The Mill on the Floss by George Eliot (best beach reads of all time .txt) 📕
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Published in 1860, The Mill on the Floss was the second novel published by George Eliot (the pen name of Mary Ann Evans). Set in the late 1820s or early 1830s, it tells the story of two young people, Tom and Maggie Tulliver, from their childhood into early adulthood. Their father, Jeremy Tulliver, owns Dorlcote Mill on the river Floss, and the children grow to adolescence in relative comfort. However Mr. Tulliver is litigious and initiates an unwise legal suit against a local solicitor, Mr. Wakem. The suit is thrown out and the associated costs throw the Tulliver family into poverty, and they lose possession of the mill.
The main character of the novel is Maggie Tulliver, an intelligent and passionate child and young woman, whose mental, romantic, and moral struggles we follow closely. As in Eliot’s other novels, the author shows a realistic and sympathetic understanding of human behavior.
The Mill on the Floss is regarded as a classic of English literature, and has been made into both a film and a television series.
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- Author: George Eliot
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At the time of Maggie’s first meeting with Philip, Tom had already nearly a hundred and fifty pounds of his own capital; and while they were walking by the evening light in the Red Deeps, he, by the same evening light, was riding into Laceham, proud of being on his first journey on behalf of Guest & Co., and revolving in his mind all the chances that by the end of another year he should have doubled his gains, lifted off the obloquy of debt from his father’s name, and perhaps—for he should be twenty-one—have got a new start for himself, on a higher platform of employment. Did he not desire it? He was quite sure that he did.
III The Wavering BalanceI said that Maggie went home that evening from the Red Deeps with a mental conflict already begun. You have seen clearly enough, in her interview with Philip, what that conflict was. Here suddenly was an opening in the rocky wall which shut in the narrow valley of humiliation, where all her prospect was the remote, unfathomed sky; and some of the memory-haunting earthly delights were no longer out of her reach. She might have books, converse, affection; she might hear tidings of the world from which her mind had not yet lost its sense of exile; and it would be a kindness to Philip too, who was pitiable—clearly not happy. And perhaps here was an opportunity indicated for making her mind more worthy of its highest service; perhaps the noblest, completest devoutness could hardly exist without some width of knowledge; must she always live in this resigned imprisonment? It was so blameless, so good a thing that there should be friendship between her and Philip; the motives that forbade it were so unreasonable, so unchristian! But the severe monotonous warning came again and again—that she was losing the simplicity and clearness of her life by admitting a ground of concealment; and that, by forsaking the simple rule of renunciation, she was throwing herself under the seductive guidance of illimitable wants. She thought she had won strength to obey the warning before she allowed herself the next week to turn her steps in the evening to the Red Deeps. But while she was resolved to say an affectionate farewell to Philip, how she looked forward to that evening walk in the still, fleckered shade of the hollows, away from all that was harsh and unlovely; to the affectionate, admiring looks that would meet her; to the sense of comradeship that childish memories would give to wiser, older talk; to the certainty that Philip would care to hear everything she said, which no one else cared for! It was a half-hour that it would be very hard to turn her back upon, with the sense that there would be no other like it. Yet she said what she meant to say; she looked firm as well as sad.
“Philip, I have made up my mind; it is right that we should give each other up, in everything but memory. I could not see you without concealment—stay, I know what you are going to say—it is other people’s wrong feelings that make concealment necessary; but concealment is bad, however it may be caused. I feel that it would be bad for me, for us both. And then, if our secret were discovered, there would be nothing but misery—dreadful anger; and then we must part after all, and it would be harder, when we were used to seeing each other.”
Philip’s face had flushed, and there was a momentary eagerness of expression, as if he had been about to resist this decision with all his might.
But he controlled himself, and said, with assumed calmness: “Well, Maggie, if we must part, let us try and forget it for one half hour; let us talk together a little while, for the last time.”
He took her hand, and Maggie felt no reason to withdraw it; his quietness made her all the more sure she had given him great pain, and she wanted to show him how unwillingly she had given it. They walked together hand in hand in silence.
“Let us sit down in the hollow,” said Philip, “where we stood the last time. See how the dog-roses have strewed the ground, and spread their opal petals over it.”
They sat down at the roots of the slanting ash.
“I’ve begun my picture of you among the Scotch firs, Maggie,” said Philip, “so you must let me study your face a little, while you stay—since I am not to see it again. Please turn your head this way.”
This was said in an entreating voice, and it would have been very hard of Maggie to refuse. The full, lustrous face, with the bright black coronet, looked down like that of a divinity well pleased to be worshipped, on the pale-hued, small-featured face that was turned up to it.
“I shall be sitting for my second portrait then,” she said, smiling. “Will
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