The Dead Secret by Wilkie Collins (manga ereader TXT) 📕
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The Dead Secret is Wilkie Collins’ fourth novel. It first appeared in serial form in Charles Dickens’ Household Words magazine during 1856. Like many of Collins’ books, it features incidents and themes which were considered to be sensational at the time; in this case, sex before marriage, illegitimacy, and fraud.
The novel opens with a scene at Porthgenna Tower, a mansion in Cornwall, where the lady of the house, Mrs. Treverton, is dying. On her deathbed, she tries to force her maidservant, Sarah Leeson, to swear that she will give a letter Mrs. Treverton has written to her husband, Captain Treverton, once she is dead. The letter reveals an important family secret in which Sarah is deeply involved and which she consequently is desperately unwilling to pass on. Mrs. Treverton succeeds in making Sarah swear not to destroy the letter or remove it from the house, but dies before making the young woman swear to give the letter to the Captain. Sarah therefore finds a place to conceal it within the house.
The rest of the novel deals with Rosamond, the Treverton’s daughter, who grows to adulthood and marries Leonard Franklin, a young man of a well-to-do family, who is afflicted with blindness. Franklin purchases Porthgenna Tower after the Captain’s death, and the couple plan to move into the property and renovate it. Doing so, however, means that they are likely to uncover the hidden letter concealing the family secret.
While critics don’t consider The Dead Secret to be one of Collins’ best novels, it contains some of the same elements of mystery and suspense as The Woman in White and The Moonstone, and much of his characteristic wry humor.
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- Author: Wilkie Collins
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The persons assembled at the breakfast were, first, Mr. Phippen, a guest; secondly, Miss Sturch, a governess; thirdly, fourthly, and fifthly, Miss Louisa Chennery (aged eleven years), Miss Amelia Chennery (aged nine years), and Master Robert Chennery (aged eight years). There was no mother’s face present, to make the household picture complete. Doctor Chennery had been a widower since the birth of his youngest child.
The guest was an old college acquaintance of the vicar’s, and he was supposed to be now staying at Long Beckley for the benefit of his health. Most men of any character at all contrive to get a reputation of some sort which individualizes them in the social circle amid which they move. Mr. Phippen was a man of some little character, and he lived with great distinction in the estimation of his friends on the reputation of being A Martyr to Dyspepsia.
Wherever Mr. Phippen went, the woes of Mr. Phippen’s stomach went with him. He dieted himself publicly, and physicked himself publicly. He was so intensely occupied with himself and his maladies, that he would let a chance acquaintance into the secret of the condition of his tongue at five minutes’ notice; being just as perpetually ready to discuss the state of his digestion as people in general are to discuss the state of the weather. On this favorite subject, as on all others, he spoke with a wheedling gentleness of manner, sometimes in softly mournful, sometimes in languidly sentimental tones. His politeness was of the oppressively affectionate sort, and he used the word “dear” continually in addressing himself to others. Personally, he could not be called a handsome man. His eyes were watery, large, and light gray; they were always rolling from side to side in a state of moist admiration of something or somebody. His nose was long, drooping, profoundly melancholy—if such an expression may be permitted, in reference to that particular feature. For the rest, his lips had a lachrymose twist; his stature was small; his head large, bald, and loosely set on his shoulders; his manner of dressing himself eccentric, on the side of smartness; his age about five-and-forty; his condition that of a single man. Such was Mr. Phippen, the Martyr to Dyspepsia, and the guest of the vicar of Long Beckley.
Miss Sturch, the governess, may be briefly and accurately described as a young lady who had never been troubled with an idea or a sensation since the day when she was born. She was a little, plump, quiet, white-skinned, smiling, neatly dressed girl, wound up accurately to the performance of certain duties at certain times; and possessed of an inexhaustible vocabulary of commonplace talk, which dribbled placidly out of her lips whenever it was called for, always in the same quantity, and always of the same quality, at every hour in the day, and through every change in the seasons. Miss Sturch never laughed, and never cried, but took the safe middle course of smiling perpetually. She smiled when she came down on a morning in January, and said it was very cold. She smiled when she came down on a morning in July, and said it was very hot. She smiled when the bishop came once a year to see the vicar; she smiled when the butcher’s boy came every morning for orders. Let what might happen at the vicarage, nothing ever jerked Miss Sturch out of the one smooth groove in which she ran perpetually, always at the same pace. If she had lived in a royalist family, during the civil wars in England, she would have rung for the cook, to order dinner, on the morning of the execution of Charles the First. If Shakespeare had come back to life again, and had called at the vicarage at six o’clock on Saturday evening, to explain to Miss Sturch exactly what his views were in composing the tragedy of Hamlet, she would have smiled and said it was extremely interesting, until the striking of seven o’clock; at which time she would have left him in the middle of a sentence, to superintend the housemaid in the verification of the washing-book. A very estimable young person, Miss Sturch (as the ladies of Long Beckley were accustomed to say); so judicious with the children, and so attached to her household duties; such a well-regulated mind, and such a crisp touch on the piano; just nice-looking enough, just well-dressed enough, just talkative enough; not quite old enough, perhaps, and a little too much inclined to be embraceably plump about the region of the waist—but, on the whole, a most estimable young person—very much so, indeed.
On the characteristic peculiarities of Miss Sturch’s pupils, it is not necessary to dwell at very great length. Miss Louisa’s habitual weakness was an inveterate tendency to catch cold. Miss Amelia’s principal defect was a disposition to gratify her palate by eating supplementary dinners and breakfasts at unauthorized times and seasons. Master Robert’s most noticeable failings were caused by alacrity in tearing his clothes, and obtuseness in learning the multiplication table. The virtues of all three were of much the same nature—they were well grown, they were genuine children, and they were boisterously fond of Miss Sturch.
To complete the gallery of family portraits, an outline, at the least, must be attempted of the vicar himself. Doctor Chennery was, in a physical point of view, a credit to the establishment to which he was attached. He stood six feet two in his shooting-shoes; he weighed fifteen stone; he was the best bowler in the Long Beckley cricket-club; he was a strictly orthodox man in the matter of wine and mutton; he never started disagreeable theories about people’s future destinies in the pulpit, never quarreled with anybody out of the pulpit, never buttoned up his pockets when the necessities of his poor brethren (Dissenters included) pleaded
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