Short Fiction by Leonid Andreyev (fastest ebook reader TXT) π
Description
Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyevβs writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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Wondering at themselves and their deeds, oblivious of the path behind them, they advanced closer and closer to the throne, fingering already its gilt carving, peeping into the royal bedchamber and attempting to sit upon royal chairs. The King bowed and the Queen smiled, and many of the people wept with joy as they beheld the Twentieth at close range; the women stroked with cautious finger the velvet of the royal coat and the silk of the royal gown, while the men with good-natured severity amused the royal infant.
The King bowed and the pale Queen smiled, and from under the door of a neighboring apartment there crept in the black current of the blood of a nobleman, who had stabbed himself to death; he could not survive the spectacle of somebodyβs dirty fingers touching the royal coat, and committed suicide. And as they dispersed they shouted:
βLong live the Twentieth.β
Here and there were some who frowned; but it was all so humorous that they too forgot their annoyance and gaily laughing as if at a carnival when some motley clown is crowned, they also shouted, βLong live the Twentieth.β And they laughed. But towards evening there was gloom in their faces and suspicion in their glances; how could they have faith in him who for a thousand years with diabolical cunning had been deceiving his good and confiding people! The palace is dark; its immense windows gleam insincerely and peer sulkily into the darkness: some scheme is being concocted there. They are conjuring the powers of darkness and calling on them for vengeance upon the people. There they loathingly cleanse the lips from traitorous kisses and bathe the royal infant who has been defiled by the touch of the people. Perhaps there is no one there. Perhaps in the immense darkened salons there is only the suicide nobleman and spaceβ βthey may have disappeared. One must shout, one must call for him, if a living being still be there. βLong live the Twentieth.β
A pale-grey, perplexing sky looks down upon pallid, upturned faces; the frightened clouds are scurrying over the heavens, and the immense windows gleam with a mysterious lifeless light. βLong live the Twentieth!β
The overwhelmed sentinel seems to sway in the surging crowd. He has lost his gun and is smiling; the lock upon the iron portals clatters spasmodically and feverishly; clinging to the lofty iron rods of the gate, like black and misshapen fruit are crouching bodies and outstretched hands, that look pale on top and dark below. A shaggy mass of clouds sweeps the sky and gazes down upon the scenes. Shouts. Someone has lighted a torch, and the palace windows blushed as if crimson with blood and drew nearer to the crowd. Something seemed to be creeping upon the walls and disappeared upon the roof. The lock rattled no longer. The glare of the torch revealed the railing crowded with people, and now it became again invisible. The people were moving onward.
βLong live the Twentieth!β A number of dim lights now seem to be flittering past the windows. Somebodyβs ugly features press closely to the pane and disappear. It is growing lighter. The torches increase in number, multiply and move up and down, like some curious dance or procession. Now the torches crowd together and incline as if saluting; the king and queen appear on the balcony. There is a blaze of light behind them, but their faces are dark, and the crowd is not sure it is really they, in person.
βGive us Light! Twentieth! Give us Light! We can not see thee!β Suddenly several torches flash to the right and to the left of them, and from a smoky cavern two flushed and trembling countenances come into view. The people in the back are yelling: βIt is not they! The king has fled!β But those nearest now shout with the joy of relieved anxiety: βLong live the Twentieth!β The crimson faces are now seen moving slowly up and down, now bright in the lurid glare, now vanishing in the shadow; they are bowing to the people. It is the Nineteenth, the Fourth, the Second who are bowing; bowing in the crimson mist are those mysterious creatures who had held so much enigmatic, almost divine power, and behind them are vanishing in the crimson mist of the past, murders, executions, majesty and dread. Now he must speak; the human voice is needed; when he is silent and bows with his flaming face he is terrible to look upon, like a devil conjured up from hell.
βSpeak, Twentieth, speak!β A curious motion of the hand, calling for silence, a strange commanding gesture, as ancient as kingcraft itself, and a gentle unknown voice is heard dropping those ancient and curious words: βI am glad to see my good people.β Is that all? And is it not enough? He is glad! The Twentieth is glad! Be not angry with us Twentieth. We love thee, Twentieth, love us, too. If you will not love us we shall come again to see you in your study where you work, in your dining-room where you eat, in your bed chamber where you sleep, and we shall compel you to love us.
βLong live the Twentieth! Long live the king! Long live our master!β
Slaves!
Who said slaves? The torches are expiring. They are departing. The dim lights are moving back into the palace, the windows are dark again, but they flush with a crimson reflection. Someone is being sought in the crowd. The crowds are hurrying, casting frightened glances behind. Had he been here or had it been a mere fancy? They ought to have touched him, fingered his garments or his face; he ought to have been made to cry out with terror or pain. They disperse in silence; the shouts of individuals are drowned in the discordant tramp of many feet; they are filled with obscure
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