Short Fiction by Leo Tolstoy (book reader for pc TXT) 📕
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While perhaps best known for his novels War and Peace and Anna Karenina, the Russian author and religious thinker Leo Tolstoy was also a prolific author of short fiction. This Standard Ebooks production compiles all of Tolstoy’s short stories and novellas written from 1852 up to his death, arranged in order of their original publication.
The stories in this collection vary enormously in size and scope, from short, page-length fables composed for the education of schoolchildren, to full novellas like “Family Happiness.” Readers who are familiar with Tolstoy’s life and religious experiences—as detailed, for example, in his spiritual memoir A Confession—may be able to trace the events of Tolstoy’s life through the changing subjects of these stories. Some early stories, like “The Raid” and the “Sevastopol” sketches, draw from Tolstoy’s experiences in the Caucasian War and the Crimean War when he served in the Imperial Russian Army, while other early stories like “Recollections of a Scorer” and “Two Hussars” reflect Tolstoy’s personal struggle with gambling addiction.
Later stories in the collection, written during and after Tolstoy’s 1870s conversion to Christian anarcho-pacifism (a spiritual and religious philosophy described in detail in his treatise The Kingdom of God is Within You), frequently reflect either Tolstoy’s own experiences in spiritual struggle (e.g. “The Death of Ivan Ilyitch”) or his interpretation of the New Testament (e.g. “The Forged Coupon”), or both. Many later stories, like “Three Questions” and “How Much Land Does a Man Need?” are explicitly didactic in nature and are addressed to a popular audience to promote his religious ideals and views on social and economic justice.
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- Author: Leo Tolstoy
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“What did you do?” asked Delesof.
“Ah! wait, wait, I cannot tell you that.”
And, hiding his face in his hands, he said nothing for some time.
“I was late at the orchestra. Petrof and I had been drinking that evening, and I was excited. She was sitting in her box, and talking with some general. I don’t know who that general was. She was sitting at the very edge of the box, with her arm resting on the rim. She wore a white dress, with pearls on her neck. She was talking with him, but she looked at me. Twice she looked at me. She had arranged her hair in such a becoming way! I stopped playing, and stood near the bass, and gazed at her. Then, for the first time, something strange took place in me. She smiled on the general, but she looked at me. I felt certain that she was talking about me; and suddenly I seemed to be not in my place in the orchestra, but was standing in her box, and seizing her hand in that place. What was the meaning of that?” asked Albert, after a moment’s silence.
“A powerful imagination,” said Delesof.
“No, no … I cannot tell,” said Albert frowning. “Even then I was poor. I hadn’t any room; and when I went to the theatre, I sometimes used to sleep there.”
“What, in the theatre?” asked Delesof.
“Ah! I am not afraid of these stupid things. Ah! just wait a moment. As soon as everybody was gone, I went to that box where she had been sitting, and slept there. That was my only pleasure. How many nights I spent there! Only once again did I have that experience. At night many things seemed to come to me. But I cannot tell you much about them.” Albert contracted his brows, and looked at Delesof. “What did it mean?” he asked.
“It was strange,” replied the other.
“No, wait, wait!” he bent over to his ear, and said in a whisper—
“I kissed her hand, wept there before her, and said many things to her. I heard the fragrance of her sighs, I heard her voice. She said many things to me that one night. Then I took my violin, and began to play softly. And I played beautifully. But it became terrible to me. I am not afraid of such stupid things, and I don’t believe in them, but my head felt terribly,” he said, smiling sweetly, and moving his hand over his forehead. “It seemed terrible to me on account of my poor mind; something happened in my head. Maybe it was nothing; what do you think?”
Neither spoke for several minutes.
“Und wenn die Wolken sie verhüllen,
Die Sonne bleibt doch ewig klar.”176
hummed Albert, smiling gently. “That is true, isn’t it?” he asked.
“Ich auch habe gelebt und genossen.”177
“Ah, old man Petrof! how this would have made things clear to you!”
Delesof, in silence and with dismay, looked at his companion’s excited and colorless face.
“Do you know the Juristen waltzes?” suddenly asked Albert in a loud voice, and without waiting for an answer, jumped up, seized the violin, and began to play the waltz. In absolute self-forgetfulness, and evidently imagining that a whole orchestra was playing for him, Albert smiled, began to dance, to shuffle his feet, and to play admirably.
“Hey, we will have a good time!” he exclaimed, as he ended, and waved his violin. “I am going,” said he, after sitting down in silence for a little. “Won’t you come along too?”
“Where?” asked Delesof in surprise.
“Let us go to Anna Ivánovna’s again. It’s gay there—bustle, people, music.”
Delesof for a moment was almost persuaded. However, coming to his senses, he promised Albert that he would go with him the next day.
“I should like to go this minute.”
“Indeed, I wouldn’t go.”
Albert sighed, and laid down the violin.
“Shall I stay, then?” He looked over at the table, but the wine was gone; and so, wishing him a good night, he left the room.
Delesof rang. “Look here,” said he to Zakhár, “don’t let Mr. Albert go anywhere without asking me about it first.”
VIThe next day was a holiday. Delesof, on waking, sat in his parlor, drinking his coffee and reading a book. Albert, who was in the next room, had not yet moved. Zakhár discreetly opened the door, and looked into the dining-room.
“Would you believe it, Dmitri Ivánovitch, there he lies asleep on the bare sofa. I would not send him away for anything, God knows. He’s like a little child. Indeed, he’s an artist!”
At twelve o’clock, there was a sound of yawning and coughing on the other side of the door.
Zakhár again crept into the dining-room; and the bárin heard his wheedling voice, and Albert’s gentle, beseeching voice.
“Well, how is he?” asked Delesof, when Zakhár came out.
“He feels blue, Dmitri Ivánovitch. He doesn’t want to get dressed. He’s so cross. All he asks for is something to drink.”
“Now, if we are to get hold of him, we must strengthen his character,” said Delesof to himself. And, forbidding Zakhár to give him any wine, he again devoted himself to his book; in spite of himself, however, listening all the time for developments in the dining-room.
But there was no movement there, only occasionally were heard a heavy chest cough and spitting. Two hours passed. Delesof, after dressing to go out, resolved to look in upon his guest. Albert was sitting motionless at the window, leaning his head on his hands.
He looked round. His face was sallow, morose, and not only melancholy but deeply unhappy. He tried to welcome his host with a smile, but his face assumed a still more woebegone expression. It seemed as though he were on the point of tears.
With effort he stood up and bowed. “If I might have just a little glass of simple vodka,” he exclaimed
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