Main Street by Sinclair Lewis (ink book reader .TXT) 📕

grotesquely squat. But the frock had an original back, very low, with a central triangular section from the waist to a string of jet beads at the neck.

“It’s stunning. But how it would shock Mrs. Clark!”

“Yes, wouldn’t it!”

“You must let yourself go more when you’re drawing.”

“Don’t know if I can. I’ve started kind of late. But listen! What do you think I’ve done this two weeks? I’ve read almost clear through a Latin grammar, and about twenty pages of Caesar.”

“Splendid! You are lucky. You haven’t a teacher to make you artificial.”

“You’re my teacher!”

There was a dangerous edge of personality to his voice. She was offended and agitated. She turned her shoulder on him, stared through the back window, studying this typical center of a typical Main Street block, a vista hidden from casual strollers. The backs of the chief establishments in town surrounded a quadrangle neglected, dirty, and incomparably dismal. From the front, Howland & Gould’s grocery was smug enough, but attached to the rear was a lean-to of storm streaked pine lumber with a sanded tar roof⁠—a staggering doubtful shed behind which was a heap of ashes, splintered packing-boxes, shreds of excelsior, crumpled strawboard, broken olive-bottles, rotten fruit, and utterly disintegrated vegetables: orange carrots turning black, and potatoes with ulcers. The rear of the Bon Ton Store was grim with blistered black-painted iron shutters, under them a pile of once glossy red shirt-boxes, now a pulp from recent rain.

As seen from Main Street, Oleson & McGuire’s Meat Market had a sanitary and virtuous expression with its new tile counter, fresh sawdust on the floor, and a hanging veal cut in rosettes. But she now viewed a back room with a homemade refrigerator of yellow smeared with black grease. A man in an apron spotted with dry blood was hoisting out a hard slab of meat.

Behind Billy’s Lunch, the cook, in an apron which must long ago have been white, smoked a pipe and spat at the pest of sticky flies. In the center of the block, by itself, was the stable for the three horses of the drayman, and beside it a pile of manure.

The rear of Ezra Stowbody’s bank was whitewashed, and back of it was a concrete walk and a three-foot square of grass, but the window was barred, and behind the bars she saw Willis Woodford cramped over figures in pompous books. He raised his head, jerkily rubbed his eyes, and went back to the eternity of figures.

The backs of the other shops were an impressionistic picture of dirty grays, drained browns, writhing heaps of refuse.

“Mine is a backyard romance⁠—with a journeyman tailor!”

She was saved from self-pity as she began to think through Erik’s mind. She turned to him with an indignant, “It’s disgusting that this is all you have to look at.”

He considered it. “Outside there? I don’t notice much. I’m learning to look inside. Not awful easy!”

“Yes.⁠ ⁠… I must be hurrying.”

As she walked home⁠—without hurrying⁠—she remembered her father saying to a serious ten-year-old Carol, “Lady, only a fool thinks he’s superior to beautiful bindings, but only a double-distilled fool reads nothing but bindings.”

She was startled by the return of her father, startled by a sudden conviction that in this flaxen boy she had found the gray reticent judge who was divine love, perfect understanding. She debated it, furiously denied it, reaffirmed it, ridiculed it. Of one thing she was unhappily certain: there was nothing of the beloved father image in Will Kennicott.

V

She wondered why she sang so often, and why she found so many pleasant things⁠—lamplight seen though trees on a cool evening, sunshine on brown wood, morning sparrows, black sloping roofs turned to plates of silver by moonlight. Pleasant things, small friendly things, and pleasant places⁠—a field of goldenrod, a pasture by the creek⁠—and suddenly a wealth of pleasant people. Vida was lenient to Carol at the surgical-dressing class; Mrs. Dave Dyer flattered her with questions about her health, baby, cook, and opinions on the war.

Mrs. Dyer seemed not to share the town’s prejudice against Erik. “He’s a nice-looking fellow; we must have him go on one of our picnics some time.” Unexpectedly, Dave Dyer also liked him. The tightfisted little farceur had a confused reverence for anything that seemed to him refined or clever. He answered Harry Haydock’s sneers, “That’s all right now! Elizabeth may doll himself up too much, but he’s smart, and don’t you forget it! I was asking round trying to find out where this Ukraine is, and darn if he didn’t tell me. What’s the matter with his talking so polite? Hell’s bells, Harry, no harm in being polite. There’s some regular he-men that are just as polite as women, prett’ near.”

Carol found herself going about rejoicing, “How neighborly the town is!” She drew up with a dismayed “Am I falling in love with this boy? That’s ridiculous! I’m merely interested in him. I like to think of helping him to succeed.”

But as she dusted the living-room, mended a collar-band, bathed Hugh, she was picturing herself and a young artistan Apollo nameless and evasive⁠—building a house in the Berkshires or in Virginia; exuberantly buying a chair with his first check; reading poetry together, and frequently being earnest over valuable statistics about labor; tumbling out of bed early for a Sunday walk, and chattering (where Kennicott would have yawned) over bread and butter by a lake. Hugh was in her pictures, and he adored the young artist, who made castles of chairs and rugs for him. Beyond these playtimes she saw the “things I could do for Erik”⁠—and she admitted that Erik did partly make up the image of her altogether perfect artist.

In panic she insisted on being attentive to Kennicott, when he wanted to be left alone to read the newspaper.

VI

She needed new clothes. Kennicott had promised, “We’ll have a good trip down to the Cities in the fall, and take plenty of time for it, and you can get your new glad-rags then.” But