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in the roof, and pondered the sky and its azure depth; then, leaning against a pillar, he studied the distribution of light and shade, and its effects; here a veil diminishing objects, there a brilliance exaggerating others; yet nobody came. Time, or rather the passage of time, began at length to impress itself upon him, and he wondered why Iras stayed so long. Again he traced out the figures upon the floor, but not with the satisfaction the first inspection gave him. He paused often to listen: directly impatience blew a little fevered breath upon his spirit; next time it blew stronger and hotter; and at last he woke to a consciousness of the silence which held the house in thrall, and the thought of it made him uneasy and distrustful. Still he put the feeling off with a smile and a promise. “Oh, she is giving the last touch to her eyelids, or she is arranging a chaplet for me; she will come presently, more beautiful of the delay!” He sat down then to admire a candelabrum⁠—a bronze plinth on rollers, filigree on the sides and edges; the post at one end, and on the end opposite it an altar and a female celebrant; the lamp-rests swinging by delicate chains from the extremities of drooping palm-branches; altogether a wonder in its way. But the silence would obtrude itself: he listened even as he looked at the pretty object⁠—he listened, but there was not a sound; the palace was still as a tomb.

There might be a mistake. No, the messenger had come from the Egyptian, and this was the palace of Idernee. Then he remembered how mysteriously the door had opened so soundlessly, so of itself. He would see!

He went to the same door. Though he walked ever so lightly the sound of his stepping was loud and harsh, and he shrank from it. He was getting nervous. The cumbrous Roman lock resisted his first effort to raise it; and the second⁠—the blood chilled in his cheeks⁠—he wrenched with all his might: in vain⁠—the door was not even shaken. A sense of danger seized him, and for a moment he stood irresolute.

Who in Antioch had the motive to do him harm?

Messala!

And this palace of Idernee? He had seen Egypt in the vestibule, Athens in the snowy portico; but here, in the atrium, was Rome; everything about him betrayed Roman ownership. True, the site was on the great thoroughfare of the city, a very public place in which to do him violence; but for that reason it was more accordant with the audacious genius of his enemy. The atrium underwent a change; with all its elegance and beauty, it was no more than a trap. Apprehension always paints in black.

The idea irritated Ben-Hur.

There were many doors on the right and left of the atrium, leading, doubtless, to sleeping-chambers; he tried them, but they were all firmly fastened. Knocking might bring response. Ashamed to make outcry, he betook himself to a couch, and, lying down, tried to reflect.

All too plainly he was a prisoner; but for what purpose? and by whom?

If the work were Messala’s! He sat up, looked about, and smiled defiantly. There were weapons in every table. But birds had been starved in golden cages; not so would he⁠—the couches would serve him as battering-rams; and he was strong, and there was such increase of might in rage and despair!

Messala himself could not come. He would never walk again; he was a cripple like Simonides; still he could move others. And where were there not others to be moved by him? Ben-Hur arose, and tried the doors again. Once he called out; the room echoed so that he was startled. With such calmness as he could assume, he made up his mind to wait a time before attempting to break a way out.

In such a situation the mind has its ebb and flow of disquiet, with intervals of peace between. At length⁠—how long, though, he could not have said⁠—he came to the conclusion that the affair was an accident or mistake. The palace certainly belonged to somebody; it must have care and keeping: and the keeper would come; the evening or the night would bring him. Patience!

So concluding, he waited.

Half an hour passed⁠—a much longer period to Ben-Hur⁠—when the door which had admitted him opened and closed noiselessly as before, and without attracting his attention.

The moment of the occurrence he was sitting at the farther end of the room. A footstep startled him.

“At last she has come!” he thought, with a throb of relief and pleasure, and arose.

The step was heavy, and accompanied with the gride and clang of coarse sandals. The gilded pillars were between him and the door; he advanced quietly, and leaned against one of them. Presently he heard voices⁠—the voices of men⁠—one of them rough and guttural. What was said he could not understand, as the language was not of the East or South of Europe.

After a general survey of the room, the strangers crossed to their left, and were brought into Ben-Hur’s view⁠—two men, one very stout, both tall, and both in short tunics. They had not the air of masters of the house or domestics. Everything they saw appeared wonderful to them; everything they stopped to examine they touched. They were vulgarians. The atrium seemed profaned by their presence. At the same time, their leisurely manner and the assurance with which they proceeded pointed to some right or business; if business, with whom?

With much jargon they sauntered this way and that, all the time gradually approaching the pillar by which Ben-Hur was standing. Off a little way, where a slanted gleam of the sun fell with a glare upon the mosaic of the floor, there was a statue which attracted their notice. In examining it, they stopped in the light.

The mystery surrounding his own presence in the palace tended, as we have seen, to make Ben-Hur nervous; so now, when in the tall stout

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