addresses Mrs. Wheeler as “Mudder”; “Now, Mudder, you go upstairs an’ lay down an’ rest yourself.” Mrs. Wheeler knows that then she is thinking of Claude, is speaking for Claude. As they are working at the table or bending over the oven, something reminds them of him, and they think of him together, like one person: Mahailey will pat her back and say, “Never you mind, Mudder; you’ll see your boy up yonder.” Mrs. Wheeler always feels that God is near—but Mahailey is not troubled by any knowledge of interstellar spaces, and for her He is nearer still—directly overhead, not so very far above the kitchen stove.
EndnotesThe actual outbreak of influenza on transports carrying United States troops is here anticipated by several months. ↩
ColophonOne of Ours
was published in 1922 by
Willa Cather.
This ebook was produced for
Standard Ebooks
by
Vince Rice,
and is based on a transcription produced in 2004 by
An Anonymous Volunteer
for
Project Gutenberg
and on digital scans available at the
Internet Archive.
The cover page is adapted from
Haystacks on the Newburyport Marshes,
a painting completed in 1862 by
Martin Johnson Heade.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.
The first edition of this ebook was released on
July 3, 2021, 6:45 p.m.
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