Short Fiction by Leonid Andreyev (fastest ebook reader TXT) 📕
Description
Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyev’s writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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“Look, there is not enough room for them,” said my brother.
And my mother answered—
“There is one here already.”
We looked round: behind us on the floor lay a naked, light pink body with its head thrown back. And instantly at its side there appeared a second, and a third. And the earth threw them up one after the other, and soon the orderly rows of light pink dead bodies filled all the rooms.
“They are in the nursery too,” said the nurse. “I saw them.”
“We must go away,” said my sister.
“But we cannot pass,” said my brother.
“Look!”
And sure enough, they were lying close together, arm to arm, and their naked feet were touching us. And suddenly they stirred and swayed and rose up in the same orderly rows: the earth was throwing up new bodies, and they were lifting the first ones upwards.
“They will smother us!” said I. “Let us save ourselves through the window.”
“We cannot!” cried my brother. “We cannot! Look what is there!”
… Behind the window, in a livid, motionless light, stood the Red Laugh.
The SpyA young little student girl—almost a child. Her nose was thin, beautiful, with a slight upward tilt; and from her full lips there seemed to come the scent of chocolates and red caramels. And her fine hair, which covered her head like a heavy and caressing wave, was so generously rich that a glance at it gave rise to thoughts of all that is best and brightest on earth: of a golden morning upon a blue sea, of Autumn larks, of lilies of the valley and of fragrant and full-grown lilacs—a cloudless sky and lilacs, large, endless lilac bushes, and larks soaring over them.
And her eyes were young, bright, naively indifferent. But when you looked closely at her you could see upon her face the fine shades of fatigue, of lack of food, of sleepless nights spent in conversation in smoke-filled little rooms, by the exhausting lamplight. Perhaps there had also been tears upon those eyes—big, not childish, venomous tears; all her bearing was full of restrained alarm; her face was cheerful, her lips smiled slightly, and her foot, in a little, mud-bespattered rubber shoe, stamped on the floor impatiently, as though to hurry the slow car and to drive it ahead faster, faster.
All this was noticed by the observing Mitrofan Krilov while the car slowly passed a small station. He stood on the platform, opposite the girl, and to while his time away he scrutinized her, somewhat fastidiously and inimically, as a very simple and familiar algebraic formula written in chalk upon the blackboard, which stared at him persistently. At first he felt cheerful, like everyone else who looked at the girl, but this feeling did not last long—there were causes which killed all cheerfulness in him.
“She must have come recently from some provincial town,” he remarked to himself sternly. “And why the deuce do they come here? I would gladly have run away from here to the most deserted spot, to the end of the world. I suppose she is occupied with all sorts of serious discussions and convictions, and, of course, cannot sew a ribbon around her skirt. She doesn’t bother with such things. What hurts me most is that such a good looking girl should be like that.”
The girl noticed his cross look and became confused, more confused than is usual under such circumstances; the smile vanished from her eyes, an expression of childish fear and perplexity appeared on her face, and her left hand quickly moved up to her chest and stopped there, clutching something.
“See!” Mitrofan wondered, looking aside, and his face assumed an apathetic expression. “She was frightened by my blue eyeglasses. She thinks that I am a detective; she is carrying some papers under her waist. There was a time when they used to carry love letters on their breasts—now they carry bulletins. And what an absurd name—bulletins.”
He cast another furtive glance at her in order to verify his expression, then he turned aside. The student girl gazed at him continuously, as though bewitched, and she pressed her hand firmly against her left side. Krilov grew angry.
“What a fool! Since I wear blue eyeglasses I must be, according to her ideas, a spy. But she does not understand that a man’s eyes may be sore from hard work. How naive she is. Just think of it! And these people undertake to do work to save the fatherland. What she needs is a milk bottle and not a fatherland. No, we are not ripe yet. Lasalle, for instance—his was a great mind! But here every beetle is trying to do things! She can’t solve a simple mathematical problem, and yet she is bothering about finance, politics, documents. You deserve to be scared properly—then you will know what you are about!”
Mitrofan Krilov drew his head into his shoulders with a sharp gesture, his face assumed a cunning and mean expression which, in his opinion, was peculiar to real spies, and he cast a sinister look at the girl which almost turned his eyes out. And he was satisfied with his work: the girl shuddered and quivered with fear, and her eyes began to wander alarmedly.
“There is no escape!” Mitrofan Krilov interpreted her restlessness. “You may jump, you may jump, my dove, and I’ll make it still stronger.”
And growing ever more and more inspired, forgetting his hunger, and the nasty weather, elated with his creative power, he began to simulate a spy as cleverly as if he were a real actor or as if he actually served in the secret police department. His body wriggled in fine serpentine twists and turns, his eyes beamed with treachery, and his right hand, lowered in
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