The Woman in White by Wilkie Collins (portable ebook reader txt) 📕
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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“No—neither old nor young.”
“A good-tempered, freely-living man? Married? No—I think my wife told me, not married.”
“Of course not. If he was married, and had a son, Lady Glyde would not be next heir to the property. I’ll tell you what he is. He’s a maudlin, twaddling, selfish fool, and bores everybody who comes near him about the state of his health.”
“Men of that sort, Percival, live long, and marry malevolently when you least expect it. I don’t give you much, my friend, for your chance of the three thousand a year. Is there nothing more that comes to you from your wife?”
“Nothing.”
“Absolutely nothing?”
“Absolutely nothing—except in case of her death.”
“Aha! in the case of her death.”
There was another pause. The Count moved from the verandah to the gravel walk outside. I knew that he had moved by his voice. “The rain has come at last,” I heard him say. It had come. The state of my cloak showed that it had been falling thickly for some little time.
The Count went back under the verandah—I heard the chair creak beneath his weight as he sat down in it again.
“Well, Percival,” he said, “and in the case of Lady Glyde’s death, what do you get then?”
“If she leaves no children—”
“Which she is likely to do?”
“Which she is not in the least likely to do—”
“Yes?”
“Why, then I get her twenty thousand pounds.”
“Paid down?”
“Paid down.”
They were silent once more. As their voices ceased Madame Fosco’s shadow darkened the blind again. Instead of passing this time, it remained, for a moment, quite still. I saw her fingers steal round the corner of the blind, and draw it on one side. The dim white outline of her face, looking out straight over me, appeared behind the window. I kept still, shrouded from head to foot in my black cloak. The rain, which was fast wetting me, dripped over the glass, blurred it, and prevented her from seeing anything. “More rain!” I heard her say to herself. She dropped the blind, and I breathed again freely.
The talk went on below me, the Count resuming it this time.
“Percival! do you care about your wife?”
“Fosco! that’s rather a downright question.”
“I am a downright man, and I repeat it.”
“Why the devil do you look at me in that way?”
“You won’t answer me? Well, then, let us say your wife dies before the summer is out—”
“Drop it, Fosco!”
“Let us say your wife dies—”
“Drop it, I tell you!”
“In that case, you would gain twenty thousand pounds, and you would lose—”
“I should lose the chance of three thousand a year.”
“The remote chance, Percival—the remote chance only. And you want money, at once. In your position the gain is certain—the loss doubtful.”
“Speak for yourself as well as for me. Some of the money I want has been borrowed for you. And if you come to gain, my wife’s death would be ten thousand pounds in your wife’s pocket. Sharp as you are, you seem to have conveniently forgotten Madame Fosco’s legacy. Don’t look at me in that way! I won’t have it! What with your looks and your questions, upon my soul, you make my flesh creep!”
“Your flesh? Does flesh mean conscience in English? I speak of your wife’s death as I speak of a possibility. Why not? The respectable lawyers who scribble-scrabble your deeds and your wills look the deaths of living people in the face. Do lawyers make your flesh creep? Why should I? It is my business tonight to clear up your position beyond the possibility of mistake, and I have now done it. Here is your position. If your wife lives, you pay those bills with her signature to the parchment. If your wife dies, you pay them with her death.”
As he spoke the light in Madame Fosco’s room was extinguished, and the whole second floor of the house was now sunk in darkness.
“Talk! talk!” grumbled Sir Percival. “One would think, to hear you, that my wife’s signature to the deed was got already.”
“You have left the matter in my hands,” retorted the Count, “and I have more than two months before me to turn round in. Say no more about it, if you please, for the present. When the bills are due, you will see for yourself if my ‘talk! talk!’ is worth something, or if it is not. And now, Percival, having done with the money matters for tonight, I can place my attention at your disposal, if you wish to consult me on that second difficulty which has mixed itself up with our little embarrassments, and which has so altered you for the worse, that I hardly know you again. Speak, my friend—and pardon me if I shock your fiery national tastes by mixing myself a second glass of sugar-and-water.”
“It’s very well to say speak,” replied Sir Percival, in a far more quiet and more polite tone than he had yet adopted, “but it’s not so easy to know how to begin.”
“Shall I help you?” suggested the Count. “Shall I give this private difficulty of yours a name? What if I call it—Anne Catherick?”
“Look here, Fosco, you and I have known each other for a long time, and if you have helped me out of one or two scrapes before this, I have done the best I could to help you in return, as far as money would go. We have made as many friendly sacrifices, on both sides, as men could, but we have had our secrets from each other, of course—haven’t we?”
“You have had a secret from me, Percival. There is a skeleton in your cupboard here at Blackwater Park that has peeped out in these last few days at other people besides yourself.”
“Well, suppose it has. If it doesn’t concern you, you needn’t be curious about it, need you?”
“Do I look curious about it?”
“Yes, you do.”
“So! so! my face speaks the truth, then? What an immense foundation of good there must be in the nature of a man who arrives at
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