The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) 📕
Description
The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. It’s told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wife’s literary parties, begins the story as Strickland leaves for Paris. Strickland’s new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artist’s time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
Read free book «The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: W. Somerset Maugham
Read book online «The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) 📕». Author - W. Somerset Maugham
“Monsieur n’est pas poli,” she said.
She walked out of the inn. I was slightly vexed.
“There wasn’t any need to insult her that I can see,” I said. “After all, it was rather a compliment she was paying you.”
“That sort of thing makes me sick,” he said roughly.
I looked at him curiously. There was a real distaste in his face, and yet it was the face of a coarse and sensual man. I suppose the girl had been attracted by a certain brutality in it.
“I could have got all the women I wanted in London. I didn’t come here for that.”
XIVDuring the journey back to England I thought much of Strickland. I tried to set in order what I had to tell his wife. It was unsatisfactory, and I could not imagine that she would be content with me; I was not content with myself. Strickland perplexed me. I could not understand his motives. When I had asked him what first gave him the idea of being a painter, he was unable or unwilling to tell me. I could make nothing of it. I tried to persuade myself than an obscure feeling of revolt had been gradually coming to a head in his slow mind, but to challenge this was the undoubted fact that he had never shown any impatience with the monotony of his life. If, seized by an intolerable boredom, he had determined to be a painter merely to break with irksome ties, it would have been comprehensible, and commonplace; but commonplace is precisely what I felt he was not. At last, because I was romantic, I devised an explanation which I acknowledged to be farfetched, but which was the only one that in any way satisfied me. It was this: I asked myself whether there was not in his soul some deep-rooted instinct of creation, which the circumstances of his life had obscured, but which grew relentlessly, as a cancer may grow in the living tissues, till at last it took possession of his whole being and forced him irresistibly to action. The cuckoo lays its egg in the strange bird’s nest, and when the young one is hatched it shoulders its foster-brothers out and breaks at last the nest that has sheltered it.
But how strange it was that the creative instinct should seize upon this dull stockbroker, to his own ruin, perhaps, and to the misfortune of such as were dependent on him; and yet no stranger than the way in which the spirit of God has seized men, powerful and rich, pursuing them with stubborn vigilance till at last, conquered, they have abandoned the joy of the world and the love of women for the painful austerities of the cloister. Conversion may come under many shapes, and it may be brought about in many ways. With some men it needs a cataclysm, as a stone may be broken to fragments by the fury of a torrent; but with some it comes gradually, as a stone may be worn away by the ceaseless fall of a drop of water. Strickland had the directness of the fanatic and the ferocity of the apostle.
But to my practical mind it remained to be seen whether the passion which obsessed him would be justified of its works. When I asked him what his brother-students at the night classes he had attended in London thought of his painting, he answered with a grin:
“They thought it a joke.”
“Have you begun to go to a studio here?”
“Yes. The blighter came round this morning—the master, you know; when he saw my drawing he just raised his eyebrows and walked on.”
Strickland chuckled. He did not seem discouraged. He was independent of the opinion of his fellows.
And it was just that which had most disconcerted me in my dealings with him. When people say they do not care what others think of them, for the most part they deceive themselves. Generally they mean only that they will do as they choose, in the confidence that no one will know their vagaries; and at the utmost only that they are willing to act contrary to the opinion of the majority because they are supported by the approval of their neighbours. It is not difficult to be unconventional in the eyes of the world when your unconventionality is but the convention of your set. It affords you then an inordinate amount of self-esteem. You have the self-satisfaction of courage without the inconvenience of danger. But the desire for approbation is perhaps the most deeply seated instinct of civilised man. No one runs so hurriedly to the cover of respectability as the unconventional woman who has exposed herself to the slings and arrows of outraged propriety. I do not believe the people who tell me they do not care a row of pins for the opinion of their fellows. It is the bravado of ignorance. They mean only that they do not fear reproaches for peccadillos which they are convinced none will discover.
But here was a man who sincerely did not mind what people thought of him, and so convention had no hold on him; he was like a wrestler whose body is oiled; you could not get a grip on him; it gave him a freedom which was an outrage. I remember saying to him:
“Look here, if everyone acted like you, the world couldn’t go on.”
“That’s a damned silly thing to say. Everyone doesn’t want to act like me. The great majority are perfectly content to do the ordinary thing.”
And once I sought to be satirical.
“You evidently don’t believe in the maxim: Act so that every one of your actions is capable of being made into a universal rule.”
“I never heard it before, but it’s rotten nonsense.”
“Well, it was Kant who said it.”
“I don’t care; it’s rotten nonsense.”
Nor with such a
Comments (0)