Main Street by Sinclair Lewis (ink book reader .TXT) 📕
Description
Carol Milford grows up in a mid-sized town in Minnesota before moving to Chicago for college. After her education, during which she’s exposed to big-city life and culture, she moves to Minneapolis to work as a librarian. She soon meets Will Kennicott, a small-town doctor, and the two get married and move to Gopher Prairie, Kennicott’s home town.
Carol, inspired by big-city ideas, soon begins chafing at the seeming quaintness and even backwardness of the townsfolk, and their conservative, self-satisfied way of life. She struggles to try to reform the town in her image, while finding meaning in the seeming cultural desert she’s found herself in and in her increasingly cold marriage.
Gopher Prairie is a detailed, satirical take on small-town American life, modeled after Sauk Centre, the town in which Lewis himself grew up. The town is fully realized, with generations of inhabitants interacting in a complex web of village society. Its bitingly satirical portrayal made Main Street highly acclaimed by its contemporaties, though many thought the satirical take was perhaps a bit too dark and hopeless. The book’s celebration and condemnation of small town life make it a candidate for the title of the Great American Novel.
Main Street was awarded the 1921 Pulitzer Prize, but the decision was overturned by the prize’s Board of Trustees and awarded instead to Edith Wharton for The Age of Innocence. When Lewis went on to win the 1926 Pulitzer for Arrowsmith, he declined it—with the New York Times reporting that he did so because he was still angry at the Pulitzers for being denied the prize for Main Street.
Despite the book’s snub at the Pulitzers, Lewis went on to win the Nobel Prize in Literature in 1930, with Main Street being cited as one of the reasons for his win.
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- Author: Sinclair Lewis
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“Wait! Wait!”
This sensitive boy would be very skilfully stamped into conformity by Lyman Cass and his sallow daughter; but did she detest the plan for this reason? “I must be honest. I mustn’t tamper with his future to please my vanity.” But she had no sure vision. She turned on him:
“How can I decide? It’s up to you. Do you want to become a person like Lym Cass, or do you want to become a person like—yes, like me! Wait! Don’t be flattering. Be honest. This is important.”
“I know. I am a person like you now! I mean, I want to rebel.”
“Yes. We’re alike,” gravely.
“Only I’m not sure I can put through my schemes. I really can’t draw much. I guess I have pretty fair taste in fabrics, but since I’ve known you I don’t like to think about fussing with dress-designing. But as a miller, I’d have the means—books, piano, travel.”
“I’m going to be frank and beastly. Don’t you realize that it isn’t just because her papa needs a bright young man in the mill that Myrtle is amiable to you? Can’t you understand what she’ll do to you when she has you, when she sends you to church and makes you become respectable?”
He glared at her. “I don’t know. I suppose so.”
“You are thoroughly unstable!”
“What if I am? Most fish out of water are! Don’t talk like Mrs. Bogart! How can I be anything but ‘unstable’—wandering from farm to tailor shop to books, no training, nothing but trying to make books talk to me! Probably I’ll fail. Oh, I know it; probably I’m uneven. But I’m not unstable in thinking about this job in the mill—and Myrtle. I know what I want. I want you!”
“Please, please, oh, please!”
“I do. I’m not a schoolboy any more. I want you. If I take Myrtle, it’s to forget you.”
“Please, please!”
“It’s you that are unstable! You talk at things and play at things, but you’re scared. Would I mind it if you and I went off to poverty, and I had to dig ditches? I would not! But you would. I think you would come to like me, but you won’t admit it. I wouldn’t have said this, but when you sneer at Myrtle and the mill—If I’m not to have good sensible things like those, d’ you think I’ll be content with trying to become a damn dressmaker, after you? Are you fair? Are you?”
“No, I suppose not.”
“Do you like me? Do you?”
“Yes—No! Please! I can’t talk any more.”
“Not here. Mrs. Haydock is looking at us.”
“No, nor anywhere. O Erik, I am fond of you, but I’m afraid.”
“What of?”
“Of Them! Of my rulers—Gopher Prairie. … My dear boy, we are talking very foolishly. I am a normal wife and a good mother, and you are—oh, a college freshman.”
“You do like me! I’m going to make you love me!”
She looked at him once, recklessly, and walked away with a serene gait that was a disordered flight.
Kennicott grumbled on their way home, “You and this Valborg fellow seem quite chummy.”
“Oh, we are. He’s interested in Myrtle Cass, and I was telling him how nice she is.”
In her room she marveled, “I have become a liar. I’m snarled with lies and foggy analyses and desires—I who was clear and sure.”
She hurried into Kennicott’s room, sat on the edge of his bed. He flapped a drowsy welcoming hand at her from the expanse of quilt and dented pillows.
“Will, I really think I ought to trot off to St. Paul or Chicago or some place.”
“I thought we settled all that, few nights ago! Wait till we can have a real trip.” He shook himself out of his drowsiness. “You might give me a good night kiss.”
She did—dutifully. He held her lips against his for an intolerable time. “Don’t you like the old man any more?” he coaxed. He sat up and shyly fitted his palm about the slimness of her waist.
“Of course. I like you very much indeed.” Even to herself it sounded flat. She longed to be able to throw into her voice the facile passion of a light woman. She patted his cheek.
He sighed, “I’m sorry you’re so tired. Seems like—But of course you aren’t very strong.”
“Yes. … Then you don’t think—you’re quite sure I ought to stay here in town?”
“I told you so! I certainly do!”
She crept back to her room, a small timorous figure in white.
“I can’t face Will down—demand the right. He’d be obstinate. And I can’t even go off and earn my living again. Out of the habit of it. He’s driving me—I’m afraid of what he’s driving me to. Afraid.
“That man in there, snoring in stale air, my husband? Could any ceremony make him my husband?
“No. I don’t want to hurt him. I want to love him. I can’t, when I’m thinking of Erik. Am I too honest—a funny topsy-turvy honesty—the faithfulness of unfaith? I wish I had a more compartmental mind, like men. I’m too monogamous—toward Erik!—my child Erik, who needs me.
“Is an illicit affair like a gambling debt—demands stricter honor than the legitimate debt of matrimony, because it’s not legally enforced?
“That’s nonsense! I don’t care in the least for Erik! Not for any man. I want to be let alone, in a woman world—a world without Main Street, or politicians, or business men, or men with that sudden beastly hungry look, that glistening unfrank expression that wives know—
“If Erik were here, if he would just
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