Eye of the Sh*t Storm by Jackson Ford (most romantic novels .txt) 📕

captain turns to look at Singh, but she’s gone. So is the side of the ship. There’s nothing but a jagged gash, the edges a mess of torn metal and sputtering wires. The awful orange glow is coming in, its fingers reaching for him, and he can feel the heat baking on his skin.

“Marshall, listen to me,” the captain says, but Marshall is gone too. The captain can see the sky beyond the ship, beyond the flames. It’s blue, clearer than he could have ever imagined. It fades to black where it reaches the upper atmosphere, and the space beyond that is pin-pricked with stars.

One of those stars is Outer Earth.

Maybe I can find it, the captain thinks, if I look hard enough. He can feel the anger, the disbelief at Marshall’s words, but he refuses to let it take hold. He tells himself that Outer Earth will send help. They have to. He tries to picture the faces of his family, tries to hold them uppermost in his mind, but the roaring and the heat are everywhere and he can’t—

1Riley

My name is Riley Hale, and when I run, the world disappears.

Feet pounding. Heart thudding. Steel plates thundering under my feet as I run, high up on Level 6, keeping a good momentum as I move through the darkened corridors. I focus on the next step, on the in-out, push-pull of my breathing. Stride, land, cushion, spring, repeat. The station is a tight warren of crawl-spaces and vents around me, every surface metal etched with ancient graffiti.

“She’s over there!”

The shout comes from behind me, down the other end of the corridor. The skittering footsteps that follow it echo off the walls. I thought I’d lost these idiots back at the sector border – now I have to outrun them all over again. I got lost in the rhythm of running – always dangerous when someone’s trying to jack your cargo. I refuse to waste a breath on cursing, but one of my exhales turns into a growl of frustration.

The Lieren might not be as fast as I am, but they obviously don’t give up.

I go from a jog to a sprint, my pack juddering on my spine as I pump my arms even harder. A tiny bead of sweat touches my eye, sizzling and stinging. I ignore it. No tracer in my crew has ever failed to deliver their cargo, and I am not going to be the first.

I round the corner – and nearly slam into a crush of people. There are five of them, sauntering down the corridor, talking among themselves. But I’m already reacting, pushing off with my right foot, springing in the direction of the wall. I bring my other foot up to meet it, flattening it against the metal and tucking my left knee up to my chest. The momentum keeps me going forwards even as I’m pushing off, exhaling with a whoop as I squeeze through the space between the people and the wall. My right foot comes down, and I’m instantly in motion again. Full momentum. A perfect tic-tac.

The Lieren are close behind, colliding with the group, bowling them over in a mess of confused shouts. But I’ve got the edge now. Their cries fade into the distance.

There’s not a lot you can move between sectors without paying off the gangs. Not unless you know where and how to cross. Tracers do. And that’s why we exist. If you need to get something to someone, or if you’ve got a little package you don’t want any gangs knowing about, you come find us. We’ll get it there – for a price, of course – and if you come to my crew, the Devil Dancers, we’ll get it there fast.

The corridor exit looms, and then I’m out, into the gallery. After the corridors, the giant lights illuminating the massive open area are blinding. Corridor becomes catwalk, bordered with rusted metal railings, and the sound of my footfalls fades away, whirling off into the open space.

I catch a glimpse of the diagram on the far wall, still legible a hundred years after it was painted. A scale picture of the station. The Core at the centre, a giant sphere which houses the main fusion reactor. Shooting out from it on either side, two spokes, connected to an enormous ring, the main body. And under it, faded to almost nothing after over a century: Outer Earth Orbit Preservation Module, Founded AD 2234.

Ahead of me, more people emerge from the far entrance to the catwalk. A group of teenage girls, packed tight, talking loudly among themselves. I count ten, fifteen – no. They haven’t seen me. I’m heading full tilt towards them.

Without breaking stride, I grab the right-hand railing of the catwalk and launch myself up and over, into space.

For a second, there’s no noise but the air rushing past me. The sound of the girls’ conversation vanishes, like someone turned down a volume knob. I can see all the way down to the bottom of the gallery, a hundred feet below, picking out details snatched from the gaps in the web of criss-crossing catwalks.

The floor is a mess of broken benches and circular flowerbeds with nothing in them. There are two young girls, skipping back and forth over a line they’ve drawn on the floor. One is wearing a faded smock. I can just make out the word Astro on the back as it twirls around her. A light above them is flickering off-on-off, and their shadows flit in and out on the wall behind them, dancing off metal plates. My own shadow is spread out before me, split by the catwalks; a black shape broken on rusted railings. On one of the catwalks lower down, two men are arguing, pushing each other. One man throws a punch, his target dodging back as the group around them scream dull threats.

I jumped off the catwalk without checking my landing zone. I don’t even