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with a supplicating expression. “I am so weak. If you please!”

“Coffee will be more strengthening, I would advise you.”

Albert’s face lost its childish expression; he gazed coldly, sadly, out of the window, and fell back into the chair.

“Wouldn’t you like some breakfast?”

“No, thank you, I haven’t any appetite.”

“If you want to play on the violin, you will not disturb me,” said Delesof, laying the instrument on the table. Albert looked at the violin with a contemptuous smile.

“No, I am too weak, I cannot play,” he said, and pushed the instrument from him.

After that, in reply to all Delesof’s propositions to go to walk, to go to the theatre in the evening, or anything else, he only shook his head mournfully, and refused to speak.

Delesof went out, made a few calls, dined out, and before the theatre hour, he returned to his rooms to change his attire and find out how the musician was getting along.

Albert was sitting in the dark anteroom, and, with his head resting on his hand, was gazing at the heated stove. He was neatly dressed, washed and combed; but his eyes were sad and vacant, and his whole form expressed even more weakness and debility than in the morning.

“Well, have you had dinner, Mr. Albert?” asked Delesof.

Albert nodded his head, and, after looking with a terrified expression at Delesof, dropped his eyes. It made Delesof feel uncomfortable.

“I have been talking today with a manager,” said he, also dropping his eyes. “He would be very glad to make terms with you, if you would like to accept an engagement.”

“I thank you, but I cannot play,” said Albert, almost in a whisper; and he went into his room, and closed the door as softly as possible. After a few minutes, lifting the latch as softly as possible, he came out of the room, bringing the violin. Casting a sharp, angry look at Delesof, he laid the instrument on the table, and again disappeared.

Delesof shrugged his shoulders, and smiled.

“What am I to do now? Wherein am I to blame?” he asked himself.

“Well, how is the musician?” was his first question when he returned home late that evening.

“Bad,” was Zakhár’s short and ringing reply. “He sighs all the time, and coughs, and says nothing at all, only he has asked for vodka four or five times, and once I gave him some. How can we avoid killing him this way, Dmitri Ivánovitch? That was the way the overseer⁠ ⁠…”

“Well, hasn’t he played on the fiddle?”

“Didn’t even touch it. I took it to him, twice⁠—Well, he took it up slowly, and carried it out,” said Zakhár with a smile. “Do you still bid me refuse him something to drink?”

“Don’t give him anything today; we’ll see what’ll come of it. What is he doing now?”

“He has shut himself into the parlor.”

Delesof went into his library, took down a few French books, and the Testament in German. “Put these books tomorrow in his room; and look out, don’t let him get away,” said he to Zakhár.

The next morning Zakhár informed his bárin that the musician had not slept a wink all night. “He kept walking up and down his rooms, and going to the sideboard to try to open the cupboard and door; but everything, in spite of his efforts, remained locked.”

Zakhár told how, while he was going to sleep, he heard Albert muttering to himself in the darkness and gesticulating.

Each day Albert grew more gloomy and taciturn. It seemed as though he were afraid of Delesof, and his face expressed painful terror whenever their eyes met. He did not touch either book or violin, and made no replies to the questions put to him.

On the third day after the musician came to stay with him, Delesof returned home late in the evening, tired and worried. He had been on the go all day, attending to his duties. Though they had seemed very simple and easy, yet, as is often the case, he had not made any progress at all, in spite of his strenuous endeavors. Afterwards he had stopped at the club, and lost at whist. He was out of spirits.

“Well, God be with him,” he replied to Zakhár, who had been telling him of Albert’s pitiable state. “Tomorrow I shall be really worried about him. Is he willing or not to stay with me, and follow my advice? No? Then it’s idle. I have done the best that I could.”

“That’s what comes of trying to be a benefactor to people,” said he to himself. “I am putting myself to inconvenience for him. I have taken this filthy creature into my rooms, which keeps me from receiving strangers in the morning; I work and trot; and yet he looks upon me as some enemy who, against his will, would keep him in pound. But the worst is, that he is not willing to take a step in his own behalf. That’s the way with them all.”

That word all referred to people in general, and especially to those with whom he had been associated in business that day. “But what is to be done for him now? What is he contemplating? Why is he melancholy? Is he melancholy on account of the debauch from which I rescued him? on account of the degradation in which he has been? the humiliation from which I saved him? Can it be that he has fallen so low that it is a burden for him to look on a pure life?⁠ ⁠…

“No, this was a childish action,” reasoned Delesof. “Why should I undertake to direct others, when it is as much as I can do to manage my own affairs?”

The impulse came over him to let him go immediately, but after a little deliberation he postponed it till the morning.

During the night Delesof was aroused by the noise of a falling table in the anteroom, and the sound of voices and stamping feet.

“Just wait a little, I will tell Dmitri Ivánovitch,” said Zakhár’s voice; Albert’s voice replied passionately

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