The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) ๐
Description
The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. Itโs told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wifeโs literary parties, begins the story as Strickland leaves for Paris. Stricklandโs new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artistโs time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
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- Author: W. Somerset Maugham
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But there was something of an adventure in my trip, and my spirits rose as I approached Paris. I saw myself, too, from the dramatic standpoint, and I was pleased with my role of the trusted friend bringing back the errant husband to his forgiving wife. I made up my mind to see Strickland the following evening, for I felt instinctively that the hour must be chosen with delicacy. An appeal to the emotions is little likely to be effectual before luncheon. My own thoughts were then constantly occupied with love, but I never could imagine connubial bliss till after tea.
I enquired at my hotel for that in which Charles Strickland was living. It was called the Hรดtel des Belges. But the concierge, somewhat to my surprise, had never heard of it. I had understood from Mrs. Strickland that it was a large and sumptuous place at the back of the Rue de Rivoli. We looked it out in the directory. The only hotel of that name was in the Rue des Moines. The quarter was not fashionable; it was not even respectable. I shook my head.
โIโm sure thatโs not it,โ I said.
The concierge shrugged his shoulders. There was no other hotel of that name in Paris. It occurred to me that Strickland had concealed his address, after all. In giving his partner the one I knew he was perhaps playing a trick on him. I do not know why I had an inkling that it would appeal to Stricklandโs sense of humour to bring a furious stockbroker over to Paris on a foolโs errand to an ill-famed house in a mean street. Still, I thought I had better go and see. Next day about six oโclock I took a cab to the Rue des Moines, but dismissed it at the corner, since I preferred to walk to the hotel and look at it before I went in. It was a street of small shops subservient to the needs of poor people, and about the middle of it, on the left as I walked down, was the Hรดtel des Belges. My own hotel was modest enough, but it was magnificent in comparison with this. It was a tall, shabby building, that cannot have been painted for years, and it had so bedraggled an air that the houses on each side of it looked neat and clean. The dirty windows were all shut. It was not here that Charles Strickland lived in guilty splendour with the unknown charmer for whose sake he had abandoned honour and duty. I was vexed, for I felt that I had been made a fool of, and I nearly turned away without making an enquiry. I went in only to be able to tell Mrs. Strickland that I had done my best.
The door was at the side of a shop. It stood open, and just within was a sign: Bureau au premier. I walked up narrow stairs, and on the landing found a sort of box, glassed in, within which were a desk and a couple of chairs. There was a bench outside, on which it might be presumed the night porter passed uneasy nights. There was no one about, but under an electric bell was written Garรงon. I rang, and presently a waiter appeared. He was a young man with furtive eyes and a sullen look. He was in shirtsleeves and carpet slippers.
I do not know why I made my enquiry as casual as possible.
โDoes Mr. Strickland live here by any chance?โ I asked.
โNumber thirty-two. On the sixth floor.โ
I was so surprised that for a moment I did not answer.
โIs he in?โ
The waiter looked at a board in the bureau.
โHe hasnโt left his key. Go up and youโll see.โ
I thought it as well to put one more question.
โMadame est lร ?โ
โMonsieur est seul.โ
The waiter looked at me suspiciously as I made my way upstairs. They were dark and airless. There was a foul and musty smell. Three flights up a Woman in a dressing-gown, with tousled hair, opened a door and looked at me silently as I passed. At length I reached the sixth floor, and knocked at the door numbered thirty-two. There was a sound within, and the door was partly opened. Charles Strickland stood before me. He uttered not a word. He evidently did not know me.
I told him my name. I tried my best to assume an airy manner.
โYou donโt remember me. I had the pleasure of dining with you last July.โ
โCome in,โ he said cheerily. โIโm delighted to see you. Take a pew.โ
I entered. It was a very small room, overcrowded with furniture of the style which the French know as Louis Philippe. There was a large wooden bedstead on which was a billowing red eiderdown, and there was a large wardrobe, a round table, a very small washstand, and two stuffed chairs covered with red rep. Everything was dirty and shabby. There was no sign of the abandoned luxury that Colonel MacAndrew had so confidently described. Strickland threw on the
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