Short Fiction by Anton Chekhov (libby ebook reader .txt) π
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Anton Chekhov is widely considered to be one of the greatest short story writers in history. A physician by day, heβs famously quoted as saying, βMedicine is my lawful wife, and literature is my mistress.β Chekhov wrote nearly 300 short stories in his long writing career; while at first he wrote mainly to make a profit, as his interest in writingβand his skillβgrew, he wrote stories that heavily influenced the modern development of the form.
His stories are famous for, among other things, their ambiguous morality and their often inconclusive nature. Chekhov was a firm believer that the role of the artist was to correctly pose a question, but not necessarily to answer it.
This collection contains all of his short stories and two novellas, all translated by Constance Garnett, and arranged by the date they were originally published.
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- Author: Anton Chekhov
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I waked Pashka for fear he should fall out and began cautiously going down.
βHave we got to Lukovo?β asked Pashka, lifting his head lazily.
βYes. Hold the reins!β ββ β¦β
I led the horse down the hill and looked at the village. At the first glance one strange circumstance caught my attention: at the very top of the belfry, in the tiny window between the cupola and the bells, a light was twinkling. This light was like that of a smoldering lamp, at one moment dying down, at another flickering up. What could it come from?
Its source was beyond my comprehension. It could not be burning at the window, for there were neither icons nor lamps in the top turret of the belfry; there was nothing there, as I knew, but beams, dust, and spidersβ webs. It was hard to climb up into that turret, for the passage to it from the belfry was closely blocked up.
It was more likely than anything else to be the reflection of some outside light, but though I strained my eyes to the utmost, I could not see one other speck of light in the vast expanse that lay before me. There was no moon. The pale and, by now, quite dim streak of the afterglow could not have been reflected, for the window looked not to the west, but to the east. These and other similar considerations were straying through my mind all the while that I was going down the slope with the horse. At the bottom I sat down by the roadside and looked again at the light. As before it was glimmering and flaring up.
βStrange,β I thought, lost in conjecture. βVery strange.β
And little by little I was overcome by an unpleasant feeling. At first I thought that this was vexation at not being able to explain a simple phenomenon; but afterwards, when I suddenly turned away from the light in horror and caught hold of Pashka with one hand, it became clear that I was overcome with terror.β ββ β¦
I was seized with a feeling of loneliness, misery, and horror, as though I had been flung down against my will into this great hole full of shadows, where I was standing all alone with the belfry looking at me with its red eye.
βPashka!β I cried, closing my eyes in horror.
βWell?β
βPashka, whatβs that gleaming on the belfry?β
Pashka looked over my shoulder at the belfry and gave a yawn.
βWho can tell?β
This brief conversation with the boy reassured me for a little, but not for long. Pashka, seeing my uneasiness, fastened his big eyes upon the light, looked at me again, then again at the light.β ββ β¦
βI am frightened,β he whispered.
At this point, beside myself with terror, I clutched the boy with one hand, huddled up to him, and gave the horse a violent lash.
βItβs stupid!β I said to myself. βThat phenomenon is only terrible because I donβt understand it; everything we donβt understand is mysterious.β
I tried to persuade myself, but at the same time I did not leave off lashing the horse. When we reached the posting station I purposely stayed for a full hour chatting with the overseer, and read through two or three newspapers, but the feeling of uneasiness did not leave me. On the way back the light was not to be seen, but on the other hand the silhouettes of the huts, of the poplars, and of the hill up which I had to drive, seemed to me as though animated. And why the light was there I donβt know to this day.
The second terror I experienced was excited by a circumstance no less trivial.β ββ β¦ I was returning from a romantic interview. It was one oβclock at night, the time when nature is buried in the soundest, sweetest sleep before the dawn. That time nature was not sleeping, and one could not call the night a still one. Corncrakes, quails, nightingales, and woodcocks were calling, crickets and grasshoppers were chirruping. There was a light mist over the grass, and clouds were scurrying straight ahead across the sky near the moon. Nature was awake, as though afraid of missing the best moments of her life.
I walked along a narrow path at the very edge of a railway embankment. The moonlight glided over the lines which were already covered with dew. Great shadows from the clouds kept flitting over the embankment. Far ahead, a dim green light was glimmering peacefully.
βSo everything is well,β I thought, looking at them.
I had a quiet, peaceful, comfortable feeling in my heart. I was returning from a tryst, I had no need to hurry; I was not sleepy, and I was conscious of youth and health in every sigh, every step I took, rousing a dull echo in the monotonous hum of the night. I donβt know what I was feeling then, but I remember I was happy, very happy.
I had gone not more than three-quarters of a mile when I suddenly heard behind me a monotonous sound, a rumbling, rather like the roar of a great stream. It grew louder and louder every second, and sounded nearer and nearer. I looked round; a hundred paces from me was the dark copse from which I had only just come; there the embankment turned to the right in a graceful curve and vanished among the trees. I stood still in perplexity and waited. A huge black body appeared at once at the turn, noisily darted towards me, and with the swiftness of a bird flew past me along
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